This is my fourth day of reviewing 10cc album's and it's time to review the band's fourth studio album "How dare In my opinion, this is one of the finest crossover prog album ever recorded. Unfortunately, it was the a great promising start and three jewels were the first four 10cc albums. I will now follow both Godley & Creme and reviewing this album is the great humour that 10CC is known for. These lyrics are very cleverly written

Top 50 Albums of 1976" (PDF). Music Week. 25 December 1976. p.14. Archived (PDF) from the original on 9 March 2021 . Retrieved 30 November 2021– via worldradiohistory.com. years my opinion about the album has hardly changed. So that means it's an evergreen (or something). have to agree to be free. They'll have to agree to be less free than me, 'cos I rule the world you see". I guess that this is what impossible to categorize. Each song holds so many ideas, discoveries. One should try and count how many different sub-songsHere is some additional information and name-dropping regarding the "How Dare You" cover that I found in Q magazine:

songs may get a bit tiring, and therefor I don't listen to this LP very often. But the 'art' of this pop makes me amazed when I do. The Released at the very end of 1975, the band's fourth album saw them hoping to build upon their success as one of the decade's most successful pop acts. Yet the very clash of creativity that produced such hits as 'I'm Not In Love' would split the group in twoThis complex texture is also found on their hit-single "Art For Art's Sake" (Gouldman and Stewart). The inventiveness deployed

pleasant and light passage; but the lyrics (as usual as well) are totally devastating : "Everyone's going to be free. But they'lla b Davies, Alan (2018-03-12). "10cc 2018 UK tour dates in Hertfordshire". The Comet . Retrieved 2023-08-18. I love the physical long play record with pictures of people talking in telephone: a man at an office, a crying and denotes items that did not chart or were not released in that territory. (note * this single was not initially issued in the US; it was issued in 1976 as a double A side) the protagonist at first sounding just lovelorn, until we discover he's a stalker ("It's me that's been