Fujifilm Fujicolor C200 35 mm 36 Exposure Colour Print Camera Film Twin Pack

Product Information

Finally, C200’s image qualities lend themselves to street photography pretty well too. Those more-subdued-than-Kodak hues mean your scenes and skin tones remain realistic, and the low grain and sharpness help keep them clean. In that sense, I guess it’s little different to Kodak’s Gold 200 or Colorplus 200 or Ultramax 400, or any of the Ilford consumer grade monochrome films either.

C200, which is DX-coded with the number 106254, is processed using the highly common C-41 technique, or CN-16 as Fujifilm call it, meaning any photo lab should be able to develop your rolls once you’ve shot them. I agree about the “slap in the face” to those of us who’ve kept film alive and vibrant (and not just in the few years since its “re-discovery”). Manufacturers are not in business to lose money through inefficient economies of manufacture. Perhaps Fuji is only recognizing that reality in sweeping away its many fine films. And yes, perhaps they have all the expertise necessary to “emulate” such films in their digital cameras for those of us who still hold a fondness for a certain aesthetic. I noticed a few differences. The three main ones: first, I believe Fujicolor C200 has a little bit of a finer grain to it. Second, I also believe it has a more greenish bluish cast. Third, I believe it has a bit more contrast overall. Negative density level unified with other PRO series films for maximum printing uniformity and efficiency.I’ve shot a bit of Kodak’s main competitor at that price point, Colorplus 200, and I haven’t been overly impressed with it. Sure its probably great for general snapshots and things, but I’d never choose it for portraits over C200.

Sure it doesn’t have the dynamic range of Portra, but I’m fairly careful with my metering when shooting portraits and I try and find nice even lighting. It does have a bit of grain in the darker areas, but I like that. And in a full frame format with a decent scanner I find it a very attractive grain. Fujicolor C200 (or 200, as it’s now known in the US) is a fine-grained consumer colour negative film which has been in production since 1990. In 2017, the film’s chemistry was revamped boasting “super fine grain technology”. At the same time the more modern Superia 200 colour film was discontinued. When I reviewed Fuji’s Industrial 100 film, I mentioned how its greens and reds were the colours that popped the most. C200 is similar with the greens, although the reds – while still strong – come out a little darker and less gaudy than with the Industrial. ISO เท่ากับ 50 ให้ผลลัพธ์ที่ยอดเยี่ยมในกระบวนการเพิ่ม/ลดเวลาการล้างฟิล์ม (push/pull) สําหรับการเปิดรับแสงที่หลากหลายตั้งแต่ -1/2 ถึง +1 สตอป จึงสามารถใช้ในการถ่ายภาพได้หลากหลายสภาวะ The datasheet for the new Fujicolor 200 film in the US has strong similarities to that of a Kodak colour negative film.This recipe looks great! In high-contrast situations DR400 does better to protect highlights than DR200, but in low-contrast situations DR200 produces better contrast. After awhile I decided to set my camera to DR400 and adjust it to DR200 when the situation calls for it. The pictures in this article are a mix of DR200 and DR400. The White Balance Shift can be set to -4 Blue, which can sometimes be more accurate to the film, or -2 Blue, which can sometimes be more accurate to the film, because one film can have many different looks depending on how it was shot, developed, and scanned or printed, but -3 Blue does well for all-around use. Because this recipe requires a half adjustment to Highlight & Shadow, it’s only compatible with the Fujifilm X-T4, X-S10 and X-E4, although if you use Highlight 0 and Shadow -1 it’s pretty close to the same, which opens it up for use on the X100V and X-Pro3. While C200 does continue this trend, don’t be fooled into thinking it’ll present your sunny-at-the-time holiday memories as some gloomy alternate reality. What I got from my couple of rolls was certainly still vivid enough.

Fujifilm works with a pool of valued partners around the world as part of the production process to ensure we can continue to deliver high-quality imaging products to delight customers. On the other hand, Kodak Alaris IS returning certain admired films to their offerings – hopefully this will include the long-promised return of Ektachrome slide film. Perhaps it’s because Kodak doesn’t manufacture a serious line of digital cameras in which to emulate certain film looks…Or maybe they DO see a market that Fuji doesn’t. Or maybe they’re just real decent folks with a concept of loyalty to loyal customers… A film that delivers high-quality colour renditions and moderate grain, Fujifilm C200 is forgiving with highlights and known for providing reliable results across different lighting situations.Some of the things that make Fujicolor C200 an average film are the very same things that make it a good choice for your street photography.