Minor replays, but very intricate,” Mason said matter-of-factly, before breaking out into giggles imitating the stuttering time-code pattern on its vintage gear.

Sampling artists as diverse as Johnny Cash, Hall & Oates, Steely Dan and the Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap). [30] Writing in retrospect for The A.V. Club, Nathan Rabin credits Prince Paul for helping "create progressive hip hop" with his production on 3 Feet High and Rising, [31] while author John Riordan says "its comedy skits and positive lyrics established the group as a progressive hip-hop act at odds with the increasingly violent image of mainstream rap." [32] Phil Witmer of Noisey cites De La Soul's " sampledelia" on the album as an "old-school" example of sampling being applied to "jarring, collage-like effect". [33] 3 Feet High and Rising is also credited with introducing the hip hop skit, a style of comedic sketch used both to introduce rap albums and as interludes between songs. [34]Robert Dimery; Michael Lydon (7 February 2006). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 0-7893-1371-5. The 500 Greatest Albums of All Time". Rolling Stone. September 22, 2020 . Retrieved August 4, 2021. Ultratop.be – De La Soul – 3 Feet High and Rising" (in French). Hung Medien. Retrieved March 26, 2023.

Rappers Posdnuos and Trugoy the Dove talked about anything they wanted (up to and including body odor), playing fast and loose on the mic like Biz Markie. Thinly disguised under a layer of humor, their lyrical themes ranged from true love ("Eye Know") to the destructive power of drugs ("Say No Go") to Daisy Age philosophy ("Tread Water") to sex ("Buddy"). Prince Paul (from Stetsasonic) and DJ Pasemaster Mase led the way on the production end, with dozens of samples from all sorts of left-field artists -- including Johnny Cash, the Mad Lads, Steely Dan, Public Enemy, Hall & Oates, and the Turtles. The album features a recurring lyrical motif of the "D.A.I.S.Y. Age", an acronym that stands for "Da Inner Sound, Y'all". [18] This concept also inspired the design of the album cover, as Mott describes in his essay "Hip Hop in The Daisy Age": Chang, Jeff (September 23, 2018). "De La Soul: 3 Feet High and Rising". Pitchfork . Retrieved September 23, 2018. The album sounded like a hip-hop version of the novelist Dos Passos’ America, crowded with voices, rhythms, rhymes, and the wit, joy, and pain of becoming aware of one’s power to change the world. And De La Soul felt like the closest hip-hop equivalent to Parliament and Funkadelic: high-concept, hilariously genuine, generously human.

The 1970s

Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap). Greatest Albums of All Time: 3 Feet High and Rising – De La Soul". Rolling Stone. December 11, 2003. Archived from the original on December 20, 2010 . Retrieved July 27, 2022. Buddy (Native Tongue Decision Part 1) [feat. Jungle Brothers, A Tribe Called Quest, Queen Latifah and Monie Love]

Electronica artist James Lavelle cited 3 Feet High and Rising as one of his favorite albums. "It was definitely a reaction to the slightly more hardcore area of what was going on in hip hop. As a concept record, it's probably one of the best ever. It's like the Pink Floyd of hip hop, their Dark Side of the Moon – the way it musically and sonically moves around, but also the use of language was so unusual and out there." [44] Psychedelic, undeniably funky and underpinned by elements of Afro-futurism, De La Soul's landmark 1989 debut LP 3 Feet High and Rising is a defining album of 80s rap, marking the espousal of the 'Daisy Age' spirit which permeated hip-hop at the turn of the 90s. Rabin, Nathan (March 29, 2002). "Prince Paul: Prince Among Thieves". The A.V. Club . Retrieved July 22, 2021. Setaro, Shawn (2023-02-09). "Here's How De La Soul Cleared The Samples For Their Classic Catalog's Streaming Debut". OkayPlayer . Retrieved 2023-03-09. Playboy Feb. 1989". Robert Christgau. Archived from the original on 3 July 2011 . Retrieved 2011-08-16.

