Wynorski 's other erotic thrillers included Point of Seduction: Body Chemistry III (1994), Victim of Desire (1995), Body Chemistry IV: Full Exposure (1995) and Virtual Desire (1995). He later directed The Escort III (1999). Bold and Brash (and almost over!)". Somma Studio. Archived from the original on January 10, 2016 . Retrieved January 10, 2016. These were action movies, as were The Pandora Project (1998), Stealth Fighter (1999), Final Voyage (1999), Militia (2000), Rangers (2000), Extreme Limits (2000) and Ablaze (2001). He directed some of Sunset's films including Hard Bounty (1995), Demolition High (1996), Against the Law (1997), Storm Trooper (1998), Desert Thunder (1999).

Foy, Scott (July 4, 2010). "Three Weeks and Counting Until Dinocroc vs. Supergator". DreadCentral . Retrieved November 22, 2013. He produced some films he did not direct such as Fugitive Mind (1999); Sonic Impact (2000); Active Stealth (2000), Submerged (2000), Kept (2001), Air Rage (2001), Critical Mass (2001), Venomous (2001), all directed by Ray; Storm Catcher (2000); Jill Rips (2000) with Dolph Lundgren; Intrepid (2000), with James Coburn. Filming of Updike Book Divides a Seaside Town". The New York Times. May 27, 1986. Archived from the original on January 10, 2016 . Retrieved January 10, 2016.

He often worked with producer and actor Andrew Stevens, who called in Wynorski to shoot additional scenes for Agent Red (2000). Taylor, Clarke (September 29, 1986). "A Ballyhoo Raised Over 'Witches' ". Los Angeles Times. p.1. Archived from the original on January 10, 2016 . Retrieved January 10, 2016. a b Taylor, Clarke (December 18, 1987). " 'Broadcast News' Receives Top New York Film Critics' Awards". Los Angeles Times . Retrieved April 19, 2022. Evans, Bradford (February 17, 2011). "The Lost Roles of Bill Murray". SplitSider. Archived from the original on May 20, 2015 . Retrieved May 25, 2015.

In the ensuing chaos, the doll breaks into pieces. This causes Daryl to transform to a large, monstrous form that attempts to shake the mansion apart and starts a fire. The witches then toss it into the fire, causing Daryl to change into a shriveled homunculus and vanish. Foy, Scott (February 15, 2008). "B-Movie Overload: Beasts, Bugs, Breasts & Boll". DreadCentral . Retrieved November 22, 2013. He also made Sorority House Massacre II (1990) for Julie Corman, on sets left over from existing films. Roger Corman was impressed and got Wynorski to remake it as Sorority House Massacre III: Hard to Die. Corman "taught me all the lessons on how to make a film and how to make it look expensive when you don't have a lot of money," Wynorski says. [6]a b " 'Robocop' Leads In Nominations For Saturn Awards". AP News. April 7, 1988 . Retrieved April 19, 2022. He worked on the scripts for Beastmaster 2: Through the Portal of Time (1991), House IV (1992) and Final Embrace (1992) but did not direct them. He directed 976-Evil II (1992), which was produced by Paul Hertzberg, with whom Wynorski would frequently collaborate. He did not direct the sequel to Demolition High, Demolition University (1997), but produced and co-wrote it.

Wynorski established his own production company, Sunset Films, which he ran with Andrew Stevens. It was a division of Cinetel Films. [10] [11] Sunset's films included Midnight Tease and its sequel; Vice Girls (1997); Sorceress II: The Temptress (1997). In 2001 Wynorski returned to Roger Corman with Raptor (2001). He later made a series of "creature" films. For Corman he did some uncredited work on Wolfhound (2002). He made Project Viper (2002) for the Sci Fi Channel. In recent years, Wynorski has returned to the family film genre, making Nessie & Me (2016), which is in a shared universe with DinoCroc, Supergator, Dinocroc vs. Supergator, and Piranhaconda, due to the lead character referencing said films' title monsters, and Monster Cruise, from which many characters returned for Nessie & Me. He also directed A Doggone Christmas (2016), which spawned a sequel A Doggone Hollywood (2017). Crawford, Ruth M. "The Reality of Women's Lives as Compared to Media Depictions". In Bresford, Sarah (ed.). Interdisciplinary Round Table on the Condition of Women's Issues at the Turn of the Twenty-First Century. Ruth Crawford wrote: "This film includes many fantasy elements. By far the most fantastic of them is the depiction of a single mother of five, who has to work for a living and still has plenty of time and energy left to engage in wild adventures of sex and magic. If being a witch gives you the ability to do that, quite a few women I know would be very happy to sign up at the nearest coven." [29] Accolades [ edit ]While the film follows the basic structure of the novel, several major developments are dropped, with the book being darker in tone. The setting of both is Rhode Island, but the novel sets the time during the early 1970s. In the novel, Daryl is more devil-like: less of an enabler and more of a selfish, perverse predator and architect of mayhem. [5] Also, the film omits a key episode in the book, where Daryl unexpectedly marries a young, innocent girl named Jenny, and the jealous three witches magically cause her to die of cancer. None of the three witches gets pregnant and at the end Daryl flees town with Jenny's younger brother, Chris, apparently his lover. Also in the book Alexandra's last name was Spofford, not Medford and Jane was Jane Smart, not Jane Spofford, and Sukie was Rougemont not Ridgemont. There are differences in their hair and build too; Alexandra is plump and Sukie is the redhead.