They rotate at a 360-degree angle and allow for easy positioning of even heavy microphones. A good mic boom should have a robust clamp and a cable management system.

While on the smaller size, this mic boom arm is a solid addition to most studios, and comes with a few unique features not seen on other models. RØDE is excited to release the PSA1+,a new premium professional studio arm that is ideal for creators looking to take their content to the next level. Combining sleek looks with completely silent operation and peerless stability, the PSA1+ is the ultimate microphone mount for podcasters, streamers and broadcasters. The original PSA1professional studio arm has long been recognised as the industry standard and is found on the desks of countless content creators. The PSA1+ builds on this legacy, introducing premium features and an innovative new design offering unmatched performance in any home or studio setup. KeyFeatures If you’re after a luxury and heavy-duty boom arm that looks and feels different than the rest, take a look at Yellowtec’s m!ka.The quality of calves also varies. In general, you should get a premium XLR cable for your recording setup. Here is a full guide on finding and buying the best XLR cables. Usage recommendation: mic arm designed for overhead use, so trying to position your mic lower may cause you problems.

Super light, weighing only 2.98 pounds (1.35 kg) is easy to use at the same time supporting heavy mics, You can’t fault the Compass on build quality – it’s built like a tank. What’s more, that all-aluminium construction is lightweight too (just 1.35kg), as well as practical. Anyone who’s a YouTuber will vouch for that. Reason being that while from the above the Compass isn’t the slimmest, from the side it’s a size zero. So, unlike a lot of other boom arms, the Compass doesn’t cut too harshly into your shot. And if you want it out of shot, you’ll also be pleased to know that the Compass ain’t no dwarf. At 82cm, it’s got the legs on most of its rivals. Poor cable management – it comes with only 2 velcro straps – it is not enough for clean cable management, Here is a guide with an overview of all types of microphone stands. You will find their details regarding:Now onto attaching the mic. Depending on the microphone you have, you’ll require either a 5/8″ thread (usually comes as standard), or to fit an adapter to take the mounting point from 5/8″ to 3/8″. The PSA1+ seamlessly pairs functionality with style, combining sleeks looks with completely silent operation and peerless stability. It features an innovative parallelogram spring design that has been precision-engineered to ensure movement is smooth and steady, even with very light or heavy microphones. This mechanism keeps the microphone placement constant when moved so it can be positioned perfectly with ease. The internal springs are fully damped and the arm features a high-quality neoprene cover for further reduction of noise generated by movement. Round Base Stands – As the name suggests, these stands have a round base. They are great for stage performers like singers or stand-up comics, as these stands occupy less space on the floor, and the artiste is unlikely to trip over it. A mic stand is an essential accessory you need for comfortable work and recording. After years of working with different stands, I can definitely say that microphone boom arms are the best for this. Overhead Stands – These stands are used when the mic needs to be positioned at greater heights or very different angles. Overhead stands are more expensive as compared to other stands.

The low-cost category of microphone boom arms contains products that are not the best in terms of durability or silent work. You won’t find features here like premium design with hidden springs or cable management systems. They will do the basic job but satisfaction is not always guaranteed.

A microphone boom arm is a type of mic stand. It is attached to a desk with a mounting clamp and has a 360-degree rotation. Most arms weigh c.a. 3-5 pounds (1.4-2.3kg) with a flexible arm extension of c.a. 39’’ (1m). Higher-quality stands have quiet springs and support mics up to 2.6lbs (1.2kg). What do you get when buying a boom arm? Buying these products you may receive an uneven quality, as some booms from the same manufacturers are built better, while others have more defects. Work out how you’re going to fix the boom to the table. Decide on whether a permanent fixture, or just using a clamp is best. For the Shure SM7B and MV7, we recommend using the Rode PSA1. It can support between 700 and 1.1kg of weight, which is right in the range of both the Shure SM7Band Shure MV7 microphones. Sound quality– Although it might not seem obvious at first, one major benefit of a mic boom is sound quality. This is because the main role of the boom is to steady the mic and keep it stable whilst you’re recording. Something that’s essential if you want to maximise the quality of your audio. What more, the better you can position the mic, the clearer your finished sound will be.