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Hatful Of Hollow

Hatful Of Hollow

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Underneath the music, I could hear the faint whispers of the stranger, in his distinctly Leeds accent, like a musical Banquo haunting me with cries of ‘Hatful of Hollow’ and ‘Only Smiths record…’ as I entered adulthood, I started to realise what the stranger meant. What Difference Does It Make?’ was recorded during a BBC Peel Session, and it has a natural, darker edge to the single version. You can hear Johnny Marr and Andy Rourke dovetailing beautifully. Transposed to a higher key, it provides an exciting alternative to the single version.

the only downside is they have put too much music on so the end of each side has a slight distortion... almost an hour of music in total, if someone did this on 2 LPs it would be amazing Propelled by Andy Rourke's beautiful bass-line, Morrissey sings about a couple with different views on their relationship and how they are perceived by society. There's also a bit of harmonica in the song that works well. Hatful of Hollow reached No. 7 on the UK Albums Chart, remaining on the chart for 46 weeks. [12] In 2000, Q magazine placed the album at No. 44 on its list of the "100 Greatest British Albums Ever". To the stranger who once told me that Hatful of Hollow is the only Smiths album you need, I get it. It trumps their debut in every way and is more consistent than their subsequent records, regardless of how expansive they would go on Meat Is Murder, and The Queen Is Dead. If you want to capture the early magic of The Smiths when arguably they were at their zenith, this is the album for you. For Jensen on 25 August, 1983 (broadcast 5 September): " Accept Yourself", "I Don't Owe You Anything", "Pretty Girls Make Graves", "Reel Around the Fountain"I could write “gorgeous melodies” as a description for every song on this album quite honestly. Marr employed a jangle style on the guitar lines, which is characterized by an undistorted and heavy treble sound. Morrissey's lyrics focus on sexual ambiguity and he uses a first person narrative technique which show off his storytelling abilities. Things I do not like about the Smiths include, but are not limited to: a generally 80s vibe, bedsit shuffling guitars with too much reverb; ridiculous exaggeration of Morrissey's importance and general godlike qualities, when he's clearly a passive-aggressive wanker; Morrissey's lyrics ("What Difference Does It Make" specially awful); Morrissey's voice, a strangulated hernia in a plastic bag; most of all, tunes which consist entirely of a tiresome oscillation over a small interval (often a third, sometimes a fourth), making Morrissey sound like a fire engine.

Cavanagh, D, 1993. Irreproachable: The Smiths: the very best of British?. Q Magazine, 1 December 1993. British album certifications – The Smiths – Hatful of Hollow". British Phonographic Industry . Retrieved 5 August 2023. THE IMPOTENCE OF ERNEST" is etched into the runout groove of side A. As well as being a pun on Oscar Wilde's The Importance of Being Earnest, it is an allusion to the impotence that Ernest Hemingway suffered in his final years. "Ian (EIRE)", etched on side B, refers to Marr's younger brother.

This sounds great for an LP that has 56 minutes of material on it - that's hard to do. Could it sound better on 2 discs instead of 1? Sure, but is it necessary? Not in my opinion. We can get hold of a copy for you from one of our suppliers, but we cannot guarantee a delivery time.

More harmonica begins the song, which utilizes a fast tempo full of energetic instrumentation, and yet Marr's guitar lines are soothing and calming. The song ends with another short harmonica solo. News" (PDF). Record Mirror. 20 October 1984. p.6. Archived from the original (PDF) on 1 January 2022 . Retrieved 1 July 2022. The Smiths release a bargain price special album on November 2. 'Hatful Of Hollow'For David Jensen on 26 June 1983 (broadcast 4 July): " These Things Take Time", " You've Got Everything Now", "Wonderful Woman"

Power, Tony (October 2004). "The Smiths: Hatful of Hollow". Blender. Vol.3, no.8. Archived from the original on 30 June 2006 . Retrieved 25 January 2022. My only gripe is that the disc came in a paper sleeve, which meant it was scuffed and a bit dirty. A dry brush helped though and there are no audible or other defects. The second song title on the album that's actually a question. It's also my favorite song and the one that got me into the band. Marr's distorted guitar effect is hypnotic and the lyrical content is an absolutely brilliant piece of sociological analysis.

Recently got a copy of this, the format makes sense as the album's running time of 56 minutes is technically too long for a single LP, whereas 10"s can hold a maximum of around 15 minutes a side when cut at 33 RPM. I don't have an original LP to compare it to, but it certainly has a very decent, clear sound. However, side 1 is much louder than the other three sides, and sides 3 & 4 are pressed off-centre. Also worth mentioning is the fact that the heavy stereo effect for the first 7 seconds of 'How Soon Is Now' (most noticeable when listened to through headphones) is greatly diminished on this pressing (it almost sounds like mono!). It's nothing big, but it makes you wonder why it's different.



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