And while Samsung can’t claim HDMI 2.1 specification, all three of the HDMI inputs here go further towards accommodating next-gen consoles than the model the AU9000 replaces. Auto Low Latency Mode and AMD FreeSync are catered for, and PC gamers will be pleased to learn there’s a facility to replicate the ultra-wide 32:9 aspect ratio some games can run at, too. It’s fair to say this last part is a red herring. The point-source of sound from the Samsung is hazy, certainly, but that’s not the same as delivering an impression of height – not at all. And as far as tonality goes, the 50AU9000 sounds tentative and rather flat. It’s game, certainly – wind the volume upwards and it resists hardening or coarsening quite commendably. But really, it’s as far removed from the standard of the images the Samsung produces as these things ever are.

The Samsung AU9000 reveals its budget nature most obviously when handling HDR content, especially when it comes to peak brightness. The TV can hit around 300cd/m² on both a 10% window and full-field pattern in Dynamic mode, but in Filmmaker Mode this luminance drops to around 250cd/m² on both a 10% and a full-field pattern. The Samsung AU9000 is a 4K (3,840 x 2,160) HDR smart TV that comes in screen sizes ranging from 43in to 75in. It’s part of Samsung’s Crystal UHD series, which is its cheapest range of 4K TVs, sitting below its various QLED sets. It’s not uncommon for a mainstream TV to betray its price-point more readily with the sound it makes than with the images it produces. And so it proves with the Samsung AU9000 TV. There are three HDMI 2.0 inputs, one of which (HDMI 2) supports eARC, and all of which are capable of handling 4K resolution at 60Hz, CEC, Variable Refresh Rate (VRR) and Auto Low Latency Mode (ALLM) – making this TV a solid choice for gamers. There are also two USB 2.0 inputs, a terrestrial tuner, a CI slot, an optical digital output, and an Ethernet port for a wired connection. In terms of wireless connections, both Wi-Fi and Bluetooth 5.2 are supported. To give the Samsung 50AU9000 some credit, at least it doesn’t become unlistenable at serious volumes – which is a trait that afflicts plenty of its rivals. It just gets louder. But the tonal quality of its sound is nothing to write home about.Set-up menus are similarly logical, and strike a nice balance between brevity and comprehensiveness. Achieving a picture that scrolls smoothly, defines edges confidently, and is decently bright and detailed, shouldn’t take long. Getting a colour balance you’re convinced by may take just a little longer.

Colours can be bold and vivid when required (I found more-or-less any sports team’s kit falls into this category), or muted and nuanced if necessary (more-or-less any sports team’s manager’s clothing, for example). Gradations made me sit up and pay attention too – so when I was watching football, the numerous almost-identical shades of green from a pitch are described and differentiated well. There are two ways to consider the design of the 50AU9000. The first is from straight-on, because that’s how you’ll be watching it. And when viewed this way, the Samsung is completely anonymous – but in a good way. After all, very few people want their TV to draw attention to itself, so design flourishes are pretty rare. The Samsung AU9000 is mostly screen, with quite narrow bezels across the top and down each side. Of course, we don’t all live on a diet of brand-new cutting-edge content - and when it comes to upscaling, the Samsung (mostly) continues its good work. Certainly an HD broadcast of some elite-level tennis suffers hardly at all – colors are confidently described, on-screen movement is stable in almost all circumstances, and detail levels stay high. There’s a little coarsening of skin-tones and a hint of jaggedness to the more difficult edges, but by and large the BU8500 remains eminently watchable. The Samsung AU9000 delivers excellent image quality but isn’t without limitations. It uses a VA panel, which means for an LCD TV it delivers a decent contrast ratio of 4,000:1 and some nice shadow detail. However, it also means the optimal viewing angles are fairly limited, so you’ll want to be facing the screen head-on when watching TV.

