Kiki's Delivery Service won the 23rd Noma Award for Juvenile Literature, the 34th Shogakukan Award for Children's Literature, and holds a place on the IBBY Honour List for 1986. It is also certainly Eiko Kadono's best well known book outside of Japan, thanks to the film adaptation.

Studio Ghibli Art Book - Etsy UK Studio Ghibli Art Book - Etsy UK

This approach has its problems. Anyone who has read books created from a series of newspaper columns or radio pieces will recognise them immediately. There is a huge disjoin between each chapter, and the result is very bitty. For over four decades, Hayao Miyazaki has been enchanting audiences of all ages. His animated films, often featuring children navigating unfamiliar and challenging worlds, offer timeless explorations of youth and what it means to grow up. Celebrated and admired around the globe for his artistic vision, craftsmanship and deeply humanistic values, Miyazaki has influenced generations of artists. The universal appeal of his evocative natural settings and complex characters, many among them strong girls and young women, cuts across cultural boundaries.

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It would of been nice to see more of both Michael and Jake's voices individually instead of as one. But other than that, really enjoyed.

Studio Ghibli Books: The Inspiration for the Films - Tofugu Studio Ghibli Books: The Inspiration for the Films - Tofugu

The movie adaption is perhaps the one with the most drastic changes on this list. Some characters who were good become evil. Some who were evil become good. Some who were men become women. Howl's main motivation is completely different. However, the author Diana Wynne Jones had a positive reaction to the film, which was specially screened for her before release. Speaking to the Telegraph, she said, "It was wonderful. "I don't think I've ever met anyone before who thinks like I do. He saw my books from the inside out." Despite the changes, she believed that Miyazaki shared her vision. At the premier screening in the UK she said, Tales from Earthsea was the first feature film directed by Gorō Miyazaki, son of animator Hayao Miyazaki. It was loosly based on the Earthsea series by Ursula K. Le Guin. The English name of the adaptation shares the name of a short story collection by Le Guin, but the movie actually draws on plot elements from many different books in the series. In Japanese the film is called ゲド 戦記 （ せんき ）, literally Ged's War Chronicles. I'm inclined to agree. My 13 year old self is pretty darned happy that both the book and the film exist. Tales from Earthsea The book is lavishly produced, with lots of great pictures, and I rarely criticise the design or form of a book. Tastes differ, and that's fine. But I must take issue with whoever designed this book. The main text is probably the smallest I've ever seen in a mass-released work, and the chosen font is a light one. It is a difficult book to read, and that's never good. Broadly speaking, Oga works from the large details in toward the small, arriving midway through the 2:00 hour to the stage of adding light purple flowers. These are Paulownia, called kiri in Japan, where these “princess trees” (that also appear on the official Government Seal) carry a certain symbolic weight. The final painting, Paulownia Rain (or kiri same), emerges only at 3:40 in the afternoon, after six hours of painting. This evocative forest landscape attests to the truth of an inversion of the Pareto principle, in that the parts of the job that seem smallest require most of the work to achieve — and to the truth of the Ghibli’s apparent artistic principle that every pain is worth taking.

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Keep in mind, again, this is a children's book. I encountered it at exactly the right age. Older readers coming to it might not get as much out of it as I did, but I still think it holds up and has a lot of interesting things to say about age and self confidence. The movie stays fairly close to the plot of the first book, although it does draw in a character from the second book in the series. The biggest change is certainly the setting, moving the action from 1950s England to modern Tokyo. The change only has one downside in my opinion. The names of the Borrowers are also borrowed from English words, such as Pod and Homily. In a Japanese setting, these names make little sense. However, looking past that, I think this is a fine adaptation that captures the spirit of the book. I was particularly impressed by the sound design, which gave a wonderful feeling of being small in a huge world. The source material is Mary Norton's 1952 book The Borrowers. This is the first animated version, but the classic story of tiny people surviving in the world of comparatively massive humans by "borrowing" things from them has been adapted for television multiple times. I love this podcast so much and getting to have it in book form is just as good. I loved the additions of the images and the history behind each movie (it's what I love about the podcast). I think the title says it all and it more than lived up to its promise. Getting a layered, detailed and revered insight into the Ghibli oeuvre was a journey worth taking. It faithfully covers Ghibli's best, mediocre and downright painful with a tart and honest approach.

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While the movie had its troubles, winning the Bunshun Raspberry Award for worst movie of 2006 and driving a wedge between father and son during its production, the books are truly wonderful, often cited by other authors as their favourite books. If you would like to enter the world of Earthsea, I would recommend starting with The Wizard of Earthsea. It has been enchanting readers since 1968 with its tale of young wizard Sparrowhawk and how he must face down the evils his own ambition for power calls up. If you only read one of the books in this article, read this one. Then you can go on and read the rest of the Cycle. You can begin to see some of the elements that the movie drew on. Honestly, you could probably skip the movie and just get on with enjoying these wonderful books as well as the other works of Ursula K. Le Guin. Arrietty The movie was originally scripted by Nobuyuki Isshiki and Sunao Katabuchi was meant to direct it. However, Miyazaki, who was the producer on the project, was unhappy with the script. He rewrote it and finally ended up directing it too. While Kiki is based on a book by a Japanese author, the setting draws on European cities. Miyazaki and his team travelled to Sweden to do research and included elements from Lisbon, Paris, San Francisco, and Milan to create the city of Koriko. Isao Takahata was the director of Studio Ghibli's Grave of the Fireflies. Unlike most animation directors, he had not been an animator before becoming a director. His works are among Ghibli's least known films outside of Japan, including Only Yesterday, Pom Poko, and My Neighbors the Yamadas. Within Japan, though, the movie of Grave of the Fireflies was associated with fan favourite Totoro, as they were originally released together as a double feature. There are some really wonderful books behind the Ghibli films, and reading them can give insight into the underpinnings of some of your favourite movies. I will try to keep this article as spoiler free as possible. However, if you haven't seen any of the movies, then I suggest you rush out and do so. After that (or before if that's more your taste), rush out and read the books! Grave of the Fireflies This is the book that inspired me to write this article. It is pretty much my favourite book and definitely my most read one. I have four copies, one signed, one that fell apart because I read it so many times, one to replace that one, and one that I bought in Japan because I regretted not taking a copy with me. When I found out that the movie studio that had made Spirited Away – which had recently blown my then 13 year old mind – was making an adaptation of Howl's Moving Castle, I went into a new world of excitement. To say that I love this book is something of an understatement.Miyazaki and I think alike, so when his offer came in I was overjoyed, because I had admired him for years. The characters are the same as I wrote them, but other things are different. Making something visual is so different from making something to read. It takes more time to make something that you see, so he had to cut things out. Howl is less of a drama queen in the film, and more of a hero. It didn't spoil the essence of Howl. Actually the book isn't really that small. The book is the size of normal Studio Ghibli art books — slightly larger than two DVD disc boxes. This book is put together by Mike Leader and Jake Cunningham, who produced a podcast of the same name. Leader had always been a Ghibli fan, and Cunningham hadn't, so each episode allowed the expert to outline the film and its place in Ghibli history, and the novice to give a review of his first viewing.