Professor Marston and the Wonder Women is a captivating piece, but it's also a biographical sketch that claims to be "the true story of the women behind the man behind the Woman," and this is where matters get complicated. It's a good story well told, but is it the Marstons' story? All biopics play fast and loose with history, changing details for the sake of simplicity or additional conflict. Creative liberties are to be expected. But at the same time, one also expects a certain level of knowledge and insight into the subjects, their lives, and the world in which they lived. A sus 85 años, Bettie muere en la ciudad de Los Ángeles el 11 de diciembre de 2008 por una neumonía. My favorite actress of all times is Bette Davis in Dark Victory. I have seen it six or seven times and I still cry." Find sources: "List of fetish artists"– news · newspapers · books · scholar · JSTOR ( October 2020) ( Learn how and when to remove this template message) Vintage Irving Klaw publicity shot of actress Acquanetta (July 17, 1921 – August 16, 2004) for the movie "Tarzan and the Leopard Woman" which released in 1946.

J.B. Rund, The Adventures of Sweet Gwendoline (Second Edition, Revised & Enlarged) New York: Bélier Press, 1999. p. 92. Desde joven, Bettie mostró gran interés por el cine y la vida de modelo, llegando a ser la coordinadora del grupo de Arte Dramático de su instituto en sus años adolescentes. En 1943, a los veinte años, se casó con Billy Neal, con el que se trasladó a San Francisco, lugar en el que le ofrecieron el primer trabajo como modelo de abrigos.Robinson, Angela (n.d.). "Professor Marston & the Wonder Women". imdb.com . Retrieved October 12, 2017. Eric Stanton & the History of the Bizarre Underground by Richard Pérez Seves. Atglen: Schiffer Publishing, 2018. ISBN 978-0764355424 He holds an associate degree in general studies from Central Texas College; a bachelor's degree in business administration from Touro University; a master's degree in education from TUI University; and is completing a graduate certificate in E-Learning/E-Training. His numerous awards and decorations include the Legion of Merit (one oak leaf cluster), the Bronze Star Medal (two oak leaf cluster), the Meritorious Service Medal (five oak leaf cluster), Army Commendation Medal (one oak leaf cluster), and Army Achievement Medal (one oak leaf cluster), among others. He was selected as an Outstanding Young American in 1987 and NCO of the Year for the Law Enforcement Command, Panama.

Robinson continues to disregard history with the family's main claim to fame, the creation of Wonder Woman. For the first two thirds of the film, one of the film's greatest strengths is the way it presents Elizabeth and Olive as remarkable, intelligent women. William even outright admits that Elizabeth is smarter than he is at one point. But when it comes to Wonder Woman, Robinson removes the women's involvement entirely. Rachel Shteir, Striptease: The Untold History of the Girlie Show Oxford: Oxford University Press, 2004, p. 201He is also the author of the upcoming hardcover illustrated fetish art history and biography, Eric Stanton & the History of the Bizarre Underground. Richard Pérez Seves, Charles Guyette: Godfather of American Fetish Art New York: FetHistory, 2017. pp. 134 - 137. Charles Guyette was a sexual fantasist, who earned his living as a costumer. He sold photos of his "costume studies" on the sly. He produced custom-made high-heel boots and shoes, sold corsets, opera gloves, and other eccentric accessories. He understood the transformative power of clothing, particularly "bizarre" and theatrical fashion. He is also referenced in the new film on Wonder Woman's creator, Professor Marston and the Wonder Women, as the costumer for Wonder Woman's real life inspiration, Olive Byrne. Charles Guyette was a sexual fantasist, who earned his living as a costumer. He sold photos of his "costume studies" on the sly. He produced custom-made high-heel boots and shoes, sold corsets, opera gloves, and other eccentric accessories. He understood the transformative power of clothing, particularly "bizarre" and theatrical fashion. He is also referenced in the new film on Wonder Woman''s creator, Professor Marston and the Wonder Women, as the costumer for Wonder Woman''s real life inspiration, Olive Byrne." Charles Guyette was a sexual fantasist, who earned his living as a costumer. He sold photos of his "costume studies" on the sly. He produced custom-made high-heel boots and shoes, sold corsets, opera gloves, and other eccentric accessories. He understood the transformative power of clothing, particularly "bizarre" and theatrical fashion. He is also referenced in the new film on Wonder Woman's creator, Professor Marston and the Wonder Women, as the costumer for Wonder Woman's real life inspiration, Olive Byrne."

On several fronts, Wonder Woman was the product of the entire triumvirate, not just William, and to reduce Elizabeth and Olive's role to nothing more than inspiration is a disservice to both women. It also takes us further from the "true story" yet again, and ultimately Professor Marston and the Wonder Women fails as an accurate account of the Marstons and the creation of Wonder Woman. It's a well-made film with charismatic leads, and there's much to recommend it, including a thoughtful depiction of polyamory and queer romance. But while the broad strokes of the story loosely resemble the truth, the litany of speculation, invention, dismissal of established details, and changes big and small add up to far more fiction than fact.Charles Guyette: fetish pioneer who influenced Klaw, Willie & Burtman" The Fetishistas. 10 October 2017.