Who wasn’t once young? Who didn’t once think they were unique and exempt from inevitable happenings like growing old, experiencing pain and loss and subjecting to mediocrity? Most of us have at some point thought something similar to “Nothing was like what I thought it would be.” Molly is fluent in Japanese, German and street sign. She's also passingly familiar with Mandarin and French.

Victoria Connelly grew up in Norfolk before attending Worcester College where she studied English Literature. After graduating, she worked her way through a number of jobs before becoming a teacher in North Yorkshire. Sometimes, she treated the scar of her past with reminiscence and introspection. Toward the end of the book, she confessed a lot about her history to Case, and even revealed that Case reminded her of Johnny. She said the Yakuza could wait years and years to give you more to lose before they seek revenge. She said, “I didn’t know that, then. Or if I did, I figured it didn’t apply to use. Like when you’re young, you figure you’re unique. I was young.” Molly's life is built around her own peculiar code of ethics. She's not a hero, she's not a villain. She's just a woman trying to live life on her own terms. Molly's word is her bond, and if she commits to the protection of another she approaches it with all the inexorable relentlessness of a freight train. She does not regret the lives she has taken and she has no illusions that some day she will meet her own grisly end at the point of blade or gun. She and Aerol helped Case to climb clumsily into a corridor. As he was lying flat relieved in the partial artificial gravity, she produced a fat bundle of elastic cable and asked him to string this up, and hung them with battered yellow plastic sheets. It was intended to practice together working in zero gravity. Case and Riviera were about to fight when Molly stepped between them. In the 2003 BBC Radio adaptation of Neuromancer, Molly was played by the English actress Nicola Walker. Sasha Grey took on the role in Case, a six-hour dramatic contemporary adaptation of the novel staged in New York City in November 2009. [5] Literary analysis [ edit ]

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William Gibson has stated that he derived inspiration for the character from the image of Chrissie Hynde on the cover of the first Pretenders album. [2] [3] Relationships [ ]

Yes, she is young and is doing no harm however, after drinking too much you lose your concentration and sleep with people you didn’t even intend on sleeping with and of course drinking too much was the blame to Molly. Well, if that is the case, don’t drink so much if you do not want your story of your personal life in the papers. Just pointing out the fact that her naivety of trusting someone to not steal, gain fame from her shouldn’t be used as an excuse to complain after accepting her decisions. Don’t drink if you’re going to make idiotic decisions that lead to consequences like that.Molly is host to a colony of nanites whose purpose is strictly medical. Although they will heal her and have limited ability to repair her internal augments they have limited shelf life.

When Molly was young, 2 months after she had left the puppet house, she was looking for a job in the Sprawl. More than just being a Cyborg itself.. Molly's technology isn't from this world, and isn't something she herself created or installed. Once it's broke, it's broke, unless she can find someone with the skill to repair, upgrade or replace her parts.New York's underground might know her as a mercenary. Blood sport fighter. Occasional uncostumed 'hero'. Violent vigilante. I also thouroughly enjoyed the visual element to the book. Molly makes her way through many an English village, described so well that I could imagine and enjoy them myself. The fact that the locations in the novel changed so often also added to the book’s sense of adventure and excitement. An exception to her cold, somewhat cynic approach to life was Johnny, for whom she still mourned at the time of Neuromancer. This is part of the personal history she relates to its protagonist, Case, in addition to the revelation that she worked as a "meat puppet" (a prostitute) in a "puppet parlor" (a brothel where people loan out their bodies while maintained in a blanked-out state) to pay for her considerable cybernetic enhancements.

Molly once made a living as an 'augmented featherweight' on the professional circuit.. in Night City. As such she is skilled in a Muay Thai based mixed martial art.Molly's trying to finish up some kinda deal with two dudes in suits and a microSD card, and Monet makes her life miserable 'cause that's what she does. In all three stories, Molly is a physically tough (but not instantly imposing) bodyguard/mercenary cyborg. She is referred to as a "razorgirl" or "street samurai" throughout his stories and also as "Steppin' Razor" by the residents of Zion, a Rastafarian enclave aboard a space station.