Jo, s’më zuri afshi seksual për të udhëtuar në Sudan dhe për të shpikur viagra me qëllim përdhunimin e gjenive të 2022-it. (Meqë ra fjala kjo është pak a shumë përmbajtja) Jo për gjë, por në krahasim me 1920ën, gjenitë janë me pakicë… 😂 Sex is the main theme in this novel and it is all Oswald is concerned about. Although Oswald promises to tell his reader about how he amassed his fortune, he ends up describing his sex life in obscene detail. Dahl paints this in a humorous light, understating some darker elements in the texts that seem to suggest coercion. Sungguh buku yang liar! Kalau rajin baca Roald Dahl pasti sudah tidak asing dengan keliaran imajinasinya yang membuahkan, antara lain, Matilda dan Charlie and the Chocolate Factory. Tapi kali ini dia membawa imajinasinya ke dimensi lain yang jauh lebih dewasa, My Uncle Oswald.

Si fillim, më duhet të theksoj se doli tejet parashikimit tim, edhe pse kopertina të jep një indicie për përmbajtjen. U shokova, dhe kishte pjesë mjaft të çuditshme, nëse mund të shprehem kësisoj, që s’di ç’të mendosh për Dahlin. Pernahkah terpikir bisa punya anak dari tokoh-tokoh hebat dunia seperti Monet, Picasso, Einstein, Puccini, Bernard Shaw atau dari raja-raja Eropa yang tak tersentuh? Tidak harus menikah dengan mereka tentu saja, karena peluangmu paling-paling satu banding seribu. Tapi dengan membeli sperma mereka. Sperma asli bersertifikat!

Foreshadowing: A really subtle one, of the Absence of Evidence type: for all the pride and enthusiasm Oswald takes in his scheme of selling the semen of a great deal of famous men for impregnation of the willing women, he only ever mentions in his memoirs the fourteen "children" of Proust. That's because he simply doesn't know what exactly became of all the other men's straws of semen, as Yasmin and Worseley swindled him of them by the end of the story, leaving only Proust's sperm behind.

Young Future Famous People: The framing device of "Bitch" has the narrator say that he's publishing this entry in defiance of his lawyer's advice because some well-known people involved in its events are still alive. This most likely refers to Biotte's assistant chemist Simone Gautier and the boxer Pierre Lacaille, though they're wholly fictional. His first children's book was The Gremlins, about mischievous little creatures that were part of RAF folklore. The book was commissioned by Walt Disney for a film that was never made, and published in 1943. Dahl went on to create some of the best-loved children's stories of the 20th century, such as Charlie and the Chocolate Factory, Matilda and James and the Giant Peach. A few edits, though, are so contrary to the spirit of Dahl that they feel like a violation. In The Witches, for example, the protagonist’s grandmother warns him to watch out for the evil women who rule the world. They are bald, and cover this up with wigs, as well as hiding their claws under gloves. The grandmother used to say: “You can’t go round pulling the hair of every lady you meet, even if she is wearing gloves. Just you try it and see what happens.” Instead, in the 2022 Puffin edition, she warns the youngster that “there are plenty of other reasons why women might wear wigs and there is certainly nothing wrong with that.”Roald Dahl was a British novelist, short story writer and screenwriter of Norwegian descent, who rose to prominence in the 1940's with works for both children and adults, and became one of the world's bestselling authors. Duke qenë se ka një goxha eksperiencë rreth letërsisë për fëmijë, pas përfundimit të librit, më shtyn të mendoj se ka një dualitet mjaft ekstrem te Dahli. Christopher Lehmann-Haupt called it "a festival of bad taste that is at heart so innocent that we soon forgive it and enjoy ourselves," "thoroughly juvenile fun," and said "I haven't had so much fun of this sort since my last all-night joke-telling session at summer camp." [2] Sure, the premise is crude, but what makes the book funny and endearing is Dahl’s unique brand of wit. Plus Yasmin, armed with a hat pin and watched over by Oswald, is never thought to be at risk. Like Penthouse letters, which no one takes seriously these days, each of Oswald’s stories is soaked in fantasy. Despite the content, much is described via euphemism or under silly circumstances, which keeps it from being vulgar. It’s warm, tongue-in-cheek, and seems crafted to humor more than titillate.