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Lynch on Lynch

Lynch on Lynch

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Art y Cine: 120 Años de intercambios (group exhibition), CaixaForum, Madrid, April 26–August 20, 2017. David Lynch (exhibition catalogue). Valencia: Edicions Alfons el Magnn̉im, Institució Valenciana d'Estudis i Investigació, 1992. Brain, Eric. “David Lynch Holds ‘My Head is Disconnected’ Retrospective in Manchester,” Hypebeast, 2 July 2019. Web. Eichel, Molly. “Why Philly cares so much about David Lynch and why you should too.” Philly.com, 12 September 2015. Web.

Lynch famously met George Lucas to discuss directing ‘Return of the Jedi’, which he turned down. Lord, we probably would have ended up with Ewok orgies if Lynch had gone anywhere near the ‘Star Wars’ franchise. Despite the disaster that was ‘Dune’, producer Dino De Laurentiis was good to his word and allowed Lynch to make ‘Blue Velvet’, selected by the American Film Institute in 2008 as one of the greatest mystery films ever made. It hit me that the trip we're on as human beings is so beautiful and it has the happiest of happy endings. Everything is okay. There's nothing to worry about. Everything is just beautiful." David Lynch: Recent Drawings, James Corcoran Gallery, Santa Monica, California, September 10–October 8, 1987. David Lynch: Naming, Kayne Griffin Corcoran, Los Angeles, November 23, 2013–January 11, 2014. (Catalogue) The book is a brief memoir of Lynch's work on various film projects, the ideas for which he attributes to his practice of transcendental meditation. The details on the film projects are too brief to be of interest to anyone but a Lynch scrapbooker. And the information about meditation is too scant to be of use to anyone with an interest in starting.Davis, Ben. “’I’m Happier and Happies’: A Tortuous Q&A With David Lynch on the Inspiration for His New Paintings.” Blouin Artinfo, 27 March 2012. Web. Mazzoleni, Gianemilio. “cosa va in scena: arte, musica, cinema, libri.” Style Magazine, March 2007: 283. She is also an art critic with decades of experience on the LA scene, and understands the deep roots of his craft in a way that prevents her from making the cardinal sin in misinterpreting Lynch's work as though it can be decoded or resolved into a set of literal meanings. Rather, it has to be judged by the effects that it has on the viewer. Bodey, Michael. “David Lynch, Twin Peaks creator, brings paintings to Brisbane’s GOMA.” The Australian, 15 November 2014. Web. Offers countless new stories, even for Lynch fanatics…All is told with Lynch’s considerable charm.’

David Lynch: Between Two Worlds (exhibition catalogue). Brisbane: Queensland Art Gallery; Gallery of Modern Art, 2015. David Lynch: New Paintings, Griffin and Corcoran, Santa Monica, California, September 12–December 12, 2009. Riefe, Jordan. “David Lynch’s Light Sculptures to Showcase at Hollywood Art Fair.” The Hollywood Reporter (www.hollywoodreporter.com), 28 July 2021. To me the most salient example of this is with respect to spiritual insight. If you are a Lynch fan, you probably know that he is an enthusiastic advocate for the Transcendental Meditation(tm) technique of Maharishi Mahesh Yogi, and has zealously promoted this approach for many years. Indeed, he interrupts his reflection in this book several times to offer a pitch for the practice, which is, in his account, the only way we're going to turn this ship around and stop making a mess of the world. Appleford, Steve. “David Lynch, the director as painter, festival impresario and ant collaborator.” Los Angeles Times, 28 September 2018. Web.David Lynch, Couvent des Jacobins, Printemps de Septembre, Toulouse, France, September 28–October 14, 2001. Neil, Jonathan T.D. “David Lynch New Works and Naming (Curated by Brett Littman) Kayne Griffin Corcoran, Los Angeles 23 November-4 January.” Art Review, January 2014. 123.

Reassuringly unconventional…Engrossing...Lynch writes like he speaks. He's disarmingly direct, cheerfully profane and prone to bursts of giddy enthusiasm.’ Scardi, Gabi. “Acolloquio con David Lynch: Sono inamorato delle idee.” Il Sole-24 ORE, 25 February 2007: 30. David Lynch: New Paintings, James Corcoran Gallery, Santa Monica, California, August 12–September 2, 1989. Smith, Roberta. “Review/Art; Abstraction That Opens a Window on the Psyche.” The New York Times, 17 February 1989.David Lynch, XVIII Festival Ars Cameralis 2009, Ars Cameralis Culture Institution, Katowice, Poland, November 25, 2009–January 5, 2010. Lost Paradise: Blumenbilder in der Fotografie der Gegenwart, Mönchenhaus Museum, Goslar, Germany, August 11–September 23, 2012. David Lynch: My Head is Disconnected, curated by Sarah Perks and Omar Kholeif, HOME Manchester, United Kingdom, July 6–September 29, 2019.



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