The Drawn Blank Series

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Not only are some of Dylan’s earlier shows not yet entirely sold out — a good indicator of a print’s investment value — but his work also sells for less or the same as its original gallery costs on the secondary market. Whilst travelling on tour between 1989 and 1992, Bob Dylan created a collection of drawings that were published in a book entitled 'Drawn Blank' in 1994. These expressive works capture Dylan's chance encounters and observations. The creation of these portraits, interiors, landscapes, still lifes, nudes and street scenes were done to "relax and refocus a restless mind".Ingrid Mössinger - the curator of the Kunstsammlungen Museum, in Chemnitz, Germany - came across Drawn Blank' during a visit to New York in 2006. A collection of Bob Dylan's drawings and sketches, made while on a tour of America, Europe and Asia between 1989 and 1992, were published in 'Drawn Blank' in 1994. These drawings were re-worked and first shown at a museum exhibition in Germany in autumn 2007, and at Halcyon Gallery, London in 2008 to huge critical acclaim. In 2010 an exhibit of additional paintings premiered at the National Gallery of Denmark, in Copenhagen. What followed was an artistically significant publishing programme which continues to draw great interest as a source of insight into Bob Dylan.

Although Bob Dylan is best known as a singer and songwriter, he is also a writer, film director, actor, radio broadcaster and artist.The Drawn Blank series reveals the artist's penchant for experimentation and spontaneity, with each brushstroke imbued with a raw and visceral energy. While Dylan's artistic style may appear deceptively simple at first glance, it is this very unpretentiousness that allows the observer to connect deeply with the essence of his compositions. Since releasing his debut studio album, Bob Dylan, in 1962, Dylan's cultural influence has extended beyond music to encompass art and literature. In 2016, he became the first songwriter to win the Nobel Prize in Literature for 'having created new poetic expressions within the great American song tradition'. Such is his effect on wider culture that 'Dylanology' - the study of Dylan's work - has canonised his songwriting, poetry and art for new generations to dissect and interpret. At Harvard University, Dylan's work is taught by its Professor of the Classics, Richard F. Thomas, alongside the Roman poets Ovid and Virgil. Drawing upon a diverse range of subjects, Bob Dylan's Drawn Blank series showcases his masterful use of line, form, and colour, which exudes a sense of introspection and emotional depth. Comprising sketches, watercolours, and gouaches, the collection is a vibrant interplay of vivid hues and subtle shades, evoking a palpable sense of movement and life. To reflect the amazing body of work contained in 'The Drawn Blank Series', a publishing programme of limited edition graphics commenced, releases in 2008, 2009, 2010, 2011 and 2012 generated huge worldwide interest, leading to many of the pieces selling out immediately. Summer 2013 saw the release of 'The Drawn Blank Series 2013', a portfolio of eleven pieces reflecting some of the best images from the collection. Now 'The Drawn Blank Series 2016' continues the journey with some of the most profound and haunting images yet released. The exhibition is curated by Ms. Katharine J. Wright, Consulting Curator EXHIBITION MATERIALS– High resolution images, captions, wall texts.

More than a decade later, Dylan was approached by the Chemnitz Art Gallery in Germany with a request to mount an exhibition of his sketches and drawings. It was the first time he had an offer of this kind and accepted. This interest in his work inspired him to revisit his art and prompted the creation of 320 new pieces. These new creations were subsequently used for the exhibition and make up the Drawn Blank series today. Capturing passing snapshots of life on the road, anonymous figures and hidden-away places, the paintings are based on images sketched by Dylan, reflecting his travels in Europe and America between 1989-1991. The diverse scenes – still-life, landscape, cityscape, seascape, or portrait – are enlivened with Dylan’s varied perspectives and bursts of intense, piercing colour. Compositions of earthy tones alongside soaring blues unite select groupings of paintings, irrespective of subject matter.

Bob Dylan's art is a glimpse of the world through his eyes. These paintings show a man on the periphery, constantly peering in, observing and are somewhat telling of life on tour. Views of hotel rooms, car parks and awkward looking people in bars are just some of the subjects he paints. Bob Dylan created a collection of drawings that were published in a book entitled Drawn Blank in 1994. These expressive works captured Dylan’s chance encounters and observations whilst travelling on tour between 1989 and 1992, creating portraits, land and cityscapes, interiors, nudes and still life were done to “relax and refocus a restless mind”. Mondo Scripto opened at Halcyon Gallery in London. The exhibition presented a selection of Bob Dylan’s most iconic songs, handwritten in pen on paper and accompanied with a corresponding drawing in graphite, also on paper. As Tom Piazza, a celebrated novelist and writer on American music, writes in the introduction to the exhibition catalogue, 'Dylan’s restlessly creative mind is never wholly satisfied, and those familiar with these songs will find surprise at many a new turn of phrase. The unexpected couplings of these works and images offer a surprisingly intimate door into each song, adding dimension, delight and insight into the artist’s relation to his own work.' The Drawn Blank Series focuses on three years of Dylan’s artistic career, from 1989 to 1992. The works were drawn whilst touring America, Europe and Asia and reveal a personal insight into “a life lived out of a suitcase” [Andrew Graham-Dixon].The artist’s journeys between cities and towns are personified by his expressionist lines, which capture the instant moment of a place, person and time. Repeated motifs encourage the viewer to explore the depths of colour and the evolution of his work.

In 2011, New York based gallery Gagosian held an exhibition of Dylan's Asia Series of controversial acrylic paintings. Bob Dylan has been sketching since the early 1960s, although his work was only shown to the public and made available to buy in 2008. Dylan tends to take on different artistic styles in each of his series, which are generally inspired by the countries and cities he has travelled through whilst on tour. His Beaten Path collection, for example, saw him replicate the American heartlands in broad swaths of watercolour and acrylic on canvas, whilst the more recent Mondo Scripto series features graphite illustrations based on and accompanying his own lyrics.Throughout the series, viewers may recognise echoes of Dylan's music, as he translates his lyrical sensibility onto the canvas. His portrayal of human figures, cityscapes, and landscapes exudes a distinctive sense of fleeting moments frozen in time, inviting viewers to dive into the soul of the portrayed subjects and experience their narratives. Born Robert Allen Zimmerman, he would introduce himself as "Bob Dylan" during his early performances, a change inspired by his favorite poet Dylan Thomas. In an interview, Dylan said: "You're born, you know, the wrong names, wrong parents. I mean, that happens. You call yourself what you want to call yourself. This is the land of the free." Museum curators are provided with extensive information and may curate the exhibition to their specifications. Painting several versions of the same image using different colours and tones result in a dynamic variety of impressions, feelings and emotions. The choice and skill applying a different colour arrangement to the same original drawing enable Dylan to express hi feeling and perception of an idea or a view, continually evoking different feelings and reactions and thus creating evolving works of art. Dylan dates the origins of his work as a visual artist to the early 1960s. A few drawings reached the public gaze with album covers like Music from Big Pink(1968) and Self Portrait(1970). In 1974, Dylan spent two seminal months studying art with Ashcan School tutor Norman Raeben, who philosophised the importance of 'perceptual honesty' - painting life as it as seen, not imagined.Dylan says of this time: "He put my mind and my hand and my eye together, in a way that allowed me to do consciously what I unconsciously felt."