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Aquemini

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Offiziellecharts.de – OutKast – Aquemini" (in German). GfK Entertainment Charts. Retrieved August 23, 2020. Music Direct reserves the right to change the terms of this promotion or discontinue this offer at any time.

a b c d e Baker, Soren (September 27, 1998). "OutKast "Aquemini" LaFace/Arista". Los Angeles Times . Retrieved September 13, 2013. Aquemini is the third studio album by American hip hop duo OutKast, released on September 29, 1998 through LaFace Records. T In 1994, Outkast released their debut album, Southernplayalisticadillacmuzik, which was recorded when members Big Boi and André 3000 were 18. Bolstered by the success of " Player's Ball", the record established Outkast as prominent figures in the Southern hip hop scene. [2] After the album was certified platinum, LaFace Records gave Outkast more creative control and advanced money for their 1996 follow-up album ATLiens. [3] On ATLiens, André 3000 and Big Boi abandoned the "hard-partying playa characters" of their debut album in favor of personas that were more futuristic, and produced many of the songs on their own for the first time. [4] [5] Critics praised the group's maturing musical style on the record, which debuted at number two on the US Billboard 200 chart and sold nearly 350,000 copies in its first 2 weeks of release. [6] [7] The single " Elevators (Me & You)" reached number 12 and spent 20 weeks on the Billboard Hot 100 chart. [8] Wang, Oliver (2003). Classic Material: The Hip-Hop Album Guide. ECW Press. p.134. ISBN 1550225618 . Retrieved April 16, 2016. After the release of ATLiens, André 3000 entered a relationship with neo soul singer Erykah Badu, who was part of a burgeoning movement in the urban music scene described as "more bohemian than ghetto". [9] André 3000 adopted a more flamboyant style of dress during performances in promotion of ATLiens that included large glasses, blond wigs, and marching band uniforms. Badu gave birth to his first child in November 1997, which presented new artistic inspiration for the rapper. [9] Recording [ edit ] Producer Neal H. Pogue compared the recording of Aquemini, with its wide variety of live musicians, to that of 1960s Motown Records ( former headquarters pictured).SpottieOttieDopaliscious" contains excerpts from "Dancing with the Moonlit Knight" performed by Genesis. Music Direct reserves the right to select the carrier and ship method within the terms of this offer. The University of Michigan (2004). Current Biography Yearbook, Volume 65. H. W. Wilson Company. p.433. Aquemini has been included in several publications' best album lists. In 2003, Rolling Stone ranked it number 500 on its list of the 500 Greatest Albums of All Time. The staff explained the inclusion by stating: "OutKast unleashed an explosive hip-hop that deployed live musicians, social commentary and a heavy dose of deep funk". [51] The album was placed at number 11 on the list of the "100 Best Albums of the Nineties" by the same magazine. [52] In 2020, they revised their 500 Greatest Albums of All Time list and re-ranked the album at number 49, calling it "the greatest record ever to come out of the Dirty South." [53]

a b c d e f g h i j k l m n o p Carmichael, Rodney (June 24, 2010). "The Making of OutKast's Aquemini". Creative Loafing . Retrieved February 18, 2012. American album certifications – Outkast – Aquemini". Recording Industry Association of America . Retrieved November 13, 2023. M.T. Richards (August 13, 2013). "The Five Best Atlanta Hip-Hop Albums of All Time". Paste . Retrieved September 13, 2013.a b Tyehimba, Cheo (November 6, 1998). "Aquemini". Entertainment Weekly . Retrieved September 13, 2013. Powell, Mike. "Atlanta to Atlantis: An OutKast Retrospective". Pitchfork . Retrieved 25 January 2022. The clean version of the album has all of the skits in between the songs removed. The interlude "Nathaniel" was omitted, as was the fifth verse of "Liberation". Sarig, Roni, ed. (May 1, 2007). Third Coast: OutKast, Timbaland, and How Hip-Hop Became a Southern Thing. Da Capo Press. ISBN 978-0-306-81430-3.

Braxton, Charlie (November 1998). "OutKast: Aquemini". The Source. No.110. Archived from the original on August 12, 2014 . Retrieved September 25, 2023.

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a b Baker, Soren (October 25, 1998). "OutKast Aquemini (LaFace/Arista)". Chicago Tribune . Retrieved January 28, 2014.

Art of Storytelling PT II ( The first 45 seconds will blow your mind, the best verse in the history of Kast, and big boi holds his own) a b c Austerlitz, Saul. "Records: OutKast's Aquemini". Yale Herald. Archived from the original on December 18, 2015 . Retrieved May 10, 2014. Aquemini is the third studio album by OutKast, released on September 29, 1998 through LaFace/Arista Records. The album title is a combination of the Zodiac signs Aquarius and G emini, representing Big Boi and André 3000 respectively. While their sophomore album ATLiens was a complete departure from their Southernplaylistic debut album, Aquemini took their new sound to another level. a b Green, Tony (December 1998). "OutKast: Aquemini". Spin. 14 (12): 178 . Retrieved September 13, 2013.Wang, Oliver, ed. (May 1, 2003). Classic Material: The Hip-Hop Album Guide. ECW Press. ISBN 1-55022-561-8. Skew it on the Bar-B ( Not a big fan of this one, but it's still a good song, big boi saves the song imo, the raekwon verse didn't fit at least imo) Pearl Jam's 'No Code' to Top Albums Chart". San Jose Mercury News. September 7, 1996 . Retrieved March 5, 2011. Aquemini is a hip-hop classic that pushes the limits of what we normally consider hip-hop, yet is decidedly true to its roots.

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