As a young law graduate in Sialkot (now in Pakistan), Kuldip Nayar witnessed at first hand the collapse of trust between Hindus and Muslims who were living together for generations, and like multitude of population he was forced to migrate to Delhi across the blood-stained plains of Punjab. From his perilous journey to a new country and to his first job as a young journalist in an Urdu daily, Nayar’s account is also the story of India. From his days as a young journalist in Anjam to heading India’s foremost news agency, UNI and from mainstream journalism to starting his now immensely popular syndicated column, ‘Between the Lines’, Nayar has always stood for the freedom of press and journalism of courage. Widely respected for his columns, his autobiography opens on the day Pakistan Resolution was passed in Lahore in 1940 and takes us on a journey through India’s story of a nation working on its foreign policy, development plans, relations with neighbouring countries, and dealing with coalition politics among others. From events of historical and political relevance like Tashkent Declaration and the 1971 war and the liberation of Bangladesh, to interviewing Zulfikar Ali Bhutto and Mujibur Rahman and from meeting Pakistan’s father of nuclear bomb, Dr A.Q. Khan, to his close association with Lal Bahadur Shastri and Jayaprakash Narayan, Nayar’s narrative is a detailed inside view of our nation’s past and present. Beyond the Lines: An Autobiography by Kuldip Nayar – eBook Details

Beyond the Lines: An Autobiography Download [PDF] [EPUB] Beyond the Lines: An Autobiography Download

Bishop C. M. (2006). Pattern Recognition and Machine Learning. New York, NY: Springer. [ Google Scholar] Tajima Daisuke’s work depicts urban landscapes that radiate an overwhelming power, with a hint of the ephemeral. Look, I think artificial intelligence is important and can help with many things — but not art. I don’t want to just hand over art to AI,” Tajima says. “I’m not giving it away.” He repeats this twice. PDF / EPUB File Name: Beyond_the_Lines__An_Autobiography_-_Kuldip_Nayar.pdf, Beyond_the_Lines__An_Autobiography_-_Kuldip_Nayar.epub As a library, NLM provides access to scientific literature. Inclusion in an NLM database does not imply endorsement of, or agreement with,

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Daisuke Tajima’s art book Beyond the Seigensha publishes Daisuke Tajima’s art book Beyond the

