With the directly driven PLX-500, Pioneer has an attractively priced turntable in its range. Its torque, synchronism, and robust chassis with solidly anchored platter provide the basis for professional application and scratching with vinyl. The sound has largely convinced me. Another argument for the PLX-500 is its integrated sound card, which sends the signal to a connected computer without additional hardware. Vinyl lovers can thus digitize their record treasures via record box. DVS operation with a record box, even an app on the iPad, is possible without additional “dongle” hardware. For me, the PLX-500 is a great turntable in its price range. The drive is the mechanism that actually makes the turntable turn. First and foremost, you’ll want to make sure that drive is capable of playing the record at the correct speed (33 or 45 RPM — or in rare cases, 78 RPM). Then there’s the actual type of mechanism, which can be either a belt drive or a direct drive. Belt-driven players are the old school type still preferred by connoisseurs since they tend to be more silent. As a trade-off, you may have to replace the belt eventually if your player sees a lot of use. Direct drive turntables have a dedicated motor that spins the platter, which is sometimes audible but more convenient. Arm Type: Universal type S-shape tone arm, Gimbal-supported type bearing structure, Static balance type Here’s where it gets ugly for the PLX-500. The combination of its plastic build and motor led to problems for me when it came to scratching. I needed a lighter touch to prevent the platter from stopping while I was doing some basic scratches, and it took a while for the platter to spin at its full speed once I let go of the record. I also had to be a little bit gentler when it came to speeding up the spindle and slowing down the platter edge with my fingers – the motor doesn’t seem to have as high a torque as that of the PLX-1000, which again is understandable since this is a budget model. I did some digging: the PLX-1000 can start up in 0.3 seconds, while the PLX-500 takes up to one second to fully start. It sounds like a small thing, but this makes for a noticeable difference in performance.

The gorgeously warm quality that vinyl records bring is on full display with the PLX-500. The overall soundscape is handled with grace and care. The lower end has been very slightly muted, with the full midrange being pushed to the front of the mix. Inside we see a three phase brushless motor with electronic brake. This setup enables seamless transitioning between the three rpm settings. This not only increases the amount of control a DJ has, but also makes for much easier and more precise mixing, which is very important when starting out as a DJ. The S-Shaped Tonearm comes with a Fully Detachable Headshell. But is This Important? The PLX-500 is a direct-drive turntable with three speeds: 33, 45, and 78 RPM. It looks a lot like the PLX-1000 and the Technics 1200: it has a power knob, a start / stop button, target light, a tonearm and tonearm assembly that looks like what you’ll find in a standard Technics 1200 or PLX-1000, and a pitch fader that lets you adjust platter speeds up to -/+ 8%.

The inbuilt LED indicator light enables you to estimate the record’s speed at a glance in low light settings. How about Inputs and Outputs? It is pretty simple. However, for the price, there is no better vinyl player currently on the market in terms of the quality of sound! Turntables are fussy things – they rely on a tiny needle sitting in a record groove. This is why the best DJ turntables are built like tanks, weigh a ton, and often expensive. The added mass and weight make them less prone to unwanted vibrations and bumps, especially when you’re stood next to a pair of bass bins. When you cut corners to make a DJ turntable, compromises are inevitable. First Impressions / Setting up The Pioneer DJ PLX-500 is an entry-level turntable meant for ripping vinyl and home use.

Tonearm Type: Universal type S-shape tone arm, Gimbal-supported type bearing structure, Static balance type

Watching the platter was a necessity when manually correcting the rotation, electronics are responsible for everything here, precisely setting 33, 45, and even 78 rpm (buttons), additionally, the rotation can be changed at the pace of +/- 8% (using the slider).

The aluminum platter looks impressive thanks to the “spotted” outer flange, which is part of the classic strobe rotation control system.

It appears like a PLX-1000 (as well as a result a Technics), but it does not inherit all the muscle of its (₤ 500+) huge brother. The Pioneer DJ PLX-500 has been designed with a wide range of DJing styles in mind. Perfect for any beginner or a seasoned professional for that matter. The S-shaped arm is static-balanced, meaning the user can also adjust the tonearm’s height and weight thanks to the counterweight and anti-skating dial. But remember to dis-engage the anti-skating if you are going to be scratch DJ’ing.