Mark Feltham– harmonica on Mind Bomb (1989): "Kingdom of Rain" / "Good Morning Beautiful" / "The Beat(en) Generation" / "The Violence of Truth" Fiona Skinner–graphic designer & film-maker: the The logo & font, typography, cover designs & layouts, video/promo direction. Blending dense, tightly-wound music with anguished song writing, Mind Bomb is an eloquent statement of rage. Play it very loud, very late and very alone.”

In the spring of 2014, it was announced by Sony Music Entertainment that they plan to release a Soul Mining 30th Anniversary Deluxe Edition Boxset in the summer of 2014. The reissue was remastered by Matt Johnson at Abbey Road Studios.recording engineer: Felix Kendall ( UK recording engineer) additional engineer: 'Mini' Matt Howe ( producer and engineer), Stuart James ( UK producer aka "Jammer), Warne Livesey and Roli Mosimann assistant engineer: JP Baptiste, Karen Down, Geoff Foster ( sound engineer), Noel Rafferty and Wellard Walsh producer: Matt Johnson ( English singer/songwriter for “The The”) and Roli Mosimann mixer: Bruce Lampcov bass guitar: James Eller drums (drum set): David Palmer ( drummer (ABC/The The)) electric guitar: Matt Johnson ( English singer/songwriter for “The The”) and Johnny Marr keyboard and melodica: Matt Johnson ( English singer/songwriter for “The The”) percussion: Danny Cummings ( British drummer and percussionist) percussion [water percussion]: Pedro Haldemann trombone: Ashley Slater vocals: Matt Johnson ( English singer/songwriter for “The The”) recording of: Gravitate to Me(from 1988-10 until 1989-05) lyricist: Matt Johnson ( English singer/songwriter for “The The”) composer: Matt Johnson ( English singer/songwriter for “The The”) and Johnny Marr Matt Johnson is the only permanent member of the The. From 1983 to 1988, and again from 2002 to the present, he was the only official member.

recording engineer and mixer: Felix Kendall ( UK recording engineer) additional engineer: 'Mini' Matt Howe ( producer and engineer), Stuart James ( UK producer aka "Jammer), Warne Livesey and Roli Mosimann assistant engineer: JP Baptiste, Karen Down, Geoff Foster ( sound engineer), Noel Rafferty and Wellard Walsh producer: Matt Johnson ( English singer/songwriter for “The The”) and Warne Livesey bass guitar: James Eller drums (drum set): David Palmer ( drummer (ABC/The The)) electric guitar: Johnny Marr harmonica [electric harmonica]: Mark Feltham keyboard: Warne Livesey percussion: Pandit Dinesh piano and tape [tapes]: Matt Johnson ( English singer/songwriter for “The The”) tenor saxophone: Phil Todd ( UK flautist/saxophonist) and Chris White ( UK jazz saxophonist) other vocals [Childs Prayer]: Esme Livesey vocals: Matt Johnson ( English singer/songwriter for “The The”) recording of: Good Morning Beautiful(from 1988-10 until 1989-05) lyricist and composer: Matt Johnson ( English singer/songwriter for “The The”)

Enki Bilal Click On The Photo

Hanky Panky: "The The – Hanky Panky (album)" (in German). GfK Entertainment . Retrieved 9 June 2017. Keith Laws–synthesiser (1979–1981). (later a professor of Neuropsychology at the University of Hertfordshire) a b c "This Is The The Day – Library". thethe.com. Archived from the original on 17 July 2011 . Retrieved 2 April 2011. The Beat(en) Generation": "The The – The Beat(en) Generation (single)" (in German). GfK Entertainment . Retrieved 9 June 2017.

The album is an absolute stunner and confirms Matt Johnson’s position as one of the best songwriters in the country.”Each song is a spiritual quest. His music is cathartic, instinctive, perhaps occasionally prophetic.

It features one of Sinead O'Connor's finest performances. It's a heartbreaker. The knowledge and sad acceptance by the one of the other's distance, the other of the one's infidelity. David Roberts, ed. (2006). British Hit Singles and Albums. Guinness World Records Limited. p.555. ISBN 978-1904994107. Mind Bomb is the third studio album by English post-punk band The The. [7] [8] It was released by Some Bizzare/ Epic on 11 July 1989 and recorded between October 1988 and May 1989. It is the band's first album to feature former The Smiths guitarist Johnny Marr. Heim, Chris (10 August 1989). "The The: Mind Bomb (Epic)". Chicago Tribune . Retrieved 26 September 2017.Few artworks of any type will ever capture a time and place with the definitive gaze Johnson applied to mid-Eighties Britain on Infected. I borrow a phrase there from one of the likewise rare spirits who might be described as even remotely kindred to him. Where Howard Devoto sang in riddles, parables and allusive nightmare images, Johnson was blunt as a hammer, piercing as nails. You knew precisely what he was getting at, and you knew precisely where he was getting at it: you felt it pounded in though skin and tendons. A crucifixion of a kind. Think I'm exaggerating? Listen to Infected again and see if he isn't nailing himself to a figurative cross alongside this island Golgotha's irredeemable brigands. Both the sonic and impassioned resonance of this album grips you by the throat, by the spine, by the heart and lines you up for an aural punch you won't forget. As well as a full band line-up, the record has quite a few guest musicians including Sinéad O'Connor, Chris White (Dire Straits touring member), Danny Cummings (Mark Knopfler) and Wix (Soul Mining) among others. This large cast means the very colourful nature of the music from the earlier albums is till here, The The are now painting with more guitars and horns and fewer synths. The studio EP Shades of Blue was released in 1990. This included cover versions of Fred Neil's "Dolphins" and Duke Ellington's "Solitude" as well as a new original song "Jealous of Youth" and a live version of "Another Boy Drowning" from Burning Blue Soul. This and a later EP of remixes, 1993's Dis-infected, were compiled into a 1994 full-length album for the North American market called Solitude. In case that doesn't clinch it, he winds up repeatedly keening, "I KNOW YOU! from a previous incarnation." By this time, Marr's trademark shuddering guitar has taken to circling the beat with a measured, sharp-edged funk riff and the entire business has gathered a torpid but terrifying momentum that can only end with it, and its protagonist, rolling unstoppably atop its object of desire. It's like being courted by a Panzer division. Come hither, or else.