All Art is Ecological (Green Ideas)

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Lomazzo, Giovanni Paolo. 1584. Trattato dell’Arte de la Pittura. Diviso in sette libri. Ne’ quali si contiene tutta la Theorica, & la prattica d’essa pittura. Milan: Paolo Gotardo Pontio. [ Google Scholar] Blankenship, Jana. "The Farm by the Freeway". In Auther, Elissa, and Lerner, Adam, eds. (2012). West of Center: Art and the Counterculture Experiment in America, 1965–1977 . University of Minnesota Press.

Olma, Sebastian. 2018. Art and Autonomy: Past, Present, Future. Rotterdam: V2_ Publishing. [ Google Scholar] Beardsley, John. Earthworks and Beyond: Contemporary Art in the Landscape, Abbeville Press, 1989 and 2008. Howard, Peter; Thompson, Ian; Waterton, Emma, eds. (2013). The Routledge Companion to Landscape Studies. Routledge International. p.200. ISBN 9780415684606. MacDonald, Scott (October 1985). "Helen Mayer Harrison and Newton Harrison at Herbert F. Johnson Museum of Art". Artforum. 24 (2) . Retrieved 23 December 2022.Giannachi, Gabriella, and Nigel Stewart, eds. 2005. Performing Nature: Explorations in Ecology and the Arts. Bern: Peter Lang. [ Google Scholar] Particle Falls, Public Art by Andrea Polli (2013)". Science History Institute. 22 July 2016 . Retrieved 22 March 2018.

The following four orientations were identified: Environmental Design, Ecological Design, Social Restoration, and Ecological Restoration. Activist and protest art: engage, inform, energize and activate change of behaviors and/or public policy. [54] [55] [56]Art historian James Elkins wrote a wonderful book, called Pictures and Tears, about people who cry in front of art (the so-called Stendhal syndrome), Elkin notes that Rothko is the modern painter most famous for causing viewers to cry. Jones, Caroline, David Mather, and Rebecca Uchill, eds. 2016. Experience: Culture, Cognition, and the Common Sense. Cambridge and London: MIT Press. [ Google Scholar] Zimmerman, Michael E. (1987). "Feminism, Deep Ecology, and Environmental Ethics". Environmental Ethics. 9 (1): 21–44. doi: 10.5840/enviroethics19879112. What is essential to this experience, says Morton (brilliantly, I think), “boils down to ambiguity: how things can appear to be oscillating between familiar and strange.”

Macy, Joanna; Fleming, Pat (1995). The Council of All Beings in Alan Drengson & Yuichi Inoue, The Deep Ecology Movement: An Introductory Anthology. Berkeley, California: North Atlantic Books. In Morton’s terms that means thinking along the lines of agricultural religion—Judaism, Christianity, Hinduism, and so on, thinking characterized by hierarchal views, utilizing the unambiguous language of good and bad, us and them.Fournier, Anik; Lim, Michelle; Parmer, Amanda; Wuilfe, Robert (2010). Undercurrents: Experimental Ecosystems in Recent Art. New York; New Haven: Whitney Museum of American Art and Yale University Press. Over the past 75 years, a new canon has emerged. As life on Earth has become irrevocably altered by humans, visionary thinkers around the world have raised their voices to defend the planet, and affirm our place at the heart of its restoration. Their words have endured through the decades, becoming the classics of a movement. Together, these books show the richness of environmental thought, and point the way to a fairer, saner, greener world. Read more Look Inside Details Alfrey, Nicholas, Stephen Daniels, and Joy Sleeman, eds. 2012. To the Ends of the Earth: Art and Environment. Tate Papers, No. 17. Available online: https://www.tate.org.uk/research/tate-papers/17/to-the-ends-of-the-earth-art-and-environment (accessed on 12 August 2022). Land Use Database. "Earth Mound". clui.org. Center for Land Use Interpretation . Retrieved 24 August 2015.

Kagan, Sasha and Volker Kirchberg, Sustainability: A New Frontier For The Arts And Cultures, Verlag Fur Akademisch, 2008. Although most of their friends, family, and students were supportive when Morton came out, strangers were not always so kind. After wearing sparkly silver nail polish to the supermarket one day, Morton acquired a stalker. They woke the next morning to find a newspaper on their porch, open to a story about a 19th-century woman who dressed as a man. Someone had also crept inside Morton’s carport and left a bag of feces for them to find. It happened several more times. Morton describes the origin of Hyper­objects as oracular—like a radio transmission sent from the future. Art by Frank Nitty 3000There were a few original thoughts or ideas in-between, like the concept of hyperobejcts for example, or that we are beyond listing factoids about ecological collapse.