Constance Maud’s suffragette novel No Surrender, first published in 1911, isn’t what I would call an enticing read, however authentic a record it may be of its author’s times (Maud, the daughter of a Surrey rector, joined the Women’s Freedom League in 1908, and thereafter participated enthusiastically in the same kind of peaceful civil disobedience as her characters). While it’s true that Emily Wilding Davison, the woman who would later be trampled beneath the King’s horse at Epsom, adored it, feeling that it breathed the very “spirit of our women’s movement”, most modern readers tend to find it plodding and cliched, its story never quite flaring to life. No Surrender is like a sister volume to The Ragged Trousered Philanthropists,” says Scarlett. “Maud was an active suffragette, writing fiction in the same era about her authentic experience of living a marginalised life. While The Ragged Trousered Philanthropists examined the arguments for and against socialism, No Surrender explores the battle for equality, how women were regarded, and the ethics of civil disobedience.” This is a fascinating story and equally an important piece of social history – deserving a modern audience. But written in a language that reads like a period piece, No Surrender was ready to be updated.

No Surrender by Scarlett and Sophie Rickard review – the long No Surrender by Scarlett and Sophie Rickard review – the long

Tressell was a decorator who wrote about economics from his working-class point of view, and died in poverty in 1911 before it was published,” says Scarlett. “It was a difficult book in prose form, and we wanted to make it more accessible because it contains important ideas.” This sumptuous and faithful graphic novel of the 1911 suffrage classic brings to life the exciting story of gender, class, the ethics of civil disobedience and the right to be equal before the law – offering an accessible, entertaining and rewarding read to a new generation. The Sculptor – Scott McCloud’s Return to Fiction is a Towering Achievement, but Not Quite a Masterpiece The story of the lives of the people who feature in the novel are well described and contrasted. Jenny works in the mill, partly to help support her family, in which her demanding father is never satisfied, her downtrodden mother scrapes to find enough food, and Peter, her brother is still recovering from work related illness. A sister has been ill treated by her husband and deprived of her children. Jenny’s focus has become the fight for the vote for women which she sees is the route to equality before the law and genuine hope for women. A male advocate of the socialist cause is interested in Jenny, but she knows that their paths lie in different directions, and that her solidarity with the cause and other women may well end in her imprisonment. Meanwhile wealthy women are being criticised by their acquaintances and even their families for wanting to stand with the women’s cause, and indeed witness the formation of anti-suffragist groups. Not that men are excluded – they are often opposed to the fight but some clear sighted men are sympathetic and supportive. There are crises throughout the book – as arrests are made and protests occur in prisons which test everyone’s beliefs. A young woman is arrested for her desperate acts, and it takes extreme events to bring about life changing decisions.No Surrender, they felt, could be tweaked to bring Maud’s message to an audience 110 years after it was written. Finding ways to update it the story without losing its power was key, the sisters say. Illustrating London in 1910 required research. No Surrender has a deeply immersive world for the words to play out across. Anyone who enjoyed The Ragged Trousered Philanthropists will find No Surrender to be a perfect sister-volume, both in the authenticity of the adaptation and the historical sensitivity, humour and warmth of Scarlett’s art.

No Surrender – Constance Maud’s 1911 Novel on Women’s Fight No Surrender – Constance Maud’s 1911 Novel on Women’s Fight

No Surrender is sometimes funny, sometimes violent, but always exciting and authentic. It is highly regarded as an important document of the arguments for and against extending votes to women, for its witty storytelling and for an unflinching depiction of the rapid escalation of violence encountered by the women involved. Brilliant … utterly irresistible” Rachel Cooke, Guardian/Observer Graphic Novel of the Month, November 2022No Surrender is a good book with engaging characters, exciting events and romance,” says Sophie. “What you don’t see in the graphic novel are the bits we left out – cringey dialogue, references modern readers wouldn’t understand and extraneous detail. We hope people familiar with the original will feel we’ve done it justice.” It was read as a call to arms, told through the story of mill worker Jenny Clegg, who lives in a northern industrial town.