Rohde M., Di Luca M., Ernst M. O. (2011). The rubber hand illusion: feeling of ownership and proprioceptive drift do not go hand in hand. PLoS ONE 6:e21659. 10.1371/journal.pone.0021659 [ PMC free article] [ PubMed] [ CrossRef] [ Google Scholar] This land of millennia-old wooden temples and hundreds of tame bowing deer will sound like a Ghibli-esque fairytale to many, beautiful and unreal, but it’s the ordinary world where Tajima grew up. For him, conversely, the land of fantasy was a concrete maze of skyscrapers reaching for the heavens like those shown in his favorite animated works, namely Akira and Ghost in the Shell. “That was a different world I could not experience,” Tajima explains. “And only when I was a bit older did I realize these urban spaces are real and exist elsewhere.” Holmes N. P., Crozier G., Spence C. (2004). When mirrors lie: ‘visual capture’ of arm position impairs reaching performance. Cogn. Affect. Behav. Neurosci. 4, 193–200. 10.3758/CABN.4.2.193 [ PMC free article] [ PubMed] [ CrossRef] [ Google Scholar] The first collection of works by Daisuke Tajima, an artist who draws an imaginary city where aggressive lines run vertically and horizontally and spread infinitely with overwhelming imagination and transcendent drawing power.In the mirror condition, the participants were seated very near the mirror, so that their bodies almost touched it. They tilted their heads to the left slightly to look into the mirror. The participants' left hands were placed on the same side as the mirror. Their left index fingertips were approximately 30 cm vertically and 30 cm horizontally from the lower right corner of the mirror and 90 cm above the floor. Participants' left hands were fixed during the experiment. In contrast, their right hands were placed in a preferred position on the reverse side of the mirror. They could change the position of their right hands at will at the beginning of every trial. Participants were required to maintain the angles of both wrists. They were instructed to look at the reflection of the left hands in the mirror. After placing their right hands in new positions, the participants pressed the middle button of the foot pedal and started to tap the both hands synchronously at 1 Hz. They were required to tap more than six times. A previous paper reported that it requires at least 6 s visual stimulation to obtain sufficient amount of mirror illusion (Holmes et al., 2004) and six times tapping was almost equivalent to the 6 s stimulation since the tapping was 1 Hz. Therefore, we concluded that more than six times tapping was enough for our participants to observe sufficient amount of mirror illusion. After more than six taps, participants were required to answer two alternative forced choice questions (2AFC) by pressing the right or left button on the foot pedal. The question was, “Do you feel that both hands are in the same position?” When the foot pedal was pressed, participants' responses and the positions of their right hands were recorded, and a beep sound served as a sign to change the position of their right hands for the next trial. This process was repeated for a maximum of 200 trials per condition. Nakamura S., Shimojo S. (2000). A slowly moving foreground can capture an observer's self-motion–a report of a new motion illusion: inverted vection. Vision Res. 40, 2915–2923. 10.1016/S0042-6989(00)00149-8 [ PubMed] [ CrossRef] [ Google Scholar] Tsakiris M., Carpenter L., James D., Fotopoulou A. (2010). Hands only illusion: multisensory integration elicits sense of ownership for body parts but not for non-corporeal objects. Exp. Brain Res. 204, 343–352. 10.1007/s00221-009-2039-3 [ PubMed] [ CrossRef] [ Google Scholar] The artwork he is currently working on measures 5 meters by 4 meters, a size Tajima considers small, wishing he could go bigger. “If you think about it, cities are much, much bigger than these panels, so I am actually making them small,” he points out.

The mirror illusion: does proprioceptive drift go hand in

All data were assessed for a normal distribution using the Shapiro-Wilk test ( p> 0.05), and the appropriate non-parametric tests were applied when one or more of the corresponding data sets failed to meet the criteria for normal distribution. Area size data were not normally distributed due to participant variance; therefore, a Wilcoxon signed-rank test was used for pairwise comparison. The questionnaire data were not normally distributed; however, we performed a Two-Way repeated-measures ANOVA to analyse the questionnaire data, as there was no non-parametric substitute for this analysis. The results of the Mauchly's sphericity test were not significant ( p> 0.05) for the questionnaire data. Therefore, we did not use the Greenhouse-Geisser corrections. Tajima creates giant hand-drawn megalopolises all from his remote studio in the Nara countryside By Kobayashi H., Yoshida T. (2014). Do self-controlled objects ‘pop out’? A study of attention. J. Vis. 14:1069Daisuke Tajima conjures imagined cityscapes out of lines that drive and proliferate infinitely outward, guided by his prodigious imagination and talent. The high-rises cramming his massive pen-and-ink canvases spring from two inspirational sources: the American sci-fi movies and Japanese anime he saw as a child, and his memories of his journeys to Taiwan, Hong Kong, and mainland China. He seems at peace with the fact that he rarely meets new people in person. Even when setting up his exhibitions, he’s only there for a few days. This was the case for his latest exhibition, “Beyond the Lines,” at the Roppongi Hills A/D Gallery in September 2022, which doubled as the launch of his art book of the same title. Ramachandran V. S., Rogers-Ramachandran D., Cobb S. (1995). Touching the phantom limb. Nature 377, 489–490. 10.1038/377489a0 [ PubMed] [ CrossRef] [ Google Scholar] Seno T., Yamada Y., Palmisano S. (2012). Directionless vection: a new illusory self-motion perception. Iperception 3, 775–777. 10.1068/i0518sas [ PMC free article] [ PubMed] [ CrossRef] [ Google Scholar]