The Original Kama Sutra Completely Illustrated

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Chcete-li jako muž svést a nalákat manželku jiného muže do svých osidel, měl byste si přečíst právě tuto část Kamasutry. Nehledejte v tom návod na hledání milenky. V době psaní Kamasutry bylo mnohoženství běžně praktikovanou společenskou záležitostí a šlo tedy o nalezení další manželky do vlastního harému. 6. Část: O kurtizánách Wendy Doniger (2016). Redeeming the Kamasutra. Oxford University Press. pp.155–157. ISBN 978-0-19-049928-0. Archived from the original on 21 December 2019 . Retrieved 20 November 2018. One work in the English language is somewhat similar to these works of the Hindoos. It is called " Kalogynomia; or the Laws of Female Beauty," being the elementary principles of that science, by T. Bell, M.D., with twenty-four plates, and printed in London in 1821. It treats of Beauty, of Love, of Sexual Intercourse, of the Laws regulating that Intercourse, of Monogamy and Polygamy, of Prostitution, of Infidelity, ending with a catalogue raisonne of the defects of female beauty.

Tato část se zabývá různými druhy polibků a forem milostné předehry. Pokračuje známým popisem sexuálních pozic a jejich vlivem na intenzitu orgasmu prožívaného oběma partnery. Nezanedbává ani popis sexuálních úchylek a milostného trojúhelníku. 3. Část: Získání manželky Human relationships, sex and emotional fulfillment are a significant part of the post-Vedic Sanskrit literature such as the major Hindu epics: the Mahabharata and the Ramayana. The ancient Indian view has been, states Johann Meyer, that love and sex are a delightful necessity. Though she is reserved and selective, "a woman stands in very great need of surata (amorous or sexual pleasure)", and "the woman has a far stronger erotic disposition, her delight in the sexual act is greater than a man's". [51] Manuscripts Kamasutra více než zřetelně ukazuje, že pouhý sexuální akt bez lásky, úcty a něhy není ničím víc než uspokojením pudů, podobně, jako se žíznivý člověk potřebuje napít vody. Správné pochopení umění lásky spočívá v tom druhého přijmout a milovat a teprve poté se ze vzájemné blízkosti a přitažlivosti mohou zrodit další plody takového vztahu, jako je nasycení sexuální touhy a extáze. V tomto smyslu by se člověk měl seznámit se všemi polohami kamasutry, které osvěží uvadající sexuální život a přinesou i plody vzájemné lásky, tedy děti. Jak lidé přistupují ke kamasutře v současnosti? The subject of this group suggests the influence of the ideas of a serpent cult. Serpent worship is still one of the religions of India. It was formerly very widespread, and influenced the decoration of many other monuments, especially the Buddhist stupas of Sanchi and Amravati. The intimate association of the serpent with woman in the minds of all primitive peoples is not as obvious as its association with the lingam (phallus). Here the substitution of the serpent for the male organ is suggested. . . . This group appears to illustrate a part of Brahmanical belief associated with the Apsaras. They were originally spirits of the clouds and waters, semi-divine nymphs said to have sprung from the churning of the ocean. In the Rig-Veda there is but one Apsaras, who, as the wife of Gandharva, gave birth to the first mortals Yama and Yami. In the heroic age there are many Apsaras and many Gandharvas who form part of the retinue of Indra, the first as dancers, the second as musicians. One of the uses the gods had for the beautiful Apsaras was a means of humbling the ​over-pious ascetic. So strongly did the Hindoo believe in the efficacy of his ritual that he held a devotee could, through austere practices, develop supernatural powers that made him a rival and even a being superior to the gods. Obviously, the gods could not have this. To humble him through the symbolism of the sexual act was both pertinent and suggestive. . . . The figure behind the man may be another Apsaras who was sent along to make certain the reduction of an especially obdurate case, or it may have been intended to represent the god himself assisting at the rite. Or, again, the group may represent two proselytes accompanied by an instructor. Muž je v souladu s principy této knihy nejenom příjemcem sexuálního potěšení. Měl by ženu také podporovat a učit ji nést odpovědnost za své emoce. Právě muž by měl ženě vytvářet podmínky, které v ní nebudou podněcovat touhu hledat si jiného muže, který by byl přitažlivější a příjemnější.

Chapter II. On the Conduct of the Eldest Wife Towards the Other Wives of her Husband, and of the Younger Wife Towards the Elder Ones... The defining object of the Indian Kamasastra literature, is the harmonious sensory experience from a good relationship between the self and the world. James Lochtefeld (2002), The Illustrated Encyclopedia of Hinduism, Rosen Publishing, New York, ISBN 0-8239-2287-1, pp 55–56

He says that he composed the work after reflecting on the ‘aphorisms of love’ as revealed by the gods, and after studying the opinions of Gonikaputra, Muladeva, Babhravya, Ramtideva, Nundikeshwara and Kshemandra.Intercourse, what it is and how, positions, various methods, bringing variety, usual and unusual sex, communicating before and during intercourse (moaning), diverse regional practices and customs, the needs of a man, the needs of a woman, variations and surprises, oral sex for women, oral sex for men, opinions, disagreements, experimenting with each other, the first time, why sexual excitement fades, reviving passion, quarreling, keeping sex exciting, sixty four methods to find happiness in a committed relationship Albrecht Wezler (2002). Madhav Deshpande; Peter Edwin Hook (eds.). Indian Linguistic Studies: Festschrift in Honor of George Cardona. Motilal Banarsidass. pp.316–322 with footnotes. ISBN 978-81-208-1885-9. Archived from the original on 25 January 2022 . Retrieved 28 November 2018. Jyoti Puri, who has published a review and feminist critique of the text, states that the " Kamasutra is frequently appropriated as indisputable evidence of a non-Western and tolerant, indeed celebratory, view of sexuality" and for "the belief that the Kamasutra provides a transparent glimpse into the positive, even exalted, view of sexuality". [115] However, according to Puri, this is a colonial and anticolonial modernist interpretation of the text. These narratives neither resonate with nor provide the "politics of gender, race, nationality and class" in ancient India published by other historians and that may have been prevalent then. [116] Of Gains and Losses, attendant Gains and Losses, and Doubts; and lastly, the different kinds of Courtezans.