The term "eCollage" (electronic Collage) can be used for a collage created by using computer tools. Rowe's original approach was based on making comparisons between cultural events that conventional history kept widely separated and categorised, but which he unearthed from his vast personal erudition (in constant development) and placed together for comparison. His unorthodox and non-chronological view of history then made it possible for him to develop theoretical speculations such as his famous essay "The Mathematics of the Ideal Villa" (1947) in which he theorised that there were compositional "rules" in Palladio's villas that could be demonstrated to correspond to similar "rules" in Le Corbusier's villas at Poissy and Garches. Although like his MA thesis, this proposal was impossible to support with any evidence, as a speculation it enabled Rowe to elaborate an astonishingly fresh and provocative trans-historical critique of both Palladio and Le Corbusier, in which the architecture of both was assessed not in chronological time, but side by side in the present moment.

Collage film is traditionally defined as, “A film that juxtaposes fictional scenes with footage taken from disparate sources, such as newsreels.” Combining different types of footage can have various implications depending on the director's approach. Collage film can also refer to the physical collaging of materials onto filmstrips. Canadian filmmaker Arthur Lipsett was especially renowned for his collage films, many of which were made from the cutting room floors of the National Film Board studios.Mapping Abstract Concepts for Urban Design” a lecture presented to HTWG Konstanz – University of Applied Science, Faculty of Architecture and Design, Constance,Germany Rowe was among the first to openly denounce the failures of modernist urban planning and its destructive effects on the historic city; many of his most important books and essays are in fact more concerned with urban form than with architectural language. This early work, led to the contextualism school of thought which was likewise critical of modern urban design and architectural theory of design wherein modern building types are harmonized with urban forms usual to a traditional city. [6] Another technique is that of canvas collage, which is the application, typically with glue, of separately painted canvas patches to the surface of a painting's main canvas. Well known for use of this technique is British artist John Walker in his paintings of the late 1970s, but canvas collage was already an integral part of the mixed media works of such American artists as Conrad Marca-Relli and Jane Frank by the early 1960s. The intensely self-critical Lee Krasner also frequently destroyed her own paintings by cutting them into pieces, only to create new works of art by reassembling the pieces into collages. Wiesbaden, c.1900. figure-ground plan. Colin Rowe, Fred Koetter, Collage City (London: The MIT press, 1983), 82. Colin Rowe is British architectural historian, critic, theoretician and teacher. He graduated from Liverpool School of Architecture. Then, Rowe entered the Warbung Institute in London to study the history of Architecture under Rudolf Wittkower. In this time, he wrote his first essay “The Mathematics of Ideal Villa” in 1947. This essay is important for his career and his ideas about architecture. After the graduation from The Warbung Institute, he taught at the University of Texas at Austin and at the Cornell University in New York as a Professor. He influenced on world architecture and urbanism in the second half of twentieth century.

The image is made up from a series of historic plans and arranged to create a fictitious city plan. The highlighted plan in green is the upper acropolis of Pergamon, while the highlighted plan in red is the Uffizi in Florence. Mark Jarzombek, "Bernhard Hoesli Collages/Civitas", Bernhard Hoesli: Collages, exh. cat., Christina Betanzos Pint, editor (Knoxville: University of Tennessee, September 2001), 3-11. Collage is commonly used as a technique in children's picture book illustration. Eric Carle is a prominent example, using vividly colored hand-textured papers cut to shape and layered together, sometimes embellished with crayon or other marks. See image at The Very Hungry Caterpillar. It is surely apparent that, while limited structured spaces may facilitate identification and understanding, an interminable naturalistic void without any recognizable boundaries will at least be likely to defeat all comprehension.³ a b c d "Guggenheimcollection.org". Archived from the original on 2008-02-18 . Retrieved 2008-02-09.

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In these two portions of Piranesi’s drawings, Hadrian’s Villa on the left and Campo Marzio on the right, the building masses are highlighted in dark gray. Piranesi was able to discover how the urban fabric of Imperial Rome was collection of intersections made up of formal shapes. Hadrian’s Villa shown on the left and Campo Marzio on the right.

a b Muschamp, Herbert (8 November 1999). "Colin Rowe, Architecture Professor, Dies at 79". The New York Times . Retrieved 29 July 2014. Colin Rowe and Fred Koetter were both influential architects and theorists. Rowe is known for making unconventional comparisons between cultural events and ideas, a practice that is evident in Collage City. Established in 1962, the MIT Press is one of the largest and most distinguished university presses in the world and a leading publisher of books and journals at the intersection of science, technology, art, social science, and design.

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Le Corbusier's Villa Savoye was compared in studies by Colin Rowe directly to Palladio's neoclassical Villa Rotonda. Collage and modernism [ edit ] Hannah Höch, Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919, collage of pasted papers, 90x144cm, Staatliche Museum, Berlin.