RoboCop: Creating a Legend (SD, 21 min) — An amusing retrospective with fairly recent interviews on the production, Weller's performance, the making of the metallic suit and the challenges experienced by the filmmakers.

Casting Old Detroit, an interview with casting director Julie Selzer on how the film's ensemble cast was assembledSplit screen comparisons between the Director's Cut and Theatrical Cut, and the Theatrical Cut and edited-for-TV version Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director's Cut) Making RoboCop (SD, 8 min) — Another EPK featurette with more interviews, film clips and BTS footage.

Robert Eggers ( The Witch) is the master of the slow burn folk horror genre. Titles such as The Lighthouse and The Northman have cemented him as one of the best directors in the modern horror movement and fans expect that his upcoming Nosferatu film will only increase this legacy. This iteration of Cape Fear breaks down like this “a tense, contemporary thriller that examines America’s obsession with true crime in the 21st century. In it, a storm is coming for a pair of married attorneys when an infamous killer from their past gets released after years in prison.” At the moment, the filmmakers are still holding tightly to details about the film. But fans are able to get a first look at Nicholas Hoult as Thomas Hutter today. This image, provided by Empire Magazine, doesn’t off up much. But it does allow fans to begin salivating over what this film may hold in store for us. It is also an accurate depiction of how we would all look seeing Bill Skarsgard in full on Nosferatu makeup. Nosferatu The Future of Law Enforcement: Creating RoboCop, a newly filmed interview with co-writer Michael Miner Director's Cut Production Footage, raw dailies from the filming of the unrated gore scenes, presented in 4K (SDR)Limited edition collectors' booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth