Eighteenth century [ edit ] France [ edit ] Performing artists [ edit ] Antoine Watteau: Gilles (or Pierrot) and Four Other Characters of the Commedia dell'arte, c. 1718. Musée du Louvre, Paris. Nicolas Lancret: Actors of the Comédie-Italienne, between 1716 and 1736. Musée du Louvre, Paris. Jean-Honoré Fragonard: A Boy as Pierrot, between 1776 and 1780. The Wallace Collection, London. Craig, Edward Gordon (1912). "The actor and the Über-Marionette". On the art of the theatre. London: William Heinemann. Symons, Arthur (1919). The Symbolist Movement in literature. Revised and enlarged edition. New York: E.P. Dutton & Company. Swiss— Klee, Paul (worked mainly in Germany): Many works, including Head of a Young Pierrot (1912), Captive Pierrot (1923), Pierrot Lunaire (1924), Pierrot Penitent (1939); Menta, Edouard John: Pierrot's Dream (1908). Swedish— Lund, Oscar A.C. (worked mainly in U.S.A.): When Pierrot Met Pierrette (1913); Sjöström, Victor (worked mainly in U.S.A.): He Who Gets Slapped (1924; based upon the 1914 play by Leonid Andreyev).

Findlater, Richard (1978). Joe Grimaldi, his life and theatre. Cambridge, Eng.: Cambridge University Press. ISBN 0521222214. hdc – half double crochet: Yarn over, insert hook into next space, yarn over, pull up a loop (3 loops on hook). Yarn over pull through all 3 loops Alexander Vertinsky as Pierrot. Poster by pre-revolutionary unknown artist. Asta Nielsen as Pierrot in Urban Gad's Behind Comedy's Mask (1913). Poster by Ernst Deutsch-Dryden. Stuart Merrill, Pastels in Prose William Theodore Peters, Posies out of Rings: And Other Conceits (1896) [47]Canadian— Carman, Bliss: "Pierrot's House" (1901), [91] "Pierrot in Autumn" (1901), [92] "At Columbine's Grave" (1902), [93] "The Book of Pierrot", from Poems (1904, 1905). See, e.g., Act III, scene iii of Eustache Le Noble's Harlequin-Aesop (1691) in the Gherardi collection. A translated excerpt from the scene appears in Storey, Pierrot: a critical history, p. 20. See, e.g., the Scene des remontrances of Regnard's Wayward Girls in the Gherardi collection. A translated excerpt from this scene appears in Storey, Pierrot: a critical history, p. 23. Fournier, p. 113, provides the information for this paragraph. "If, as Fournier points out, Molière gave [his Pierrot] 'the white blouse of a French peasant', then I doubt very much that we have to look for traces of his origins [i.e., of the origins of the Italians' Pierrot] in the commedia dell'arte at all": Storey, Pierrot: a critical history, p. 20.

If you are looking for a unique crochet pattern, than look no further. This Pierrot Clown doll is my most popular pattern on Etsy. Wague, Georges (1913). La pantomime moderne, conférence prononcé le 19 janvier 1913, dans la salle de l'Université Populaire. Paris: Editions de l'Université Populaire.Palacio, Jean de (1990). Pierrot fin-de-siècle, ou, Les métamorphoses d'un masque. Paris: Séguier. ISBN 287736089X.