Rich Man's Whore Vol. II: Honest Seduction (Submissive Bareback Erotica)

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Though the main focus of EAL is contemporary work, erotic art and illustration has of course been around since people started drawing and painting. To celebrate the vast amount of erotic art and illustration produced in the last two hundred years, EAL is offering two fascinating illustrated presentations by the founder and curator of the world’s largest and best-known resource for erotic art, John from honesterotica. and comes to fruition as an artwork when these are performed. The words are usually displayed on a gallery wall with additional sheets of paper available, which viewers are encouraged to take away with them.

found illicit interest across Europe and continued to be revived whether in the form of direct copying, as in the set of sixteenth-century woodcuts, or by exerting influence as in the erotic engravings of Agostino Carracci (see below). An eighteenth-century text entitled In a career spanning more than four decades, the London-based artist Sardax has earned a well-deserved reputation as one of the world’s best-known contemporary illustrators of what has become known as femdom, short for female dominance. Though the term was only first recorded in 1986, the concept and practice are as old as human imagination, where mistresses, madams and dominatrixes are a constant theme in erotic literature and illustration.

Her reputation as a poisoner arose from several mysterious deaths that occurred around the Borgia family, including her own brother, Juan. It was rumoured she wore a hollow ring, containing poison, which she would deploy at parties. Thank you for asking me to contribute these thoughts to the honesterotica blog. I have enjoyed this opportunity to revisit the old days and look at them from a new perspective. It is very satisfying to know that my work still has relevance, and continues to bring pleasure to so many! Having trained in Abstract Expressionism, Semmel now turned to photo-realism, using that aesthetic’s crystal clarity to offer an alternative reality. We are also fortunate that Sardax has written about how what set him on the path of femdom illustration. In a 2015 blog post he writes: When you apply the Quantum Model to your response, the amount of stimulation of the body-mind components can vary. This is the unique and wonderful part of the model. Only you know what amounts you need of what. It’s the MORE factor. Do you need more mind or more body stimulation? It’s your job to communicate, to yourself and/or a partner.

however, while overt, is decidedly different from
that of the watercolor and pencil study shown here, which has more in common with the sexually explicit drawings Fuseli made while in Rome. Images such
as the Carracci was one of three brothers, including
the more famous painter Annibale, who did much to pioneer the seventeenth-century Baroque’s propulsive and detailed style of painting. Agostino himself was recognized as one of Italy’s finest engravers, thanks to the fine prints he made of paintings by contemporary masters, among them Paolo Veronese, Antonio Allegri da Correggio and Tintoretto. This particular series, though, is of his own design and shows him to be a talented artist in his own right, able to re-create classical themes and tell stories in a clear, concise manner. While the as his self-portrait, as an "expression of my heterosexual anxiety", and said that "masturbation at the time was the core of eroticism." Dalí was very open in interviews and
in his three autobiographies about his anxiety about genital intercourse as well as his preference for autoeroticism. A "panic fear of venereal diseases" began at a young age, when he saw medical photographs of the devastation they wreak in a textbook left by his father on the family piano. Dalí was also anxious about the size of his penis, which
he felt was small compared to those of his classmates, and an account of an intimidatingly large member in
a pornographic novel he had read led to his chronic impotence. He was still a virgin at the age of twenty-five (the time of this painting), when he met Gala Éluard, whom he married five years later. In fact, one chapter in a Dalí autobiography was entitled, "How to Become Erotic while Remaining Chaste"; but the artist said that his wife – who was ten years his senior – did help him to refine his masturbatory technique.Purely for myself, I have chosen to paint women in an almost mythical setting – sometimes floating in the air, as I sometimes do in dreams. Trees have always turned me on, as I think has been reflected in a lot of my work to date. Any excuse and I bring a tree into the scene! More recently I have started to paint portraits of actual trees in my area. Some of the older specimens have a powerful presence, and I try to show my personal connection with them as well as revealing their radiance and majesty. Lucrezia Borgia, the daughter of Pope Alexander VI, is given particular attention. Lucrezia is accused of is committing incest with her brother Cesare, and with her father, but it is commonly believed that that was a slander by her first husband, Giovanni Sforza, whom she married in 1493. The marriage was a political one, helping Alexander forge powerful ties with his uncle, the Duke of Milan, and she was just thirteen while Giovanni was twenty-six. Enemies of the influential family lapped up the incest stories, and rumours about Lucrezia’s general sexual behaviour were rife.