Second, it’s also a dystopian vision of the world that seems somehow really plausible. I’ve read a lot of near-future dystopias in the last few years. A lot feed on our anxieties about climate change in some way. This does so too, but less obviously, and it doesn’t over explain how we got to this place. We’re just there.

Then one day, a sheep arrives on the island having swum from somewhere. But can sheep swim? Where and how did it get here? That strange event starts off a chain of thoughts which spirals out of control. Metronome takes you on the journey down that chain and what a journey it is. The setting feels very closed off and limited as we only see the immediate area through their eyes. We see what they do which is not much at all. I played a game as a child once where you could only see two cms around you at any one time and you had to navigate blindly really through a maze. This feels like that and I recalled the feeling of frustration, fear, the unknown and everything the characters must be feeling. A book about guilt, new beginnings, making mistakes or decisions, because of being forced by circumstances. The betrayal by someone the mc thought she could trust, and her struggle with sensing this from the beginning, and the not knowing if she should trust. This seven-part series, designed to bring the nation together by sharing the enjoyment of reading, will take the same format as before. In each episode, Sara’s book group of four famous guests will bring along their own book of choice and also discuss a newly published book. The seven selected books are revealed below. An eerie, striking debut by an award-winning author for fans of Emma Stonex, Francine Toon and Megan Hunter Tom Watson has conjured a relationship corroded by compromise and capitulation, and worked it into an extraordinary love story - or rather, a story of what love looks like when affection and trust have fallen away * The Times *

Reviews

Sara Cox I’m absolutely thrilled we are once again delving between the covers, bringing another selection of seven brilliant brand new books, as well as spanning the decades with seven books by talented authors from across the Commonwealth to celebrate the Jubilee." — Sara Cox

Tom Watson has crafted a novel which is replete with tension and barely expressed emotions. The emotional and relationship consequences of exile and isolation on two people whose initial actions led to their exile for twelve years are brought to life through the sparse dialogue between Whitney and Aina where so much is left unsaid. Aina’s growing understanding that Whitney has consistently misled her is brilliantly realised as is her subsequent sense of betrayal and disillusion. In his debut novel, Tom Watson seems less interested in the wider political and social reality of his world than in the mundane detail of the characters’ lives and the bleakness of the landscape they inhabit, the emotional standoff that exists between them as a result of the traumatic severing of their previous existence. His use of language is nuanced and sensitive, with landscape writing especially a sensory highlight. His imagining of the sparse and chilly beauty of the island, together with the exiles’ thwarted attempts to make creative sense of both their fate and their surroundings, should make for an engrossing and memorable reading experience. I read this in two sittings, inhaling every word. I think we can conclusively say that dystopian/speculative fiction is my favourite genre.More exciting news for another of our 2016 shortlistees: Tom Watson’s debut novel, Metronome, will be published by Bloomsbury in spring 2022. The writingstyle is very atmospehric, and beautiful. And the claustrophobic feelings and thoughts that go with exile were very well portrayed! At 60% in there is some excitement, action. Random elements are introduced which offer more depth to the world building but little advancement of any kind of story. The result is chaos, violence and more incomprehensible loose ends. The couple's environment while beautiful is a little too harsh for easy living, and the couple's personalities are contrasting rather than complimentary: As days pass, Aina begins to suspect that their prison is part of a peninsula, and that Whitney has been keeping secrets. And if he's been keeping secrets, maybe she should too. Convinced they've been abandoned, she starts investigating ways she might escape. As she comes to grips with the decisions that haunt her past, she realises her biggest choice is yet to come.

Nevertheless, I really enjoyed this book, perhaps because it didn’t serve up everything to me on a plate. In brief, Aina and Whitney have been exiled to an unknown island from an unknown country, and are tethered to a machine which dispenses a pill every eight hours that ensures their survival. They’ve been in exile for twelve years and are awaiting parole when one day a sheep turns up, but sheep can’t swim so where has this one come from? I loved it … You could feel the chill of the wind … Fantastic; it's a great book' Sara Cox, BBC Two 'Between the Covers'

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The book is short and very pacy, with a lot in it to hold my interest and I finished it in two sessions on a particularly long train journey. I enjoyed the story and was really intrigued with it although I would have liked a little more world building to tell me about the world outside the island. The plot is very character-focussed, told from the perspective of Aina, and we are rooting for her throughout the story, with occasional chapters dedicated to (vaguely) explaining what happened before to cause them to have been exiled. I would have liked a little more explanation as to why these rules had come into existence and also how the punishment system was supposed to work, as well as a little more information about the pills. When a later event regarding the mainland is introduced, this is also skimmed over and I would have liked a little more speculation from the characters as to what had happened as well. It was interesting to find out that their crime was to go against the governments rules over having a baby. We are told that they went against strict laws and Aina fell pregnant. It’s all very The Handmaid’s tale although we never find out what the rules are exactly and why they are in place. Government control would be the obvious conclusion. You never really learn anything about the outside society so you have to just imagine a future population controlled civilization also subject to the poisonous effects of climate change. That this society also takes the time and trouble to exile people to isolated locations but still provide resources and communications becomes a bit of a stretch. Also the idea that people would wait 12 years before doing something further about their situation is also unbelievable. It is a first novel though, and it did build suspense and drama effectively towards the end.

I love dystopian thrillers and Metronome was a really intriguing book which stayed with me long after I put it down. Aina and Whitney have been exiled onto an island due to breaking their home’s fertility laws. As a condition of their stay, they must take a pill that is dispensed every 8 hours or they die, however their date of parole is coming up and they will soon be free – or will they? Atmospheric ... Watson's use of language is nuanced and sensitive, with landscape writing especially a sensory highlight * Guardian * For twelve years Aina and Whitney have been in exile on an island for a crime they committed together, tethered to a croft by pills they must take for survival every eight hours. They've kept busy – Aina with her garden, her jigsaw, her music; Whitney with his sculptures and maps – but something is not right.

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Aina and Whitney are sentenced to 12 years banishment, for a crime that increasingly becomes apparent - they had an illegal child. This is a dystopian near future, and if you don’t have a Permission To Conceive pass (issued after conception), then you’re not allowed to have a child. This gives an insight into the desperation of the parents, then the discovery and removal to remote Long Sky Croft. In addition, environmental factors mean they must be issued with a tablet to counteract potential adverse medical effects, so that is dispensed, upon thumb scan of the recipient, three times a day. In effect, their sentence is at the same time physical, punitive, and psychological. This author is so talented, the way that the relationship between Aina and Whitney chop and change throughout the novel is done so very well. The claustrophobic feel of two people spending all of their time together, with no other human company is chilling, and the little niggles of doubt and blame between them, that grow with an intensity throughout is impeccably handled. Aina and Whitney now live in a croft – the location of the island, the country from which they came and when the exile takes place are not made clear. It could be anywhere at any time – and this uncertainty contributes to the disconnected other-world milieu of the novel. When the story begins, Whitney and Aina are almost at the end of their exile – in a few days, they expect to be paroled and to return to their home. With echoes of Emily St John Mandel and Megan Hunter, this haunting literary thriller is about survival, loss and the binds that unite and break us. Chilling, eerie and powerful -- Elizabeth Macneal