The face label on each side of disc three contained a jam jar painted by designer Tom Wilkes, showing a piece of fruit inside the jar and two apple leaves on the outside. In his liner notes accompanying the 2001 reissue of All Things Must Pass, however, Harrison gives the date for the run-through as 27 May. Tom Moon, 1,000 Recordings to Hear Before You Die, Workman Publishing (New York, NY, 2008; ISBN 978-0-7611-5385-6). two sets of drums on risers, a piano, organ and other keyboards to the wall on the left, up against the far wall on the right were Badfinger, and in the centre were George and Eric and the guitars".

George Harrison | Official Merchandise

In Harris' view, the "widescreen sound" used by Harrison and Spector on some of the tracks was a forerunner to recordings by ELO and Oasis. This association led to Spector being given the task of salvaging the Beatles' Get Back rehearsal tapes, released officially as the Let It Be album (1970), [26] [27] and later co-producing All Things Must Pass.Harrison later referred to Spector needing "eighteen cherry brandies" before he could start work, a situation that forced much of the production duties onto Harrison alone. In America, All Things Must Pass spent seven weeks at number 1 on the Billboard Top LP's chart, from 2 January until 20 February, and a similarly long period atop the listings compiled by Cash Box and Record World; [258] for three of those weeks, "My Sweet Lord" held the top spot on the Billboard Hot 100. a b Kory Grow, "George Harrison's First Six Studio Albums to Get Lavish Reissues" Archived 23 October 2017 at the Wayback Machine, rollingstone.

All Things Must Pass (50th Anniversary - Super Deluxe)

Melissa Parker, "Gary Wright Interview: The 'Dream Weaver' Gets 'Connected', Tours with Ringo Starr", Smashing Interviews, 28 September 2010 (retrieved 30 October 2020). Bruce Spizer, The Beatles Solo on Apple Records, 498 Productions (New Orleans, LA, 2005; ISBN 0-9662649-5-9). Writing in Record Collector, Doggett described this success as "a previously unheard-of achievement for a reissue". The Daily Telegraph, 30 September 2011; available at Rock's Backpages (subscription required; retrieved 6 November 2020). Drake's visit to London also impacted on Frampton's career, as he went on to adopt Drake's talking-box guitar effect.Wah-Wah is heavy and energetic,and the five instrumental tracks at the end of the album is progressive,including creative samples,many voice parts and counterpoints.