When I started thinking about this book a few years ago, I had originally intended that maybe it would be like a steampunk thing and it would be a little bit more light-hearted,” said Henry. “But, you know, the more I started thinking about it and the more I started writing, the darker it became …I thought the only thing that’s that deep and viscious is a relationship where you used to love the person.” All in all this is a great collection of stories, for both the Pan Horror novice who wants to find out how our definitions and attitudes toward what we classify as horror have changed over the years, or for the Pan Horror enthusiast to replace their dog-eared copies of the original book and revisit the early days in the series history.

Somewhat reluctantly, he decides to put up there for the night. At first, his main cause of concern is that the landlord is eyeless and reminds him of a slug, but there’s also a beautiful girl hanging around and at least she must be harmless … Lost Boyis a gory, gutting retelling, one that would not work without a strong central character we know, like, and understand. Jamie is that character, a nurturing type who looks after the other Lost Boys while Peter plays his games. When the novel begins, he loves Peter best of all. They have been together literally longer than Jamie can remember. He is Peter’s favorite. But, as Jamie begins to become disillusioned by The Island and Peter’s games, all of that changes. The empathy of Lost Boy.urn:oclc:record:1392314528 Foldoutcount 0 Identifier panbookofhorrors0000unse Identifier-ark ark:/13960/s2dgzjj7qhk Invoice 1652 Isbn 9781509860104 As a result of reading the more trashy stories in the 1980s I was inspired to read more in the series and this provided exposure to classic authors and their deeper story-telling in the earlier editions. What we did, pretty much from the time we started telling stories, is we gather around, and someone would tell a story. And whoever heard that story would go someplace else and tell that story, but with their own flourish, right? So the story starts to change already in the first retelling. And then someone else would hear it and they would tell it to somebody else and it would change again, so it’s like this eternal game of telephone.

One of the things I was trying to get at in the book,” said Henry,“is the way groups of boys can be both really brutal with each other in a careless way, but also really tender and how they’ll tend to follow the most charismatic leader. And, obviously, Peter’s a charismatic leader. And so they follow him.” The thing that first attracted me to the books was the lurid cover design that would sometimes thrill, occasionally titillate but usually disgust and intrigue. Combine the strong, vivid cover designs together with stories from new authors as well as classic authors and you had a winning combination. One of my all time favourites of the Not at Night’s, and the climactic pursuit across the rooftop is genuinely exciting. Cook pays a visit to the houseboat. It’s a fair bet he won’t be eating any kebabs in the foreseeable future. Peter Pan first appeared as a character in the Scottish writer’s 1902 adult novel The Little White Birdbefore getting his own 1904 stage play, dramatized in the 2004 Johnny Depp movie (and current musical) Finding Neverland.After that, Barrie wrote the 1911 novel Peter and Wendy.The Tempest is one of my favorite Shakespeare plays and I’ve always wondered what happened to Miranda after. And I liked to imagine her older, like who is she now? That’s something I might write someday …I’ve [also] been really toying with a kind of post-apocalyptic Red Riding Hood. A U.S edition of the first Pan book was released by Gold Medal, an imprint of Fawcett Publications, and books 3, 4 and 5 were released by Berkley Medallion. While the first book was complete in its contents, the other three books gave only a small selection of their UK counterparts. There is no evidence to support PBoH #2 ever having a US release. Furnishing lists of choice, from the Women’s Prize to Waterstones Thriller of the Month, Mantle publishes high quality writing and brilliant storytelling with a broad appeal that often features stories of ‘the outsider’ — those unsung heroes and heroines who change things for the better. Personal highlights were The Horror in the Museum by Hazel Head, a story about the horrors of working in a waxwork museum after dark, and Bram Stoker’s The Squaw in which a cat (as illustrated on the front cover) takes revenge on a man for accidentally killing her kitten. Also included is a A Brief History of the Horrors by Johnny Mains to get you up to speed on exactly why these books are considered a standard in the history of British Horror anthologies.