The Art of The Batman

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Let's talk about Pattinson. He's so good as Batman/Bruce Wayne, he looks incredible in the suit and when he has the action scenes it truly feels that you're watching THE Batman, he is intimidating and someone who you really should be afraid of. He gives you that mix of begin a brutal force of justice but at the same time as someone who's disturbed and battles with multiple issues. Zoë Kravitz is also great on the film, she has a lot of chemistry with Pattinson and it also looks phenomenal in the action sequences. I really wanted to give this an A+ but I really felt that the third act in the Gotham Square Garden was something that I wasn't a fan about and I really felt that the ending was as strong as the beginning of the film. The first trailer for The Batman made a strong impression thanks to its use of a remixed version of Nirvana’s “Something in the Way,” a tune that shows up in the final film as well. Molti sono libri giganti con "solamente" un mucchio di foto, altri hanno semplici didascalie e guidano il lettore nella descrizione delle fotografie, processo di realizzazione ecc... Pattinson’s new Batsuit is crammed full of wonderful toys, only some of which he actually unleashes during the course of the movie. The Art of The Batman gives us a much better look at the inner workings of the Batsuit and its hidden gadgets, including the spring-loaded grapple gun that Dillon reveals was directly inspired by Robert De Niro’s character in Taxi Driver.

Actor Andy Serkis provides a possible origin story for Alfred, suggesting that he originally worked for British intelligence before establishing a career as a personal bodyguard for wealthy families. That may be how Serkis’ Alfred came to live with the Waynes, and it helps explain why there’s an emotional distance between Alfred and Bruce. Alfred never signed up for the responsibility of being Bruce’s adoptive father, and he has trouble connecting with Bruce on an emotional level. But at least he can teach the boy how to survive the mean streets of Gotham. The Mundane Origin of Riddler’s MaskTwo years of stalking the streets as The Batman, striking fear into the hearts of criminals, has led Bruce Wayne deep into the shadows of Gotham City. As the evidence surrounding a series of crimes begins to lead closer to home and the scale of the perpetrator’s plans becomes clear, Batman must forge new relationships, unmask the culprit, and bring justice to the abuse of power and corruption that has long plagued Gotham City. Taken from the "Art of" book that's just been released, we get a closer look at the Batsuit donned by Robert Pattinson in the movie, along with the wingsuit his Bruce Wayne used to fly through Gotham City's imposing skyline. As we saw in the movie, this Dark Knight didn't have the smoothest of landings - a reminder that the vigilante is still in a very early stage of his vigilante career. Colin Farrell undergoes the most startling physical transformation in The Batman, as he’s basically unrecognizable underneath all that makeup and prosthetic work. As the book reveals, even Farrell’s co-stars didn’t always recognize him on-set. Zoe Kravitz puts it best when she says, “Still to this day, actually, ’cause I’ve only met Colin a few times outside of this film, I feel like I don’t know Colin Farrell. I know The Penguin.”

making Pattinson;s suit a danger to himself as was demonstrated in the film. The use of these gadgets call into question why an engineering “genius” would use these devices. Also starring Jeffrey Wright (James Gordon), Andy Serkis (Alfred Pennyworth) and Zoë Kravitz (Selina Kyle/Catwoman), The Batman sees Pattinson's Bruce face off against the likes of Colin Farrell (as Oswald Cobblepot/Penguin) and Paul Dano (Edward Nashton/Riddler). poi ti capita tra le mani QUESTO libro e capisci che se anche fosse costato il doppio probabilmente avresti comunque finito per dargli lo stesso i soldi.However, there's also an inherent practicality to this suit, with costume designer Glyn Dillon noting the undersuit is modeled after Russian pressure suits and then layered with armored plating and mechanical components. According to Dillon, the armor shares a lot in common with equestrian vests, which offers a desirable balance between protection and mobility. The Batman paints a very different picture of iconic Gotham crime lord Carmine Falcone. By the end of the film, we learn Falcone rose to power by colluding with the GCPD and orchestrating the arrest of Sal Maroni. That basically makes him the Whitey Bulger of the DC Universe. I testi sono tanti, interessanti, ci sono un sacco di interviste a cast, regista, montatori, grafici, designers. C'è il vero mondo dietro a quello che personalmente credo sia uno dei film più belli dello scorso anno. C'è spiegato il perché delle cose. As a huge Batman fan for as long as he can remember, Field’s younger self would sit drawing his own Burton-era Batman film posters while imagining ideas for new Batman stories. He can trace his obsession from the comics to the Animated Series through the Christopher Nolan movies and the Arkham video games. One piece of artwork actually leans a little more heavily into the comic books with that classic shot of Batman using his cape to swoop through his home.