What I was trying to express was that I didn’t want to co-opt an author and make them feel that that was my end point, that I just wanted to get my hands on the rights, you know? The experience of reading is so special, it’s so unique. If it came to be that an author felt that I was the right person to pursue the screen rights, that would be a cherry on the sundae. But it wasn’t what I set my eyes on because I felt that it muddied the waters, and it took the purity away from the whole experience and the exercise of convincing an author to let me shepherd this alongside them. But also, that it turns into a kind of monetary thing—not that it necessarily specifically says that, but there’s something unpleasant, slightly, about it for me. Yes, she’s keeping secrets from her husband. Sure, she quit her PhD program and is now conducting unauthorized research on illegitimately procured mice. And, true, her mother is dead, and Eleanor has yet to go through her things. But what else is she supposed to do? What shape can grief take when you didn’t understand the person you’ve lost? I anxiously awaited the release of A Quitter’s Paradise, the first of hopefully many in the SJP Lit collection. As an avid reader and a fan of Sarah Jessica Parker’s former imprint SJP for Hogarth, I knew this story would be captivating, thought-provoking, and fresh, expanding my perspective beyond measure. One might call that an assumption; however, over the past week, it proved correct. You’ve said before that you’re not interested in the adaptation potential of a book. Is that still the case?

Exclusive cover reveal: Here’s the cover for Elysha Chang’s

You’re on movie and television sets, and on theater stages—does that preparation and anxiety translate at all to the preparation and anxiety leading up to having a conversation with an author whose book you want to acquire, or to publication day? Or does it feel very separate? We focused on the lost marmoset as a leading theme from the story, accentuating the strangeness and untethered feeling of being alone in the city.” Cohen, frequent illustrator for the New York Times and The New Yorker, told Lit Hub. “I searched for the right atmosphere—we didn’t want a happy marmoset. We were looking for a certain combination of grief, self-search, and otherness, but also some humor. At first, it was just the marmoset, as an avatar for Eleanor, the main character. It was Evan’s idea to have Eleanor wander through the park, and make the marmoset into also a viewer, akin to the reader. Now both are on a journey away from home, both have an otherness.” I enjoyed the two different stories of two generations in this novel and how they impact one another - the story of Rita and Jing from Taipei, who emigrate to the U.S; and the stories of their daughters, Narisa and Eleanor, who grow up in New York. I am left with amazement and dismay at the family dynamics, especially that created by the parents. I wondered how Eleanor would cope with that history of people leaving and with her mother Rita, who is left alone with the girls in the U.S. when Jing leaves. My mom was right. Exactly. And then you develop a taste for music and a taste for art, and you’re kind of getting a big, full, rich world.A Quitter’s Paradise features two major storylines - one in the present where Eleanor is seems to be making increasingly poor decisions after quitting her PhD program and another focused on her parent’s and childhood. I always feel nervous about the responsibility attached to it. It’s somebody’s, in many cases, 5, 10 years of solitary work: quiet, secretive to some degree. And in some cases, it’s been painful financially and emotionally. There’s just so much at stake for these writers. I tend to be nervous, anyway, about everything that matters to me. Maybe that’s a good thing.

Review | NetGalley

Listen, if Elysha or Kim—and Kim’s story is so big, it’s so epic, you could easily see that it could translate well to a miniseries on this particular family; I can imagine that it would have a home in cinema—I would be honored to have that conversation. But my priority is to get this book out to readers. The life after that is a conversation I would be, of course, thrilled to have, but it’s not what’s paramount right now. A Quitter’s Paradise is a glorious, pondering, heartbreaking, extremely funny, VERY special book. In Eleanor Lin and her family, Elysha Chang has created captivating characters, who continuously surprised, delighted, and intrigued me—so much so that I didn’t want to leave them. The stories of their lives are at once intimate and universally resonant. It’s truly the perfect inaugural book for SJP Lit and I couldn’t be more honored to be working with the extraordinarily talented Elysha Chang.” Eleanor quits her PhD program in neuroscience; Narisa disappears for good while a teen, after one too many fights with her disapproving parents. Only Eleanor and her mother Rita are left after her father Jing leaves the U.S. and forms a new family in Taipei.Sarah Jessica Parker: I read everywhere I can. I tend to not think of it as inappropriate anywhere. We were a family of readers. Early on, it was sort of imposed upon us. My mother believed that a person should never walk out of a house without something to read. We would go to museums or even the symphony; those are pretty daunting experiences for very young people because they can get bored, but she would make us bring books, and we would just sit there and look at books and listen to the music, or we would eventually end up on a bench in a museum with a book. I really liked the present day plot and wished the story had focused more on the present Eleanor including the future of her work, her relationship with her best friend, her relationship with her husband, and her grieving her mother’s recent death. I would recommend this to anyone looking for great writing and a story of family dynamics. A masterpiece that wrangles several lifetimes of wisdom, loss and heartbreak into a slim novel you can clutch to your chest, pass on to your sharpest, most mercurial friends and say: read this, feel this!” As A Quitter’s Paradise follows Eleanor’s winding journey to make sense of herself and her grief, her story is interwoven with those of her family members—from her parents’ lives in the military villages of Taipei, to their early days as immigrants in New York City, to Eleanor and her sister’s childhoods. Somehow, despite deep rifts in time, distance, and perspective, the Lius remain a family. But what does that truly mean? Why is it that what holds a family together can also be what pulls it apart? Thank you to NetGalley, Elysa Chang, and SJP Lit for the advanced reader’s copy. A Quitter’s Paradise will be released on 06 Jun 2023 .