German Chart - Quncy Jones". charts.de. Archived from the original on August 19, 2014 . Retrieved August 8, 2014.

Offiziellecharts.de – Quincy Jones – The Dude" (in German). GfK Entertainment Charts. Retrieved January 29, 2023.

Versions

Oricon Album Chart Book: Complete Edition 1970-2005. Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9.

Greg Phillinganes – synthesizer (1, 3–6, 8, 9), electric piano (2–4, 7–9), handclaps (1, 4), synthesizer solo (7) The Dude is a 1981 studio album by the American musician and producer Quincy Jones. Jones used many studio musicians. Your computer may be infected with malware or spyware that makes automated requests to our server and causes problems.

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One Hundred Ways” originally appeared on Jones’ 1981 album The Dude, which has now been given the Super Audio CD reissue treatment. The voice you hear when Doom lets the sample spill over belongs to James Ingram, who was making his debut on the LP. And while the moment conjures up the entertaining image of Doom in a metal mask casually rapping along to the radio, it also raises the deeper suggestion that the music of bandleaders like Jones—along with James Brown, Roy Ayers, and Isaac Hayes—has proved to be so fertile for hip-hop producers because it’s made with the spirit of collaboration in mind. Records like these sketch out funky templates and trust guest musicians to stamp the tune with their own identity, much in the manner of a producer repurposing a sample into something fresh but also evocative of its original source. a b Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. p.161. ISBN 0-646-11917-6. The vibe switches dramatically as Ingram steers the session into quiet storm territory with the sentimental “Just Once,” before Stevie’s synth wizardry and Austin’s vocals amp up the moody funk of “Betcha’ Wouldn’t Hurt Me.” Elsewhere, “Razzamatazz” is a pulsing dancefloor outing spiked with rousing horns, and “Velas” brings the album into a gentler, jazz-influenced zone complete with Toots Thielemans’ harmonica lines.