I still really liked this book and would definitely recommend it even with these couple of things that I didn't care for. Language is trite (I literally threw the book down when one character decided "she could not allow herself to love again"); and as though the author doesn't trust that the dialogue between characters conveys the proper ideas, each exchange is followed by a few lines redundantly summarizing what everyone meant and felt. Julia Forrester has many happy memories of a childhood spent at Wharton Park, playing amongst the exotic flowers her grandad cared for. Just when I think Julia and Kitt will live in bliss, Riley throws several curveballs. She does this to mix things up. First, we learn that Julia and Kitt are kissing cousins, which I finally decided to go along with. Second, Julia's husband rises from the dead. This is difficult to swallow. I could not wait for Julia to leave the horrible cad.

HOTHOUSE FLOWER | Lucinda Riley HOTHOUSE FLOWER | Lucinda Riley

I love The Baker's Daughter and feel the novel is even better than Sarah's Key. McCoy effectively draws a comparison between anti-Semitism and anti-immigrant (read: anti-Mexican) sentiment. She uses Riki to do this. Rather than being heavy-handed and didactic, it works rather well. Daisy Calloway is eighteen. Finally. With her newfound independence, she can say goodbye to her overbearing mother and continue her modeling career. Next stop, Paris. Fashion Week begins with a bang, and Daisy uncovers the ugly reality of the industry. She wants to prove to her family that she can live on her own, but when everything spirals out of control, she turns to Ryke to keep her secrets. As Daisy struggles to make sense of this new world and her freedom, she pushes the limits and fearlessly rides the edge. Ryke knows there’s deep hurt beneath every impulsive action. He must keep up with Daisy, and if he lets her go, her favorite motto—“live as if you’ll die today”—may just come true. Burgeoning romantic relationship with modern-day rake with a heart who also happens to be an aristocrat with a beautiful ancestral home Re-acquaintance with old family. Oh, grandma? Totally forgot she existed, but now that she's here, time for old family secrets to be revealed!!!!!! She knows everything, and I mean EVERYTHING. Details of her lady's bedroom secrets? Spilled.This was so much crap! Bullshit at its best, to be precise. Seriously, I expected so much from this book, like a great family saga, with some romance and some interesting plot. And in the end, I didn't get anything but crap! It is worth noting that Hothouse Flower was republished in 2012 with the title of The Orchid House just so that any confusion with readers thinking it might be a different story, when this is not the case are cleared up straight away. Although the central theme of a family saga set in a country house spanning from the 1930's to the present day is far from an original one, this one is different. It has such a multi layered story to tell us with so many stirring and compelling love stories, secrets and surprises to share I stayed awake far too late at night reading this as I was engrossed. Extremely well written the story flows beautifully, period and locations are credibly described and the characters feel realistic. The situations that they face are ones that we are all able to empathise with from generation to generation. Certainly one of the best family sagas of the genre that I have read recently. Now here's where I had some issues with the book. I had some trouble understanding the motives behind some of the characters. First, Henry, the heir to Wharton House, is sort of horrible. He leads Olivia on and traps her in a loveless marriage and only seems to be looking out for himself. He doesn't seem to understand why what he's doing is wrong and he sort of manipulates Julia's grandfather to get what he wants. Even though I liked the love story between Henry and Lidia, it made it a little hard to fully support their love story as Henry was just generally horrible. No explanation about the set of adult bones by the accident so the reader believes her husband truly dead. Characters just never come alive and are hard to care about or believe in. Their speech is clumsy and unrealistic.

Hothouse Flower by Lucinda Riley | Goodreads Hothouse Flower by Lucinda Riley | Goodreads

Here is where The Baker's Daughter truly shines. Elsie and her parents run a bakery in Garmisch, Germany, a city where Gestapo soldiers raid houses and residents fear for their lives in the worst days of World War II. McCoy renders the bakery especially well. I could smell, see, and taste the breads and sweet treats. My mouth still waters thinking about them. Goodies aside, the bakers move this part of the story. At seventeen, Elsie is being courted by an SS officer who is closer in age to her father than to her. She does not love him. Rather, Elsie adores Hollywood movies and is more concerned with keeping a secret that could get her and her family killed.And then he receives a distressed call from a girl in Paris—a girl that he has never been allowed to have. Lucinda Riley can truly spin a tale and frankly, after reading Kate Morton's novels, which are essentially tragedies, it's refreshing to read a story told in the same vein but with a more uplifting ending. But what bugged me the most are those stupid dialogues. I haven't read so much bullshit in a very long time. Seriously, people don't talk like that. Especially not, if they know each other. And what made me laugh out loud are sentences like "I hope I am worth enough for you", from a person living in 2010. Oooooookay. Two new novels are a welcome addition to this fairly recent development: The Baker's Daughter by Sarah McCoy and The Orchid House by Lucinda Riley. Both books have a similar feel yet are very distinctive. Both feature strong, memorable heroines and move from our own time into a past we cannot even begin to contemplate. Yet these women must; if they do not, then they will never get on with their lives.