JPG Picture Custom Freeze Frame: just like the MT22DS and BM7IIDS, the LH7P can do a freeze frame in 16:9 1920×1080. After you captured an image, you can compare it to your real-time video with a semi-transparent image on your screen. This could be useful for any match cuts or transition frames, that can be easily created with this feature.

PortKeys PT6 Monitor Is David Taking on Goliath—And It’s The PortKeys PT6 Monitor Is David Taking on Goliath—And It’s

The LUT file name is required to be in English or numeric to avoid unrecognized, resulting in incorrect file names. Sampling: the LH7P supports 4K over-sampling to 1080p, just in case your camera can’t perform this internally. The result is a high-resolution and highly-detailed 1080p video signal on your monitor. Well, it doesn't. The PortKeys PT6 doesn't actually stream your video source, but it provides a set of tools to get your image ready for streaming. This can then be outputted to a device that sends your signal to the web and beyond. Setting up the small Portkeys PT6 couldn’t be easier, and through the test, I tried the monitor out with a Sony A7 III, Canon EOS R7 and Canon EOS R5 C. The set-up process for each was identical, with the HDMI feed plugging directly into the side of the monitor, and then once everything was switched on, the feed from the monitor appeared on the screen.At one time, a full-featured monitor for on-set or on-camera use was a big deal. If you wanted features such as a high-performance waveform monitor and lookup tables, it was an expensive device that chewed through batteries and made a loud whirring sound. If anything shows us that this has changed, it’s Portkeys’ diminutive PT5, which does all those things in a small, very inexpensive box. The PortKeys PT5is a lightweight – 0.28lbs/130grams – entry-level professional monitor for filmmakers who are looking for a compact on-camera monitor. Full HD Display What makes the small Portkeys PT6 stand out is that it has been designed for streaming; essentially, it has all the pro monitor features, just in a small box that you can easily transport. The monitor includes focus peaking, zebras, and false colour and is 100% DCI-P3 compliant. On the streaming side, this means you can take a feed from your camera at up to 4K and then feed it through the PT6 and output it at streaming-ready 1080p 60fps, and if the feeling takes you, you can even apply a LUT of your choice.

New 5-inch Portkeys PT5 Field Monitor Announced - 4K Shooters

A 3D LUT is a simple but very powerful way to apply a color grade to footage. 3D LUT files are quite small, (often around 1MB) and can be produced with almost any color grading software, and can be saved on to USB flash drive for use on the monitor or at any point in post-production. The price of the Portkey PT6 instantly makes this a bargain considering the monitor’s quality and features you get. The overlays, such as peaking, zebras and false colour, are standard features that anyone shooting video will benefit from. The ability to monitor in Landscape or portrait is also incredibly handy. Toggles the 3D LUT Off/On. You can select a LUT that is Stored from USB or import LUT from USB. Select the tool and activate or deactivate it as desired. Yellow tools are active, they are Grey when inactive. USB Looks The good news continues when we start to look at picture processing, test and measurement options. This featherweight monitor supports 3D LUTs loaded from USB devices, plus a wide range of overlays, including audio level metering, peaking, false colour, and, best of all, both luma and RGB parade waveforms. The waveforms appear to be updated at the native frame rate of the video signal, without lag, and with enough resolution to look crisp, at least in the small area of the screen they occupy. Hats off to the firmware people: nice work. At the rear of the monitor, you will find the battery plate to power the PortKeys PT5. You can use Sony NP-F batteries or Canon LP-E6. Also, you can power it with an external battery via the DC barrel input port.

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The Portkeys PT5 HDMI touchscreen monitor is the most affordable monitor, which is a 5″ 4K30p monitor with 500nit bitghtness, new peaking, wide color gamut and 3D LUT. But despite its plastic construction, it still features a full range of monitoring tools that would certainly make your life on set a lot easier. Portkeys PT5 Hardware – Improved Compact Touchscreen The Portkeys PT6 is an ultra-compact fully, featured monitor for your camera. It’s a pro-grade screen designed to get a decent representation of what you’re shooting rather than relying on the often flakey reproduced image that your on-camera screen will show.

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Those features include Peaking, Luma waveform, False colour Zebra, Grids, LUTs and more technical monitoring features that will help ensure you capture the video you want. Anamorphic De-squeeze: the LH7P monitor supports anamorphic lens correction in a ratio of 1.00x / 1.33x / 1.42x / 1.50x / 1.60x / 1.66x / 1.85x / 2.00x / 2.35x. Moreover, you can dial in a custom de-squeeze factor ranging between 0.25x and 4.00x.Vertical Shooting Stretch: upright video formats in 9:16 might not be everybody’s favorite framing format, but with the importance of social media, at times you just have to deal with it. The LH7P offers controllable stretching of images and real-time monitoring of the stretch effects. He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science and is a Master of Arts in Publishing. He is member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected in to BEWA, The British Equestrian Writers' Association. What I found quite surprising for a monitor of this size and price is the amount of input and outputs available. This is a testament to the fact that this small monitor has been designed for those wanting to stream their footage rather than capture it for editing later. The small monitor is of a similar standard as the more expensive models. It’s just that the screen is smaller. The LH5P II is equipped with a lot of software built-in, you are able to adjust picture color, temperature, layout and more to have it display a single just the way you want it, you can also flip the image on the horizontal or vertical axis making this a perfect companion for those for are shooting vertical video for social media. You can also set the display gamut to an option of your choice from bypass, Rec.709, P3-DCI, or P3-D65. You also have the option to upload your own LUT to the monitor so you can see exactly how your video is going to look before applying it in the editing studio, which is a massive time saver when on set.

Portkeys PT5 review: A lightweight monitor that punches well Portkeys PT5 review: A lightweight monitor that punches well

Similarly, you can also reach out to them when you need to fill a certain role. I was producing a short film and needed a cinematographer so I asked my cinematography instructor to recommend some students in his department that may be a good fit for the project. You never know unless you ask! Find Your Crew

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USB (for updates and cubes), regrettably non-latching power connectors and the on-off switch. Picture processing Don’t feel confined to the department that you are a part of. One of the biggest advantages of attending film school are the many people who work and study there. Reach out to the head of each department and introduce yourself and your role. On test I tried this monitor out with the Panasonic Lumix BS1H and on my older Nikon D800, it performed flawlessly on both setups, whether shooting indoor or outside. I found that the 2200 cd/m brightness cut out glare whilst shooting in bright sunlight and did not distract from being able to compose various scenes.