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The Samsung AU9000 isn’t the first TV to deliver a sound quite strongly at odds with the pictures it is capable of serving up, and it won’t be the last. But nevertheless, I discovered that there is something quite dispiriting about the Samsung’s sonic performance. There’s an impressive choice of apps for a TV at this price point too, with Netflix, Prime Video, Now TV, Disney+, Apple TV+, Rakuten, YouTube, and all the UK TV catch-up services; plus there’s the Universal Guide to help you sift through the extensive selection of content. The Game Bar is a new addition to some of Samsung’s TVs this year and provides all the main gaming info and settings in one convenient display. It pops up when the play/pause button is held down and includes the HDR, frame rate, and VRR status, as well as key gaming picture adjustments. For quite a while, Samsung’s Tizen smart TV interface was obviously and unarguably the best around. In fact, it’s a measure of just how good it is that it remains one of the best interfaces currently available, despite everyone from LG to Hisense upping their smart TV game in response. The Tizen interface incorporated into the AU9000 is clean, logical, comprehensive and a straightforward pleasure to use. Elsewhere, the 4K HDR10+ news is equally good. Detail levels are high across the board, and the amount of information the Samsung loads into skin-tones in particular is impressive. Colours are natural and convincing, with a degree of vibrancy when required but never over-driven. Plus, they’re wide-ranging enough to give expression to even subtle differences in shade or tone.

Many countries receive market-specific variations of television, of course, due to differences in broadcast standards and so on – so at present there’s no confirmation of what the equivalent Samsung screen will be in other territories. What we can be certain of, though, is that both the United States and Australia will be getting a range of competitively priced, competitively specified Samsung 4K LED TVs that are more than a little reminiscent of the BU8500 series. That’s a positive, though. At a touch over 25mm deep for our 55-inch version, the chassis is enviably slim, and the bezels surrounding the screen are minimal too. It can be wall-mounted, of course. If you don’t fancy that option, though, and would rather stand your new TV on a surface, the Samsung’s feet are usefully close together, so your surface needn’t be as wide as the screen itself. A sense of value is absolutely critical to the Samsung BU8500. It exists to make sure that you can get lots of the latest features for a low price, or to give you the chance to upgrade to a larger screen while still keeping within your budget. Viewed head-on, the AU9000 is an unremarkable-looking device – and I mean that entirely positively. A narrow bezel and some minimal feet is all anyone really wants from their new TV no matter how much or how little they’re paying, right?The Samsung AU9000 includes the full Tizen-powered smart platform and it’s responsive, intuitive and easy to navigate. There’s a launcher bar along the bottom and a second layer that provides faster access to the various streaming services.

As I already observed, the Tizen operating system is exemplary – and to help you find your way around it, Samsung has equipped the AU9000 is not one but two remote controls. The first is the sort of rather thin-feeling, over-buttoned handset we’ve come to expect in this area of the market, but the second is an altogether more upmarket alternative with fewer buttons that are much nicer in terms of action. After watching all sorts of content, I noticed that edge definition is also handled well, so edges are drawn confidently and with real positivity. Only when combined with properly testing on-screen motion are edges anything less than smooth, and only when on-screen motion gets properly complex does the Samsung do anything except grip movement with real determination. Only in extremis does the AU9000’s Crystal Processor 4K give the slightest hint of how hard it’s working. Play to the Samsung’s strengths with some 4K HDR10+ content and the AU9000 didn't take long to impress me. It has some real and unarguable strengths when it comes to picture-making. One thing that’s not new, on the basis that upgrading it would be difficult in the extreme, is the Tizen smart TV interface. It’s long been close to ideal and, though every other manufacturer has undeniably upped their smart TV game to compete, Tizen continues to be a pleasure to use. The remainder of the colour palette the Samsung can call on impressed me both with its extensiveness and its naturalness. Skin-tones are always a stern test of a TV’s abilities, and the AU9000 handled the complexities and subtleties of complexions well in my tests across a range of content, and it also does good work describing textures of skin, too.The Samsung BU8500 is on sale now, though at the time of writing this particular model is available in Europe and some other countries, but hasn't been announced for North America or Australia (though it is available in New Zealand). It’s going to come as no great surprise to learn that the Samsung does its verybest work when given the very best content to work with. And, in light of its specification, the very best content turns out to be some native 4K material with HDR10+ as the cherry on top. If you’re intending to see the Samsung AU9000 TV perform at its best, then you’ll need to serve it some native 4K content with HDR10+ augmentation – because, as is always the case (and as is always galling) with Samsung, there’s no Dolby Vision dynamic metadata HDR standard on the spec-sheet.