You can always trust iMore. Our team of Apple experts have years of experience testing all kinds of tech and gadgets, so you can be sure our recommendations and criticisms are accurate and helpful. Find out more about how we test. With the development of cutting edge recording technology constantly evolving and improving, professional levels of microphone are becoming lower priced and available on a lower budget. Compared to other pop filters, the Aokeo pop filter acts as an amplifying modifier which tones down plosive sounds while allowing normal speech to “pass through” without dampening the higher frequencies. The Yeti Nano is another pop filter specifically designed for Blue Yeti mics and effectively eliminates plosives from the recordings.

The screen is 6 inches in diameter and is designed to diffuse bursts of air even if the source isn’t directly in front the microphone (which by the way, you should be sitting in directly in front of the Blue Yeti mic for the best sound performance). The windscreen is made from good quality foam materials and helps to filter out harsh ‘p’ and ‘t’ sounds together with popping noises. They are also ideal for protecting your mic against saliva and moisture damage. If you are looking for a tried and tested budget option for Blue Yeti, the Auphonix pop filter is also another great choice. This foam cover retains it shape and slips snugly over the microphone. It is the correct size for Blue Yeti and Yeti Pro mics. It prevents unwanted interference from wind and plosive frequencies that spoil recording vocals. The Mudder mic cover envelops the whole microphone head serving as a protective barrier between mouth and mic. This keeps long term damage, like the buildup of mold from exposure to saliva minimal. A simple to use clip-on style pop filter shield. This budget pop filter mimics all the features found in typical high-end studio pop filter designs. It has been constructed with a dual layer of woven nylon mesh, which softens the force of the vocals thrown into it, deadening pops. The standard circular shield concept has been tried and tested throughout the music industry. Proven to aid in the creation of professional level recordings.However, not all pop filters are compatible with the Blue Yeti due to its non-standard base design. To help you find the pop filters that can attach specifically to the Blue Yeti’s base, we have compiled this list below. Best Blue Yeti Pop Filters What we like about this pop filter is that it caters specifically to the Blue Yeti’s non-standard base design which traditional pop guard clamps find difficult to attach to. The clamp for this pop guard is flat instead of curved so that it will sit directly against the Yeti’s stand. Are you singing, speaking, or recording a musical instrument? Is it for live broadcasting use? Maybe you need something, which strongly filters as you go, as post editing is not an option. Will you be interviewing? If so, you will likely need something with permanent large coverage or you will have to sit uncomfortably close together to share the microphone.

Now if you are just looking for a foam windscreen without a layered pop filter for your Blue Yeti, this can be a good option. Again, this Pop Filter is specifically designed for Blue Yeti (see the diagram on how to attach the pop filter to the Blue Yeti stand). The pop filter also acts as a barrier which reduces corrosion and saliva droplets to extend the microphone’s life.The Blue Yeti microphone is a superb example of this with its four unique pattern settings and Tri-Capsule recording technology; it captures a clear recording with a professional degree of accuracy.

A word of caution though – foam windscreens aren’t particularly effective in filtering out plosives due to the fact that it doesn’t really eliminate air pressure around the mic. But it can still serve as an effective protection in combination with a dedicated pop filter. This windscreen is designed to fit both the Blue Yeti and Yeti Pro, and is also compatible with other condenser microphones with up to 2.5 inches in diameter.

Used extensively within the recording industry, things are rarely captured these days on microphones without some sort of pop shield or studio mic cover. It also has an adjustable clasp that can fit on surfaces up to 1.75” and connects directly to the edge of the table or desk or Blue Yeti stand. The adjustable clamp fits the Blue Yeti’s stand, but can also be attached to all types of microphone stands and USB microphones. The 2” screw on clamp is easily attachable and will not damage the microphone. The windscreen is made from high-density foam and can also reduce breath sounds and pops during live podcasts.

Because this pop filter is so affordable and comes as a combo with a windscreen for Blue Yeti, it remains out top recommendation. There are different schools of though on the subject what you need to take into account its intended use. If you are looking for a budget pop filter that is compatible with the Blue Yeti stand, the PEMO Tech 6 is a great choice. Not only does a pop filter help to filter out plosive sounds and some sibilance, it also protects your Blue Yeti from saliva droplets during recording sessions.This foam windscreen is specifically designed for use with a Blue Yeti mic. Needless to say it is a top contender when looking for the best pop filter for your new best-selling USB condenser microphone. This wind screen pop filter also fits other large top microphones on the market as well. So unless we want to tax our brains writing scripts and songs that contain none of the above letters our recordings are likely going to suffer in quality. Do you need a Pop Filter For Blue Yeti? As previously mentioned there are several letters in the alphabet who are the culprits responsible for producing these undesirable popping sounds; B, C, D, G, K, P, Q, and T are letters we produce with strong emphasis that can't really be softened sufficiently in a natural manner. S can also be an incredibly problematic sound producing a high frequency hiss, which is known as sibilant noise. It is a sound that is apparent in those with lisps but microphones detect such subtle changes in the space around them they can give lisps to the most eloquent speakers. I like the fact that this pop filter comes with a little padding on both surfaces of the clamp which protects your Blue Yeti stand. If you decide to go with foam as opposed to a fabric or metal mesh you want to make sure it is sponge-like and airy.