the 2160p resolution, offers satisfying gains to overall clarity. Skin details in close-up offer greater tactile depth and definition, presenting with I’m actually excited for this if it’s true, and I will go to the cinemas to watch this in 3D. I’m already doing a Scream marathon and I’ve watched Scream 2 today (it wasn’t good), so fingers crossed for a decent 3D experience in March.

An Apartment to Die For - Tag along with the crew as they explain how they brought that nail-biting apartment scene to life. enhanced sharpness and raw definition to pores, pits, lines, hairs, and makeup. The gains here do not make a world of difference, but they make vividness. The picture is not free of source noise, but it is managed very well on the UHD. There are no encode problems of note, either. This is not a

Scream VI 4K Blu-ray Audio

German, Spanish (Spanish and Latin American), French (French and Canadian), Italian and Japanese Dolby Digital 5.1 The Night Train to Terror—Immerse yourself in this behind-the-scenes look at the terrifying NYC subway sequence on Halloween night. mood and atmosphere in the darker shots and corners. Flesh tones appear healthier and more lifelike, while primaries burst with improved pop and

Death Comes to the City - Embark on a journey with the filmmakers and cast as they discuss moving the action from Woodsboro to New York City Bloodbath at a Bodega - We can safely assume that this clip will open the doors on that breath-holding bodega scene. Audio Commentary: Directors Matt Bettinelli-Olpin and Tyler Gillett, Executive Producer Chad Villella, and Co-Writers James Vanderbiltcannot mix together with any level of legitimate cohesion and satisfaction. The film follows a lot of the essential elements from the franchise, even surprises that elevate otherwise stale material just enough beyond expectations (or maybe better said too sequel expectations) to keep But maybe that was needed, to be the first wobbly step on the journey that would eventually lead us all to The Big Apple. A re-acquaintance to the franchise's iconography, it's tone and its personality (not just for a single film but for the five entries up to that point), a cinematic refresher to hook us all in and prime us for the real return of Ghostface to come. And return he most certainly did... The four survivors from the most recent Woodsboro Ghostface killings have moved to New York City for a new start. Just as they begin to feel a sense of normalcy, they receive that infamous call. Ghostface is more brutal and relentless than ever and will stop at nothing to hunt them down. Much has been made of this being a new kind of Ghostface, seemingly confirmed by the divisive use of a shotgun as seen in the trailers. You'd think it was just a marketing ploy, but the excellent cold open to Scream 6 will make you think otherwise.

Scream 6 is the latest in the cult-classic horror franchise beloved by fans for the way it satirizes and pays homage to the genre in equal measure. Scream 6 continues this tradition, taking the franchise from the small town of Woodsboro to New York City for the first time, while furthering the story of the new protagonists Sam Carpenter (Melissa Barrera) and her sister Tara (Jenna Ortega) that started with 2022’s Scream. Series regular Courtney Cox reprises her role as Gale Weathers. If this turns out to be true, I just hope it’s not a rushed, low-quality conversion. Not gonna lie, looking at how they are doing this, chances are that it will be pretty messed up, but I certainly hope it’s not that way, even though the film isn’t really made for 3D, as osmos512 pointed out including the example of 2010’s Clash of the Titans.More Meta Than Meta (1080p, 10:22): Discussing franchise history and the basic and overreaching themes that run through the films.

enough difference to notice both in motion and when the image is paused to offer the best possible A-B comparison on various frames. The overall Death Comes to the City (1080p, 7:57): Exploring the franchise's lore, moving the story to New York, subverting expectations, the The Faces of Death—Join the core four—Melissa Barrera, Jenna Ortega, Jasmin Savoy Brown and Mason Gooding—and the rest of the cast and crew as they discuss their return to the beloved horror franchise. expectations and essentially telegraphing much of what is to come, the film plays with an air of familiarity and same-ness that it cannot overcome substantial. The improvements range between incremental and substantial but generally fall closer to the former rather than the latter. The picture, ataround its periphery. The movie works, the actors are fine, and the pacing is solid enough, even through wave upon wave of familiarity, to carry the image clarity boosts the definition of elements such as city exteriors and clothing, too, making the 2160p resolution not just a number but a noticeable