In Search of the Miraculous: The Definitive Exploration of G. I. Gurdjieff's Mystical Thought and Universal View (Harvest Book)

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In Search of the Miraculous: The Definitive Exploration of G. I. Gurdjieff's Mystical Thought and Universal View (Harvest Book)

In Search of the Miraculous: The Definitive Exploration of G. I. Gurdjieff's Mystical Thought and Universal View (Harvest Book)

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In Search of the Miraculous is Ouspensky's recollection of his first meeting and subsequent association with George Gurdjieff and the esoteric teaching that Gurdjieff imparted to him. This teaching still exists today in various forms; Ouspensky himself taught it to various groups from 1921–1947. Throughout the book, Ouspensky never refers to Gurdjieff directly, only using the single initial "G.", but it is common knowledge that this "G." was Gurdjieff, who taught Ouspensky an ancient esoteric system of self-development commonly known as the Fourth Way. This beginning of miracles did Jesus in Cana of Galilee, and manifested forth his glory; and his disciples believed on him. And the people with one accord gave heed unto those things which Philip spake, hearing and seeing the miracles which he did. Originally published at the time of Gurdjieff's death and authorized by Gurdjieff himself, it is considered one of the best expositions of the structure of Gurdjieff's ideas and is often used as a means of teaching Gurdjieff's system, although Ouspensky himself never endorsed its use in such a broad manner. Nevertheless, this book is by far the most quoted by current disciples of Gurdjieff as they attempt to teach his system to new students, and Gurdjieff himself even had some of his students read parts of the book as part of their studies. Hume, David. Of Miracles (introduction by Antony Flew). La Salle, Illinois: Open Court Classic, 1985. ISBN 0-912050-72-1

Holland, R.F.. "The Miraculous". In American Philosophical Quarterly 2, 1965: pp. 43–51 (reprinted in Richard Swinburne below) Truly the signs of an apostle were worked among you in all patience, in signs and wonders and mighty works. Physical evolution only takes us so far and we must consciously evolve ourselves beyond this point. This way is "against god". In other words, we can all exist quite well without becoming truly conscious, just going about our lives in the ordinary way. We must go against much in our lives to become truly conscious. This latter property is not what most people mean when they use this word. Few people are actually truly conscious, which is something like being fully aware of ourselves at all times, not being lulled into stupors by our lives.

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Those with strong religious beliefs are often prepared to give evidence that they know is false, "with the best intentions in the world, for the sake of promoting so holy a cause". [12] to his other works. The theme of the album are DAENIKEN's doubtful theories about some visitors from far Before going into the home, she had never heard of Mother Teresa. She could neither read nor write and had no knowledge of the world beyond the immediate area where she lived. “But when the sisters prayed, in the morning the tumour was not there,” she said. “Then my belief grew towards Mother, that she had done this.” I asked, why did she think Mother chose her for this miracle? She paused for so long that I thought she had not understood the question. At last she replied: “I cannot answer that.” According to Sophia Wellbeloved, the book is generally regarded as the most comprehensive account of Gurdjieff's system of thought ever published, as it often forms the basis from which Gurdjieff and his teachings are understood. [1] Contents [ edit ]

Ouspensky recounts his trials learning this new system, which he later refers to as the Fourth Way, often recollecting entire lectures, or parts of lectures, which Gurdjieff gave to his disciples in St. Petersburg and Moscow from 1915–1917. He describes many of his experiences, particularly concerning the "art of self-remembering", and he recounts some of the methods and various exercises which comprised Gurdjieff's system. This was my first encounter with Gurdjieff, and though I certainly recommend his own writings as well, this book has served as a perfect introduction for many people in the last half century. As one can easily see from my profile, for many years I have been drawn to read books related to spirituality and personal growth. I've always found that the ideal book for me to read at a particular time has come across my path at precisely that time. I definitely found this to be the case with "In Search of the Miraculous" as well. This truly is a wonderful book, as it delves deeply into the elusive subject of "enlightenment" in extensive detail, uniquely combining insightful, inspiring, and thought-provoking content with practical "how-to" suggestions. The Mother House, where Teresa lived and died, is an anonymous building standing on a congested street in the heart of the city, flanked by scrap-metal workshops and chai stalls. The constant stream of people who come to kneel at the tomb are obliged to focus their prayers amid the chorus of honking traffic horns on the other side of the curtained windows.

Regardless, I strongly recommend In Search of the Miraculous. It's the single best book on Gurdjieff's work ever written. It's reasonably comprehensive on the important theories and methods. It's clear--no Beelzebub's Talesian mumbo-jumbo. It includes enough of Ouspensky's personal comments and experiences to make an entertaining story, but it isn't a self-indulgent book about the author ("and then he said this to me, and then I said that to him.") I find Ouspensky's other works overly dry and intellectual, but this one is both fun and profound. (And if you happen to buy a copy that has a bookmark in it from a purported Gurdjieff "school" -- toss the bookmark. Trust me about that.) Who sent signs and miracles into the midst of thee, O Egypt, upon Pharaoh and upon all his servants; symphonic music crossed with experimental and atmospheric electronics, with several truly jaw-dropping moments for lovers There's spacey whirring synths and glorious dreamy Mellotron-glossed themes aplenty throughout nine-minute opener



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