Salgado, Susana (2001b). "Caamaño, Roberto". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.

Kauffman created her own signature brand of historical painting that focused on female subjects from classical history and mythology. By emphasizing a mother's virtue as the source of her children's virtue, and, by extension, of social and political justice, Kauffman created an interpretation of classical heroism and idealism that included women. At the same time, as art historian Meredith Martin wrote, she sought "to undermine the dominant conventions of the history genre itself, and to provide her audiences with a different means of experiencing history and its representations," and, as a result, played a "significant role in reshaping eighteenth-century European society's attitudes toward creativity, selfhood, and gender identity." Neo-classical literature typically consisted of formal and rational texts that explored various social issues while borrowing heavily from antiquity. Read on for some examples! Neo-classical literature: Volpone (1606) KODEROVÁ, J., SOJKA, M. and HAVEL, J. (2011) Teorie peněz. Praha: Wolters Kluwer Česká republika. pp. 46–47. ISBN 978-80-7357-640-0. Available at: https://ndk.cz/uuid/uuid:961ebdd0-60ab-11e6-b155-001018b5eb5c. Neoclassical economics is characterized by several assumptions common to many schools of economic thought. There is not a complete agreement on what is meant by neoclassical economics, and the result is a wide range of neoclassical approaches to various problem areas and domains—ranging from neoclassical theories of labor to neoclassical theories of demographic changes. The change in economic theory from classical to neoclassical economics has been called the " marginal revolution", although it has been argued that the process was slower than the term suggests. [25] It is frequently dated from William Stanley Jevons's Theory of Political Economy (1871), Carl Menger's Principles of Economics (1871), and Léon Walras's Elements of Pure Economics (1874–1877). Historians of economics and economists have debated:In form and thematic technique, neoclassical music often drew inspiration from music of the eighteenth century, though the inspiring canon belonged as frequently to the Baroque (and even earlier periods) as to the Classical period—for this reason, music which draws inspiration specifically from the Baroque is sometimes termed neo-Baroque music. Neoclassicism had two distinct national lines of development, French (proceeding partly from the influence of Erik Satie and represented by Igor Stravinsky, who was in fact Russian-born) and German (proceeding from the " New Objectivity" of Ferruccio Busoni, who was actually Italian, and represented by Paul Hindemith). Neoclassicism was an aesthetic trend rather than an organized movement; even many composers not usually thought of as "neoclassicists" absorbed elements of the style. Compared to the class leaders at this level, they aren’t as crystal clear or technically precise as the leaner-sounding Austrian Audio Hi-X55, which are more analytical in the way they surface detail and express themselves dynamically. Verdict The original church had a vast crypt, containing the relics of Sainte Geneviève and other religious notables, but, subsequently, has become a secular mausoleum for those designated as "National Heroes," including Voltaire, Jean-Jacques Rousseau, and, later, Victor Hugo and Émile Zola. The monumental edifice was the first of many Neoclassical buildings that became symbols of national pride and identity, as other nations, including the United States, widely adopted the style for official buildings. Avi J. Cohen and G. C. Harcourt (2003) Whatever happened to the Cambridge theory controversies? Journal of Economic Perspectives, V. 17, No. 1, pp. 199–214.

Neoclassical economics favors free trade according to David Ricardo's theory of comparative advantage. [24] This idea holds that free trade between two countries is always mutually beneficial because it allows the greatest total consumption in both countries.

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A central feature of neo-classical literature was engaging in criticisms of various social norms and hierarchies. Neo-classicism was often didactic , meaning it intended to teach its audience a particular lesson. The movement took issue with overt displays of emotion and chaos. It instead encouraged its readers to approach life with measured logic. It also challenged powerful church hierarchies, governments, and monarchies.