Cultural Theory and Popular Culture: An Introduction

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Cultural Theory and Popular Culture: An Introduction

Cultural Theory and Popular Culture: An Introduction

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Well, only if we think that reality is something beyond human intervention. If instead we understand that what we call reality is a human construct that can always be constructed differently, it becomes difficult to resist Muhammad Ali’s observation that ‘Impossible is not a fact. It’s an opinion’. The result would be that ‘No man shall have any more land than he can labour himself, or have others to labour with him in love, working together, and eating bread together . . . neither giving hire, nor taking hire’. Without workers to exploit and oppress they would have to work the land themselves. Without hired labour the large landowner would have to reduce his property to a size he could work with just family and friends. As Winstanley puts it, ‘if the rich will still hold fast this propriety of mine and thine, let them labour their own land with their own hands’. But if the rich for some reason cannot labour, providing they give up their land they will be welcomed into the community. There are two conclusions we can draw from a definition of culture as a terrain of shared and contested meanings. First, although the world exists in all its enabling and constraining materiality outside culture, it is only in culture that the world is made meaningful. In other words, signification has a ‘performative effect’; it helps construct the realities it appears only to describe. As Antonio Gramsci once pointed out, In other words, East and West are cultural constructions, directly connected to the imperial power of the West, but they are also forms of signification that have been realized and embedded in social practice. Cultural constructs they may be, but they do designate real geographic locations and guide real human movement and organize real political perceptions of the world. As Gramsci’s example makes clear, meanings inform and organize social action. To argue that culture is best understood as a terrain of shared and contested meanings is not, therefore, a denial that the material world exists in all its constraining and enabling reality, outside signification.

In this 7th edition of his award-winning Cultural Theory and Popular Culture: An Introduction, John Storey has extensively revised the text throughout. As before, the book presents a clear and critical survey of competing theories of and various approaches to popular culture. Its breadth and theoretical unity, exemplified through popular culture, means that it can be flexibly and relevantly applied across a number of disciplines. Also retaining the accessible approach of previous editions, and using appropriate examples from the texts and practices of popular culture, this new edition remains a key introduction to the area. To claim that culture matters because it is ultimately political compels us to move beyond all definitions that reduce culture to the arts with a capital A. In other words, it is a definition that rejects the arbitrary – and elitist – distinction between culture and popular culture. The politics of culture involves all of us because it is about the making and circulation of meanings, meanings which affect all of us. In the final stage, from about 1850 to 1890, ex-public schoolboys establish the Football Association in 1863 and the FA Cup in 1871 and then, working like colonial missionaries, gradually introduced the new civilised and codified game to the working class. In an account of the development of the game, published in 1906, the author is quite clear of the role played by, in particular, Eton, Harrow, Westminster and Charterhouse, ‘football, in its modern form, is entirely the product . . . of the various public school games’. The refusal to work for the rich, and the inability of the rich to work the land themselves, would bring about the downfall of private property and class difference. The proposed mass withdrawal of labour from working the land for wages was in effect a general strike. What made it more sustainable than most general strikes, was that working for wages was being replaced by working as a community to support each other. In other words, the withdrawal of labour would produce an alternative economic and social system. Not giving hire nor taking hire would deny to the landowners the workers they needed to cultivate their estates. The meeting and vanquishing, in a most severe trial of athletic skill, of a club composed of sons of some of the families of the upper class in the Kingdom . . . as the Old Etonian Club is, by a Provincial Club composed of entirely, we believe, of Lancashire Lads of the manual working-class, sons of small tradesmen, artisans, and operatives.'On Sunday 1 April 1649 a group of between twenty and thirty poor men and women began to dig the earth on St George’s Hill in Surrey. According to a government spy, ‘They invite all to come in and help them, and promise them meat, drink and clothes. . . . They give out, they will be four or five thousand within ten days. . . . It is feared they have some design in hand’. Although Karl Marx did not have a fully developed theory of culture, it is possible to discover the basis of one in his understanding of history and politics. What this understanding points to is the insistence that if we are to critically comprehend a cultural text or practice, we have to locate it historically in relation to its conditions of production. What makes this methodology different from other ‘historical’ approaches to culture is Marx’s conception of history, contained in the now famous (and often deliberately misunderstood) ‘base/superstructure’ model of historical development.

What these games had in common was a ball and the idea of getting the ball to a ‘goal’. But the rules were oral and various. Teams could be any size from 2 up to 2,000, and the playing area could be the whole village, or the space between two villages. A game could last all day and was often played during village celebrations (Shrove Tuesday, village fairs and feasts, etc.). In other words, Winstanley’s revolution does not propose to take land from the rich, but to deny to them the means to cultivate it. If the poor work together to produce for themselves, the rich will have no labour to hire and exploit. As he explains, ‘None can say, their right is taken from them; for let the rich work alone by themselves and let the poor work together by themselves; the rich in their enclosures, saying this is mine; the poor upon their commons, saying this is ours, the earth and fruits are common’. What is taken from the rich is the capacity to exploit the labour of others. If they want lots of land, let them work it by themselves. When this proves impossible, they will have to join with the new community of common ownership. In other words, the public school version was just one version, but a version with the power to impose itself on the formal organisation of the game and on the writing of the game’s history. But alongside this version there existed another, which we might call working-class football. The existence of this second version would also help explain how what is presented as the public school game was able to develop so rapidly in the industrial North and the Midlands. Of course there are what we might call objective conditions of possibility that clearly limit and constrain desire, but often what is presented as objective conditions of possibility are little more than ideological obfuscations designed to force desire to bow down before the twin gods of realism and impossibility. Retaining the accessible approach of previous editions and using appropriate examples from the texts and practices of popular culture, this new edition remains a key introduction to the area.Unrealistic is always put forward as an absolute, as if reality were fixed and unchanging and always beyond the reach of human intervention. However, once we recognize that reality is a historically variable human construct, the charge of being unrealistic seems far less conclusive and far less persuasive. No man can be rich, but he must be rich either by his own labours, or by the labours of other men helping him. If a man have no help from his neighbour, he shall never gather an estate of hundreds and thousands a year. If other men help him to work, then are those riches . . . the fruit of other men’s labours as well as his own.



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