On The Go

The Daisy Age sound revolutionised an era, adopted by many of hip hop's greatest contemporaries. Artists such as Queen Latifah, A Tribe Called Quest and the Jungle Brothers, all sat alongside De La Soul as members of the Native Tongues collective - pushing forward a message heavy but feel good sound. Feet High and Rising received widespread critical acclaim upon its release. "An inevitable development in the class history of rap, [De La Soul is] new wave to Public Enemy's punk", wrote Robert Christgau of the album in his 1989 "Consumer Guide" column for The Village Voice. "Their music is maddeningly disjunct, and a few of the 24-cuts-in-67-minutes (too long for vinyl) are self-indulgent, arch. But their music is also radically unlike any rap you or anybody else has ever heard— inspirations include the Jarmels and a learn-it-yourself French record. And for all their kiddie consciousness, junk-culture arcana, and suburban in-jokes, they're in the new tradition— you can dance to them, which counts for plenty when disjunction is your problem." [28] Rolling Stone magazine's Michael Azerrad called 3 Feet High and Rising "(o)ne of the most original rap records ever to come down the pike", and described it as an "inventive, playful" record which "stands staid rap conventions on their def ear." [14] When The Village Voice held its annual Pazz & Jop critics' poll for 1989, 3 Feet High and Rising was ranked at number one, outdistancing its nearest opponent ( Neil Young's Freedom) by 21 votes and 260 points. [29] Released amid the late-1980s boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, 3 Feet High and Rising stood out from this trend by showcasing De La Soul's more positive style. [10] The mirth and intelligence of De La Soul's self-presentation led many observers to label them a " hippie" group; however, this characterization was disputed by De La Soul themselves. [11] On the album, De La Soul sought to explicitly distance themselves from gangsta rap by "lampoon[ing] emerging tropes" such as the growing materialism within the genre. [12] Their lyrics are instead characterized by a variety of "bizarre and surreal" choices of subject matter, such as dandruff, gardening metaphors, and " Dr. Dolittle-esque interactions with animals". [13]

Feet High and Rising is the debut studio album by American hip hop trio De La Soul. It was released on March 3, 1989, by Tommy Boy. It marked the first of three full-length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, Me Myself and I, The Magic Number, Buddy, and Eye Know. The album title came from the Johnny Cash song Five Feet High and Rising. In 2006, Q magazine placed the album at No. 20 in its list of "40 Best Albums of the '80s". [42] In 2012, Slant Magazine listed the album at No. 9 on its list of "Best Albums of the 1980s". [43] Spex listed 3 Feet High and Rising at No. 5 on its list of the Top 100 Albums of the Century. [ citation needed] The album has also been ranked as among the top albums of 1989 by publications including Rolling Stone, The Face, Record Mirror, Sounds, OOR, and Melody Maker. [ citation needed] As stated by Maseo, "the stereotype and the stigmatism [...] was put on us with the hippy concept when D.A.I.S.Y. just was an acronym for Da Inna Sound." Hernandez, Victoria (May 11, 2016). "De La Soul Reflects On Da Inna Sound For 25th Anniversary Of "De La Soul Is Dead" ". HipHopDX . Retrieved September 27, 2023. Phono Stage:Whest Audio TWO.2 class a dual mono fully balanced phono stage,isoacoustics orea graphite feet(x3), 43db/47k ohms mm setting.

Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. Turner-Williams, Jaelani (2021-12-28). "Gen-Z is Learning About De La Soul Due to 'Spider-Man: No Way Home' ". Okayplayer . Retrieved 2022-01-05. In 2011, 3 Feet High and Rising was among 25 albums chosen as additions to the Library of Congress' 2010 National Recording Registry for being cultural and aesthetical and also for its historical impact. [46] a b Jenkins, Craig (March 7, 2023). "De La Soul's Music Is Here to Stay (For Now)". Vulture . Retrieved March 8, 2023.