My Dead Body is a 1x60’ for Channel 4 produced by 141 Productions. The commissioning editor for Channel 4 is Anna Miralis. The executive producer is Hannah Brownhill and the director is Sophie Robinson. Toni’s gift of body donation doesn’t end with this documentary either; her body will be used to educate our medical students and doctors for years to come.” Charting the life of Toni Crews, and working alongside Brighton and Sussex Medical School, My Dead Body tells the incredible story of Toni’s illness with cancer before and after her death, narrated by her own words.

In Geneva, millionaire art collector Miles Faulkner – convicted of forgery and theft – was pronounced dead two months ago. So why is his unscrupulous lawyer still representing a dead client? And who is the mysterious man his widow is planning to marry? In London, the Metropolitan Police have set up a new Unsolved Murders Unit – a cold case squad – to catch the criminals nobody else can. Four victims. Four cases. All killers poised to strike again. In the days leading up to Samhain, the veil between the world of the dead and the living is at its thinnest. Over My Dead Body is a dark comedy that follows the chaotic events of a single night in a residential building. Ming, his wife, and mother-in-law discover an anonymous naked dead body on their doorstep, and they’re desperate to avoid any impact on their property value. They decide to shift the responsibility to their six neighbours, and soon, everyone is fighting to disassociate themselves from the corpse. As tensions rise and conflicts escalate, it becomes clear that nobody wants to take responsibility for the situation. But as dawn approaches and the body remains unclaimed, the residents are forced to work together to get rid of it. A twisted tale that explores the lengths people will go to avoid accountability and the unexpected bonds that can form in the most bizarre circumstances. On a luxury liner en route to New York, the battle for power within a wealthy dynasty is about to turn to murder.He was heavily criticised at the time by some health leaders for failing to mention the workforce crisis.

Showcase and Showcase Cinema de Lux are owned and operated by National Amusements, Inc., a world leader in the motion picture exhibition industry operating 839 screens in the US, UK, Argentina and Brazil. National Amusements delivers a superior entertainment experience in cinemas around the world under its Showcase, Multiplex, Showcase Cinema de Lux and UCI brands. Based in Massachusetts, National Amusements is a closely held company operating under the third generation of leadership by the Redstone family. National Amusements is the parent company of Paramount Global. He said the NHS was in an "existential crisis" - and pledged his party would train more staff, use the private sector to bring down waiting lists, and introduce fair pay and conditions for workers. One day, everything was exactly as it was supposed to be. And the next, the closest thing Abby ever had to a sister, Noreen, was just… gone. Ming, his wife, and mother-in-law discover an anonymous naked dead body on their doorstep, and they're desperate to avoid any impact on their property value. They decide to shift the responsibility to their six neighbours, and soon, everyone is fighting to disassociate themselves from the corpse. As tensions rise and conflicts escalate, it becomes clear that nobody wants to take responsibility for the situation. But as dawn approaches and the body remains unclaimed, the residents are forced to work together to get rid of it. A twisted tale that explores the lengths people will go to avoid accountability and the unexpected bonds that can form in the most bizarre circumstances.

In fact, Woodward had no intention of returning to American prime-time at that point of his career. He was now 58 years old, wealthier than he'd ever been, and a world-wide star. He was content to return to work in the UK and continue his acting career but at a more leisurely pace. But he had left his finances in the hands of an accounting company and returned home to be presented with a huge tax demand. He explained to HMRC that he'd already paid tax on his earnings in America, but to no avail. He was expected to pay tax again, this time to the British government, on the same earnings. But that, the film-makers seem to have decided, is enough to evoke the surreality without edging into horror. So we see – and from a little distance – the chest wall being gently lifted off and set aside, the sun glowing for a moment through the skin between the ribs – rather than the business of its separation.