Symbolism: Symbolism is a use of symbols to signify ideas and qualities by giving them symbolic meanings that are different from their literal meanings. The red color symbolizes blood and love throughout the poem. The film has been released multiple times on DVD over the years. It was first released on DVD on December 3, 2002 by BCI. Blue Underground later released a limited edition version on September 27, 2005; Anchor Bay Entertainment released another version of the film later that same year. The film was last released on DVD by Desert Island Films on August 1, 2012. [3] Reception [ edit ] Very few battles are lost physically. Battles are lost almost always morally; the real victor like the real loser is the one who believes he is. ~ Joseph de Maistre

To exist is to change, to change is to mature, to mature is to go on creating oneself endlessly. ~ Henri Bergson Keep in mind that the literary term mood, is very similar to the term emotion . As it is by definition combined with setting, the mood can also be analyzed as atmosphere. Enjambment: It is defined as a thought or clause that does not come to an end at a line break; instead, it moves over the next line. For example, As they work, the men “snigger” and make jokes. They cruelly humiliate the young woman while feeling good about themselves. Bess is thinking about her “doomed man,” who she remembers telling her to “Watch for me by moonlight.” She is aware that he may show up at any time. Stanza 4 She twisted her hands behind her; but all the knots held good! The Highwayman’ by Alfred Noyes ( Poems) is a gothic narrative of tells of the story of the highwayman, the red coats who wanted to capture him, and his lover.Tim the Ostler, the poem’s third character, is introduced in the fourth verse. He is the one in charge of the horses, and he is watching this match. His “hair like mouldy hay” and “white face” give him a crazy or demented appearance. This is only one illustration of the potent imagery that Noyes employs in this poem. Like the highwayman, he has feelings for the landlord’s daughter. He listened in on their conversation, eavesdropping. There is a stark contrast between the attractive daughter, the flashy and confident highwayman, and Tim. Stanza 5 “One kiss, my bonny sweetheart, I’m after a prize to-night, Now he introduces the road, which is a major location in this poem. On this dark, windy night, it shines bright and white, a thin strip of light like a "ribbon of moonlight."

Here comes our main guy – the highwayman. All these lines tell us is that he's riding up to the old door of an inn.His face burnt like a brand. The simile here is the phrase “his face burnt like a brand,” as, again, “like” is used to draw a comparison between “face” and the iron tool heated to very high temperatures and used to “brand” or mark an animal, identifying the animal with a particular ranch or farm. The Highwayman, a romantic ballad poem written by Alfred Noyes, is considered one of the best British poems of all time. The imagery is tangible, the story dramatic, and even if you anticipate the ending, the poem is thrilling. The second part of ‘The Highwayman’ opens with the sentence “He did not come in the dawning.” He wasn’t where he was supposed to be when the sun dawned. He wasn’t there either at midday or when the sun was sinking. This is hardly encouraging, especially in light of the tenacity he displayed in the earlier stanzas. Instead of the highwayman approaching, the speaker sees “a red-coat troop marching” instead. They appear to be a crimson “gypsy’s ribbon” spreading across the moor. The “King George’s men” approach the “old inn-door” directly. Stanza 2 They said no word to the landlord. They drank his ale instead.