Collection and delivery costs are included for the first 2 years in the event of an item becoming faulty An audio interface that is bringing an awful lot more to the table than you’re paying for, and that allows you to concentrate on making music without being distracted by the technicalities." Powered by Audient's lightning fast Smartgain algorithm, Smartgain uses advanced peak analysis to automatically analyse and set your gain to the perfect level in under 20 seconds! All you need to do is set up your mics, engage Smartgain and the EVO 16 will take it from there.Set the gain for all 8 Mic preamps with the touch of a button! Future-proof your Setup One of the most unique and groundbreaking features of the interface is "Smartgain Mode". Once you start playing or singing with Smartgain Mode, the interface will automatically adjust the levels of your microphones, so you can avoid clipping and distortion. It will even match and adjust gain to both channels at the same time for added versatility. This makes the recording process easier than ever before, eliminating the need to adjust levels manually. This is perfect for beginners and professionals alike, streamlining your workflow. Detailed, warm sound with EVO mic preamps

EVO 16 Driver and Manual Downloads – Audient Help Desk EVO 16 Driver and Manual Downloads – Audient Help Desk

Audio interfaces have EVOlved. The EVO audio interface employs its own custom microphone preamps. The EVO preamps are specially-designed for this interface, providing pristine sound with incredible warmth and accuracy. It provides you with 58dB of gain range, allowing you to record everything from loud vocals to softer-sounding instruments. The class-leading converters deliver a dynamic range of 113dB, with ultra-low latency performance.The EVO software mixer is clear and simple, but gives access to some surprisingly deep functionality. The ID‑series interfaces are competitively priced, but on the pure value‑for‑money front, they are undercut by rival products that use mass‑market, off‑the‑shelf components and circuits. Hence the launch of Audient’s EVO series of interfaces, brought to market more affordably by the use of generic audio circuitry instead of the Audient custom designs employed in the ID series. But price isn’t the only thing differentiating the EVO interfaces from their ID brethren. Tabula Rasa However, the Gear4music extended warranty scheme provides an enhanced service, and is designed to offer a higher level of protection than many 'free' warranties offered by some retailers and manufacturers.

Audient EVO 16 review | MusicRadar

Further options for the routing and configuration of inputs and outputs along with ultra-low latency monitoring functionality is provided by the EVO Mixer software, with both macOS and Windows operating systems supported. In every Expert review we ask three of our team of contributors to give their first impressions of the product. We ask them to give the product a hit or miss, based on factors such as originality, innovation, usefulness, quality and value for money. For each hit the products gets an Expert Award. One hit and it gets our bronze award, two hits gets silver and for a hit from all three of the panel it gets a coveted gold award. Of course if there’s three misses, there’s no award. Luke Goddard On EVO 16 There is also room for expansion with plenty of optical inputs and outputs, making it possible to record anything from just drums to a full band. Ensuring the studio can grow with time, there are both ADAT and SPDIF options to add up to 16 extra channels of mic preamps. With Audient parenting EVO, there’s plenty of that brains and technology going the EVO 16. However, it stays affordably priced and novice-friendly. An uncomplicated interface with lots of room to plug stuff into that’s non-expensive is definitely something I can get behind. Is there anything in the unit itself stopping one from making the next chart-topper? I seriously doubt it. EVO 16 Key FeaturesBritish audio company, EVO by Audient is delighted to announce the launch of the latest product in its range, EVO 16. A 24 in / 24 out Audio Interface, this newest release features eight award-winning EVO Preamps, advanced converter technology as well as the ingenious Smartgain feature which can be used on all 8 channels simultaneously, and continues to deliver on the EVO promise to ‘make recording easy’. The EVO By Audient EVO 16 USB Audio Interface is perfect for professionals featuring an 8-in/8-out design, equipped with Audient's custom EVO mic preamps and the new 'Motion# user interface. The Audient EVO 16 provides ultra-low latency performance delivering pristine sound thanks to the 24-bit/192kHz audio resolution. The eight EVO mic pres deliver exceptional warmth whilst remaining accurate and nuanced, providing up to 58dB of gain range. You can record both instruments and vocals thanks to the built-in Phantom Power and JFET input. Please note that this extended warranty is currently only available on products sold within the UK, EU or EEA, and is subject to the terms and conditions as detailed on the extended warranty certificate provided. The market for budget, entry‑level interfaces is mostly made up of newcomers to recording. These customers, on the one hand, benefit from designs that present the easiest possible learning curve; but on the other, they’re also unburdened by preconceptions as to how an audio interface should work. Consequently, Audient have put a lot of work into the usability and ergonomics of the EVO series, and they’ve not been afraid to depart from established convention. The EVO 4 and EVO 8 look nothing like any other audio interface I’ve ever seen, and present a refreshingly minimal and friendly user interface.

Audient EVO 16 - Expert Review | Production Expert Audient EVO 16 - Expert Review | Production Expert

As with the smaller EVO products, EVO 16 comes with the Smartgain feature, which automatically sets the gain with the touch of a button. “The added bonus with EVO 16, is that it can automatically set the gain for all 8 channels at once, ideal for drummers who have multiple mic inputs and synth players needing lots of line inputs,” explains Andy. “Smartgain has been designed to take the guesswork out of setting gain. Not only does it save time for the user, but it eliminates the hassle for those working on their own, which means users can spend less time figuring out the tech and more time recording.” If I were looking for this many inputs in an easy to use, high-quality interface on a budget, there’s quite a few options these days. And I would throw the EVO 16 right in amongst them to audition. MusicRadar verdict: Audient’s goal with EVO is to make recording easy. EVO 16 achieves this and makes it flexible and affordable too. A really great product. Audient EVO 16: The web says You should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail.I mentioned the ability to adjust preamp gain from software as one of the pluses of the digital approach, and in this case, the software in question is simply called EVO. As the EVO 16 is a class‑compliant device and uses the Mac’s built‑in Core Audio driver, you can actually operate it on Apple devices without installing the EVO software, but I can’t imagine why anyone would do so! In look and feel, EVO adopts the ‘clean and clear’ look also favoured by manufacturers such as Focusrite and Arturia, and which probably owes a lot in the first instance to Ableton Live. When you first load it up, in fact, you might think everything is greyed out, but you soon realise that it’s just very grey. In its default state, EVO seems designed to present the simplest and least intimidating array of controls possible, presumably so as not to put off newcomers. Delve a little deeper, however, and you’ll find that it offers a surprisingly comprehensive level of control, including a number of features that are more typical of expensive ‘professional’ interfaces. I’ve already mentioned the ability to apply a level offset to the Alt Speaker mix, for level‑matched speaker switching. That and all the other possible function button settings are all available simultaneously from the right‑hand side of the EVO panel, and many are further configurable from the Settings window. A particularly great feature is that you can choose whether you want the mono fold‑down to be routed to the left, right, or both speakers — single‑speaker mono is incredibly useful, and I can’t think of many other interfaces that make it easily accessible at a single button press. Routing is as flexible as you’re ever likely to need it to be, and unless you wanted to use the EVO 16 to drive a surround speaker setup, I can’t imagine feeling limited by its capabilities. The compact and portable design make the EVO perfect for musicians on the move. Whether you’re recording vocals for your latest song or podcasting with friends on the go, the EVO is the perfect choice. The EVO interface comes complete with a professional software bundle including premium-grade plugins to get you started straight out of the box. It even features Cubase LE - a streamlined version of the award-winning digital audio workstation providing everything you need to make and record music. Features