I don't know that it had anything particularly new to say, though. The picture it painted of a climate-apocalypse Britain felt detailed and interesting, and much like The Wall, it had a real sense of the landscape. The underlying messages about power and consequences I liked a lot, and again felt really real. But really new ideas? Not a ton, honestly. I feel like Early Riser did a much better job of thinking about the effects that hibernation would have on society, for example. On the flip side, I certainly enjoyed the pastiche of trading and ideas about what effect traders actually have on the world. Mollart’s pacing was perfect – while I felt like I was hurtling towards the climactic ending for most of the novel, at no point did I want to slow down. There was something in that which spoke to the wider themes in the novel – there’s a fragility to the set up with ‘Sleep’ which, once tested, rapidly unravels.

I think that this book does a really good job of being a novel: the prose is really enjoyable; the characterisations are fully fleshed out, internally consistent, distinct, and interesting; tense sequences actually made me feel tense; pacing was consistently interesting throughout. I really enjoyed the experience of reading this book.I think the only place the pacing came as a detriment was in some of the emotional exchanges between characters. I wanted to feel a little more for their interactions, some of which were imbued with such human feeling that I didn’t really have time to take it all in. That said, I can see why it would be that way – the chain of events wasn’t going to wait for emotion or relationships. It certainly didn’t detract from the thoroughly engaging reading experience. I think this may be a controversial book for some, then so were most of Ballards, he didn't do too bad as an author, did he? Climate change is rendering the world uninhabitable and there are too many people for the space that’s left. The world needs to do something and world leaders are taking matters into their own hands. Their solution? Sleep. With a capital S. In the waking time between, Ben steals moments with Rose, who is slipping through his fingers as each Awake moment passes. Peruzzi watches over them all, tasked as the sentient watchman of the Sleepers, but his ivory tower is shrinking. The city is waking up and reality is crumbling. Ben is desperate to confess his past before it’s too late. What is left when the world we thought we knew falls apart around us?

As each chapter progresses, it ramps up the excitement. And the pace was relentless throughout. I hope that does not sound like a contradiction on my part.Being the sleeper is easy, or so we think: Sleep Donation posits that donating sleep is as painless and noble as giving blood. That’s the party line for the Sleep Corps’ champ recruiter Trish Edgewater, who convinces the parents of newborn donor Baby A that she has a surfeit of the stuff, and to not give would be to doom the nation’s insomniacs to an agonizing, brutal, unnecessary death. For Baby A, or Washington Irving’s archetypal snoozer Rip Van Winkle, or the Narrator, they get to wake up into a changed world. It’s the people watching them sleep, moving through the insomniac hours, who have to do the actual hard work of breaking and reshaping the world. Janitors, taking care of the population and trading with other countries, watch over society in the meanwhile. Although the Sleep is initially presented as a solution for the sake of the common good, it becomes clear that it is more of a life sentence than a sacrifice. “It’s the actual stealing of time,” Mollart says, “time is stolen from them, rather than time you can do something else in. If they were having beautiful dreams while they’re Asleep, it would just take away a little bit of the fear of it. … There should be nothing. Not to get into the comparison with death and all that, but it’s little incremental bits of death.” The Earth’s limited resources are dwindling. The solution is The Sleep: periods of hibernation imposed on those who remain with only a Janitor to watch over the sleepers. If you enjoy reading about dark futures and enjoy films like Bladerunner and Dark City, where one person may make a difference, but that difference will only be for them, then this is a well written and compelling tale of the horrors that humanity (such a word is misplaced for most of the people in this book) puts upon itself, just by being nothing more than what it has to be.’ British Science Fiction Association

The Tyler/Narrator dynamic plays out in the relationship between fellow Janitors Peruzzi and Slattery: colleagues, quasi-friends, and partners in crime. While their decadent lifestyles spoil them with at-home gyms and Brave New World-inspired raves every three months, Slattery tempts Peruzzi into seeking out greater highs than pills and sex. Their explorations into the Sleeping world at first tap into a Fight Club-esque awakening of the blood, only to tip into Project Mayhem levels of voyeurism and violation in pursuit of confirmation that what they do actually matters. Three narratives and two timelines - Jamie Mollart has done an exceptional job of fusing these together to create an awesome reading experience. There are some more discrepancies, like how is bank robbery a thing in the near future? Or how would water ever possibly submerse the Shard? On the speculative side of the plot, it felt very much like The Handmaids Tale. It is very easy to see this world event scenario happening. It makes you question the ethical dilemmas, of who should live and die, like the final solution, although this isn’t discussed in any depth. Other ethical questions about how we should live, who has the power to make these decisions, should they make these ethical decisions. It was all very immersive and felt very realistic, insightful and powerful. Towards the end, there were some really good plot revelations and I felt the ending was handled perfectly. But that’s the thing, Mollart says, when Den of Geek speaks to him about his new book: “Time’s like a false constraint, isn’t it? You’ve got the sun coming up, the sun coming down—there is an obvious set of divisions of how people spend their time. But the whole hour and minute thing—we’ve made these false constraints that we as society have put onto things. It’s humans grappling with what’s in front of them in nature, isn’t it? It’s this whole thing we can’t control, so we try to control it by putting our own constraints on it.”

I enjoyed the expert world-building and the rich complex characters. this is a really great read, exploring a haunting vision of the near-future. Kings of a Dead World kept me gripped from beginning to end. ‘ Temi Oh, Winner of the Alex Award