People worry waaaaay too much about sharpness. It's not 1968 anymore when lenses often weren't that sharp and there could be significant differences among them; today they are all pretty much equally fantastic. There is no aperture ring. You have to use a dial on the camera to set it, or to set it to Auto aperture control for A and P modes

Light falloff is completely invisible even wide open at f/2.8, as shot on the X-T1 which is probably correcting it automatically. Shooting wide open, the XF 27mm has solid sharpness through about 80 percent of the frame. The corners and edges are slightly softer. Corners sharpen up around f4.5. While sharpness is relatively good through the image, it pales in comparison to the corner-to-corner sharpness that I’ve seen from high-priced Sony GM and Nikkor Z lenses lately. However, in real-world shooting, I thought the lens had a good balance between sharp subjects and being so sharp that you see every pore and imperfection. Lens Character Fuji specifies only to 2.5 feet (0.6 meters) in normal mode, but my X-T1 focuses as close in both modes. If this 1,200×900 pixel crop is about 12" (30cm) wide on your screen, then the complete image printed at this same extreme magnification would be about 42 × 62" (3.5 × 5.2 feet or 1.05 × 1.6 meters).

Spread the Cost - Novuna Consumer Finance

The Fujinon XF 27mm f/2.8 R WR is my favorite lens for Fujifilm cameras. The problem is that it’s also my wife’s favorite lens, and between the two of us we only have one copy. When she’s using it, I typically go with the Fujinon 35mm f/2 instead, which is a really good lens, too, but I like the 27mm just a bit better. The other problem is that the 35mm lens, while small, is bigger than my 27mm pancake, and it doesn’t fit into my travel camera bag (I have it set up where my Fujifilm X100V and Fujifilm X-E4 with the 27mm fit really nicely into a little camera bag—the 35mm lens is just a tad too big). When TTArtisan recently announced their inexpensive 27mm f/2.8 autofocus pancake lens, I thought maybe this could be a good solution to my problem.

I use a clear (UV) protective filter instead of a cap ( exactly like an iPhone) so I'm always ready to shoot instantly. I only use a cap when I throw this in a bag with other gear without padding — which is never. The UV filter never gets in the way, and never gets lost, either. Get this lens to add-on to a Fuji X-mount camera, but if your plan is to get a tiny walk-around lens, get an X100T instead of this lens. The Fujifilm XF 27mm F2.8 R WR is not a macro lens, with the close-focus point at 34cm from the sensor plane and a maximum magnification of 0.1x. Bokeh The X-S10's internal stabilization adds about a 3½-stop real-word improvement, which is really good! If we put the latest LM WR F1.4 lenses from the fuji range aside (they are in another range, not aimed at the same users), the 27mm F2.8 was already one of the sharpest fuji lenses. . It always remains so because the optical formula of the MkII remains identical and that is good news.

To me, this lens feels natural and effortless. Because its FOV is so close to that of the human eye, whenever I visualize a shot, I can simply move to where I think I need to be, pull the camera up to my eye, and snap the photo without having to do any additional maneuvering. The end product is almost always exactly what I had envisioned, which is a special quality in itself. The ability to capture a pre-visualized slice of life without much effort makes this lens the favorite in my collection. For this reason, I call the 27mm my “slice of life” lens. With that said, the 27mm excels in everyday genres of photography that focus on documenting people, places, things, and the fleeting moments of life—genres like documentary, street, travel, lifestyle, and even landscape photography. When Cosina copied others it was more difficult to copy others. Computers were not readily available and much of the drawings were made on paper. Also the markets were smaller. Fujifilm have paid attention to this aspect of lens use, employing a 7-segment diaphragm with rounded blades for pleasing bokeh.