The inspiration for the story, touched on in the commentary, comes from the term “accountability” being thrown around during the Iran-Contra scandal, and his friend dying for 15-seconds (in the commentary Reesman and Eyer mention his friends was actually dead for a minute-and-fifteen seconds and that it was from an allergic reaction to anesthesia). In Restoration, production designer Eugenio Zanetti and art director Larry Lundy discuss the beginnings of their careers, the stylistic approach to the subject matter, being artistic for the film, the various shooting locations, and their feelings on the final film. Restoration is a new video interview with production designer Eugenio Zanetti and art director Larry Lundy that goes over what they did on the production and what they tried to bring to the different sets that much of the movie plays off against, it runs just under eleven minutes. Internal List of Criterion Titles List of Licensors Calendar Blu-ray and DVD Region Map External Fan Sites The Criterion Cast Criterion Contraption Specialty Labels The Criterion Collection Arrow (UK) Arrow (US) Indicator Masters of Cinema British Film Institute (BFI) Second Run Anti-Worlds Shout Factory! Film Masters offers up a double dose of drive-in fun with their double feature Blu-ray release of The Devil’s Partner and Creature From The Haunted Sea.

That is certainly obvious as amazing clarity and contrast have been gained thanks to the HDR, which has also heightened color and shadow detail—deepening blacks without crushing them.First up is the psychological horror thriller Flatliners from Arrow Video, a film which features a who’s who of talent (Julia Roberts, Kiefer Sutherland, Kevin Bacon, Oliver Platt, and William Baldwin) in a story of life and death, gods and monsters, regret and atonement.

Compression artifacts are never a problem, even in the film’s many darker scenes, and it’s really hard to complain about the way that the movie looks on this UHD. Overall, this UHD edition of the cult horror favorite is a Recommended addition to the 4K HDR library. Such is the case with Flatliners which started out its life (pardon the pun) at Columbia/Tri-Star, then moved over to Mill Creek and now finds itself in the capable hands of Arrow. picture with brighter and sharper image clarity and filled with previously absent small-object detail, particularly in hair and fibers.Courtesy of Arrow Video, Joel Schumacher's Flatliners has a pulse on 4K Ultra HD as a single-disc Special Edition.

They reveal tricks used for creating projections during the subway sequence and the multiple scenes of rippling light. The movie is good, but not great and if taken with a grain of salt then I think others will find it as interesting as I did. Where the remake had the flatliners in an actual hospital, separating the day-to-day life and the night time adventures just to create an atmosphere, like a stage performance.This is one film that probably could use a new Atmos mix to improve upon some of its lesser qualities, but taken as a pair, both tracks are very satisfactory. That said, I love the notion that these four aren’t really haunted by anything at all beyond their own subconscious unaddressed traumas, making Flatliners never concretely deal with the supernatural, but lean hard on the philosophical.