Hi there, I’m Lucie and I’m a writer (allegedly) but before that I’m a human and I know how hard it is to be a human. It’s a constant battle with yourself, the people around you, the world, and it’s exhausting and sometimes it can be too much but we find ways to keep going and books help me do that (as well as crying, screaming, potatoes). I find life absurd most of the time so I have to laugh about it or I’d go insane. And I’m still alive, despite constantly being in a fight with my brain, so I think I’ve got this.

How Music Works is David Byrne's buoyant celebration of a subject he has spent a lifetime thinking about. Hmm... We just used the term, Cloud Native. Your first thought might be, "What exactly does that mean?" Another industry buzzword concocted by software vendors to market more stuff?" Gary Tomlinson, John Hay Whitney Professor of Music and Humanities, Yale University; author of A Million Years of Music Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no. It isn’t clear why, but the most vulnerable neurons to this catastrophic breakdown are the ones that regulate leg movement…. And when sufficient neurons die, paralysis sets in…. [The condition] never gets better; it always gets worse. The signals get weaker and weaker until they simply cease altogether. The victim experiences “much trouble just to stand up.” Many become rapidly too weak to walk. The only thing left for them to do at that point is to crawl….Within a short time, cloud native has become a driving trend in the software industry. It's a new way to construct large, complex systems. The approach takes full advantage of modern software development practices, technologies, and cloud infrastructure. Cloud native changes the way you design, implement, deploy, and operationalize systems. Honorable Mention, 2020 Woody Guthrie Award given by the International Association for the Study of Popular Music, US branch Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music—what recordings are made of and what happens to them when they are disposed of. Established in 1962, the MIT Press is one of the largest and most distinguished university presses in the world and a leading publisher of books and journals at the intersection of science, technology, art, social science, and design. Harvey Molotch, Professor Emeritus of Sociology, NYU and UCSB; author of Where Stuff Comes From: How Toasters, Toilets, Cars, Computers and Many Other Things Come to Be as They Are

Many enemies for each biome and underground, with most having multiple variants. (9 types, with 25 variations in total) Kyle Devine opens us to oil wells, studio albums, digital accessories, and much else —creative, horrible, and in between—on which music reproduction depends. Itself rendered with precision and elegance, Decomposed is fit for music lovers, social scientists, and all citizens of a tremulous earth.English–Arabic English–Bengali English–Catalan English–Czech English–Danish English–Hindi English–Korean English–Malay English–Marathi English–Russian English–Tamil English–Telugu English–Thai English–Turkish English–Ukrainian English–Vietnamese

On July 30th, McCandless wrote in his journal, “ EXTREMELY WEAK. FAULT OF POT[ATO] SEED. MUCH TROUBLE JUST TO STAND UP. STARVING. GREAT JEOPARDY.” Before this entry, there was nothing in the journal to suggest that he was in dire straits, although his photos show he’d grown alarmingly gaunt. After subsisting for three months on a marginal diet of squirrels, porcupines, small birds, mushrooms, roots, and berries, he’d run up a huge caloric deficit and was teetering on the brink. By adding potato seeds to the menu, he apparently made the mistake that took him down. After July 30th, his physical condition went to hell, and three weeks later he was dead.I have been doing research in the Caribbean for twenty-five years. The region is diverse and magnificent. Caribbean people have sought creative solutions for racial inequality, climate and sustainability, media literacy and information, women’s and family issues. The transnational connections with the US are complex and wide-ranging, and knowing more about this region is an urgent matter. I work to understand how sound and media work because they structure our reality in important ways. Listening as a way of approaching relationships in work and play is key to our survival. So is understanding how media works, where we get our information from, and how to tell what’s relevant, significant, and true, and what is not.

The hidden material histories of music.Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization-an evolution from physical discs to invisibl… More... Kyle Devine brilliantly excavates the political ecologies of sound reproduction, moving from nineteenth-century chemical labs and shellac harvests to Thai vinyl record plants and the infrastructures of streaming media. Decomposed is a highly original and wonderfully compelling book—a must-read for anyone interested in music or the materiality of media.The CNCF fosters an ecosystem of open-source and vendor-neutrality. Following that lead, this book presents cloud-native principles, patterns, and best practices that are technology agnostic. At the same time, we discuss the services and infrastructure available in the Microsoft Azure cloud for constructing cloud-native systems. In “Into the Wild,” the book I wrote about McCandless’s brief, confounding life, I came to a different conclusion. I speculated that he had inadvertently poisoned himself by eating seeds from a plant commonly called wild potato, known to botanists as Hedysarum alpinum. According to my hypothesis, a toxic alkaloid in the seeds weakened McCandless to such a degree that it became impossible for him to hike out to the highway or hunt effectively, leading to starvation. Because Hedysarum alpinum is described as a nontoxic species in both the scientific literature and in popular books about edible plants, my conjecture was met with no small amount of derision, especially in Alaska. A lyrical exploration of the diverse sounds of our planet, the creative processes that produced these marvels, and the perils that sonic diversity now faces Did you know that the CO2 equivalents generated by consumption of recorded music have not declined in the era of music streaming—supposedly an era of music dematerialized, rendered virtual—but instead have as much as doubled? Kyle Devine knows, and in Decomposed he teaches us about such things with intelligence, humaneness, and passion. His book is at once a history of materialities of recording, from lac beetle resins in the 1920s to today's energy-sump server farms, and a manifesto for ecological scrutiny of our musical behaviors.