During Movie shooting: Auto (100-6400), 100-6400 (Whole stop increments) ISO can be expanded to H: 12800

More than ever before, the EOS 700d is designed to appeal to owners of compacts who have outgrown their camera and want to step-up to something that gives better results without being too complicated. The touch-screen operation has been seamlessly integrated, offering the ability to take a picture with one press of the screen. Even if you prefer using the viewfinder and hate touch-screens and the need to hold the camera at arm's length to use it, you'll still appreciate the ability to review your images by swiping from side to side and pinching to magnify them (at least we did). You’ll be able to produce 1080p videos with the Canon EOS 700D. It offers automatic and manual control and enables Autofocus and continuous focusing when shooting videos. This camera will let you record videos like a pro with its near-silent Movie Servo AF with the aid of compatible lenses. On top of that, you can easily record stereo-quality sounds with its built-in microphone, or simply connect an external microphone to isolate the noise and capture production-quality audio. What features does the Canon EOS 700D have? Although the 700D’s optical viewfinder only offers 95% coverage of a scene, the eye-catching 3-inch, 1040k-dot LCD screen on the camera’s rear is in the 3:2 aspect ratio, and thus stills fill the whole frame in capture.Enjoy high quality performance, low cost prints and ultimate convenience with the PIXMA G series of refillable ink tank printers. We tested the EOS 700D with the new EF-S 18-55mm f/3.5-5.6 IS STM lens, which offers a standard focal range for a kit lens and crucially includes image stabilisation. This is important for Canon, as competitors like Sony, Olympus and Pentax all offer image stabilisation in their DSLRs. The difference between Canon (and Nikon) and the others is that Sony, Olympus and Pentax have opted for stabilisation via the camera body, rather than the lens, which therefore works with their entire range of lenses. Canon's system is obviously limited by which lenses you choose, but it does offer the slight advantage of showing the stabilising effect through the viewfinder. Canon and Nikon also claim that a lens-based anti-shake system is inherently better too, but the jury's out on that one. Noise handling is also very good considering the pixel density. Shooting RAW is again a good idea if you plan on taking lots of high-ISO shots, as you can get better detail with less chroma noise than by shooting JPEG. As regards the colours, we have found them to be a little on the dull side, though this is nothing you can't change in-camera, by way of tweaking the available Picture Styles or creating your own. The 700D includes a 9-point diamond AF arrangement that is the same as that found on the 650D. Although the nine points are far less than some rival cameras, the good news is that all are of the more sensitive cross-type variety and are thus sensitive to horizontal and vertical subjects and movements.

The Canon EOS 700D / Rebel T3i has 2 different JPEG file quality settings available, including Fine and Normal, with Fine being the higher quality option. Here are two 100% crops which show the quality of the two options. Fine (6.15Mb) (100% Crop)Outwardly the Canon EOS 700D / Rebel T5i is virtually identical to its predecessor, the 650D / T4i. It is a fairly small camera with a largely plastic shell and a pretty narrow, mildly uncomfortable hand-grip. The emphasis is on the word "mildly", though - in actual use, the size and shape of the grip proved not to be too much of an annoyance. In terms of build quality, the Canon EOS 700D / T5i certainly feels solid enough for a consumer-grade DSLR, although not in the same league as the semi-professional EOS 60D and 7D models. Like all of Canon's APS-C digital SLR cameras, the EOS 700D / T5i is compatible with the manufacturer's entire line-up of lenses, including both EF and EF-S glass. When changing lenses, EF lenses need to be aligned with the red dot on the lens mount, whereas EF-S lenses must be aligned with the white mark. Take complete creative control of your images with PIXMA and imagePROGRAF PRO professional photo printers. The available white balance settings are Auto, Daylight, Shade, Cloudy, Tungsten, Fluorescent and Custom; there is no way to enter a Kelvin value manually. You can fine-tune any of the presets using the White Balance Correction feature. The ISO speed can be changed by pressing the ISO button and turning the control wheel in front of it. You do not have to hold down the button while turning the wheel. The ISO speed can be set from ISO 100 to ISO 12800 in full-stop increments. If you turn ISO Expansion on in the Custom Functions menu, you can even dial in ISO 25600; a boosted setting. Auto ISO is also available. The chosen ISO speed is also displayed in the viewfinder.