Planescape: Torment Enhanced Edition review". Gameplanet. April 18, 2017. Archived from the original on June 28, 2017 . Retrieved June 23, 2017. Staff (March 2000). "The Sixth Annual PC Gamer Awards". PC Gamer US. Vol.7, no.3. pp.46, 47, 49, 50, 54–56, 60, 62. Vallese, Ray and Valerie (1999). Planescape: Torment. Renton, Washington: Wizards of the Coast. ISBN 978-0-7869-1527-9.

One of the Nameless Ones long ago travelled to Letheras with five Nerek witches where her adult soul was placed in the body of a deceased girl named Kettle. The undead child, who also contained the soul of a Forkrul Assail, became the Guardian of the dying Azath Tower. [18] In The Bonehunters [ ] Planescape: Torment uses the D&D character alignment system, in which a character's ethical and moral perspective and philosophy are determined based on the axes of "good vs. evil" and "law vs. chaos", with neutrality bridging the two opposing sides. The Nameless One begins as "true neutral" but can be incrementally changed based on the character's actions throughout the game, with reactions from the game's non-player characters differing based on his alignment. [1] [3] [12] [13] Synopsis [ edit ] Setting [ edit ] Planescape: Torment, Interplay, December 12, 1999, " The Nameless One: "It is said you are the greatest of the Gray Sisters, Ravel. I have traveled far to reach you." Giantbomb- The Nameless One article". Giantbomb.com . http://www.giantbomb.com/the-nameless-one/94-659/ . Retrieved 2011-02-01.As it may become evident to the player, if The Nameless One is killed in the game, he will arise from death where his body was brought; the location is dependent on the hero's location at death, and can be anywhere from a metal slab at the Mortuary to a bed at an Inn.

Takahashi, Dean (February 7, 2019). "Walking Dead creator Skybound Games will publish Beamdog's classic RPGs to consoles". Venture Beat. Archived from the original on December 5, 2020 . Retrieved February 7, 2019. While Critical Role is now livestreaming on both Twitch and YouTube, the official moderated live chat is on Twitch. VODs for episodes of Exandria Unlimited are available immediately on Twitch and Mondays at noon Pacific Time on YouTube. Podcasts release a week after streaming. Dariax: [ ... ] You don't have to be a bad person to do bad things if it's hurtin' other bad people. [12] a b c d e f Park, Andrew (October 10, 2005). "The Greatest Games of All Time: Planescape: Torment". GameSpot. Archived from the original on November 18, 2009 . Retrieved February 27, 2009. GameSpot gave the game an "Editor's Choice" score of 9.0 out of 10, [21] noted that "the Nameless One" was nothing like the conventional main character of an RPG: "Even Torment 's protagonist, who is heavily scarred, entirely tattooed, and dressed in bones and animal hides, seems nothing like the usual role-playing game hero." [21] Greg Kasavin of GameSpot also noted the diversity of the Nameless One's choices in dialogue: "... it's one of the few role-playing games to ever make good on the promise of letting you play your character however you prefer. Torment's dialogue often lets you choose to make promises, bluff, or play dumb; the game lets you perceive small details if your character is intelligent, understand philosophical implications if he's wise, and intimidate or charm if he's strong or charismatic. Your character's moral alignment and his affiliation with Sigil's different factions are openly flexible and have a noticeable impact on the course of the game." [21] He also noted that the character's "perverse incapacity to permanently die" helps to maintain pacing. [21] GameSpot also noted the possible changes of classes the character can go through, "your character can readily switch between fighter, thief, and magic-user classes and can rapidly advance to a high level of proficiency in any and all of these, which is justified within the game as not so much an acquiring of new skills as a remembrance of latent centuries-old talents." [21]GameSpot's Greg Kasavin said that "the Nameless One" was nothing like the conventional main character of an RPG: "Even Torment 's protagonist, who is heavily scarred, entirely tattooed, and dressed in bones and animal hides, seems nothing like the usual role-playing game hero." [4] Kasavin noted the diversity of the Nameless One's choices in dialogue that "often lets you choose to make promises, bluff, or play dumb; the game lets you perceive small details if your character is intelligent, understand philosophical implications if he's wise, and intimidate or charm if he's strong or charismatic. Your character's moral alignment and his affiliation with Sigil's different factions are openly flexible and have a noticeable impact on the course of the game." [4] He also deemed the character's "perverse incapacity to permanently die" as helping to maintain pacing, [4] and noted the possible changes of classes the character can go through, "your character can readily switch between fighter, thief, and magic-user classes and can rapidly advance to a high level of proficiency in any and all of these, which is justified within the game as not so much an acquiring of new skills as a remembrance of latent centuries-old talents." [4]

Dariax: Look, I speak for all of us, and that's a big responsibility. I wouldn't put that upon you if I didn't care about you! Mappo admitted to Icarium that it was the Nameless Ones who had appointed the Jhag's guardians over the years. [13] The ancient Jaghut, Gothos, informed Fiddler that the Nameless Ones had been so desperate to find the last guardian for Icarium that they had destroyed Mappo's settlement and blamed it on Icarium. Mappo, walking the bone strewn town of his birth, had volunteered to accompany Icarium to prevent the tragedy from ever happening again while ignorant of its true cause. [14] [15] In House of Chains [ ] A rebuttal, however, is that memories of the Paranoid incarnation are triggered when the player strangles people; this requires both dexterity, which is important to thieves, and strength, which is more important to a thief than to a mage. a b c d e f g h i j Loijens, Joost (January 22, 2000). " Planescape: Torment Review". GameSpy. Archived from the original on October 23, 2008 . Retrieved February 27, 2009. Planescape: Torment, Interplay, December 12, 1999, " The Nameless One: "Ravel, the ritual you performed was flawed... it didn't work. Every time I die... or at least every time I *used* to die, I forgot myself and became somebody else. I'm broken, yes..."The 10 Greatest Dungeons and Dragons Videogames". Paste. Archived from the original on September 14, 2016 . Retrieved December 18, 2017.