Their show included other puppets such as the Beakles (an avian parody of the Beatles), Topo Gigio, a mouse puppet who appeared in many later episodes, as well as a female pig. Other puppets included Ambrose Cat, Basil Bloodhound, Bertie Bonkers the baby elephant, Conchita the Cow, Horace Hare and Vera Vixen. It's short enough to warrant a reread to catch certain motifs (baths/underwater/torture) and how they play into the story. The subtle ways Pinky and Pepper both fail each other, culminating into a mutually destructive relationship which lands the two in hell, further exposing their flawed communication and combative behavior. There's plenty of subtextual exploration of lesbophobia (Characters hinting at Pepper eating a lot of clams while she's presenting her art, later saying she's in hell for "lesbianism") and the violence of it through the fates of Pinky and Pepper, think MONTERO by Lil Nas X. It's also an interesting dynamic subverting the classic one out of the gay pair dies trope, and continues their story beyond death, beyond hell, proclaiming eternal queer connection and solidarity. The reader has to think critically beyond their relationship and its clear pitfalls, and understand with the context of lesbophobia: Pinky and Pepper are two artists in love. They’re both students trying to refine their craft and find their audience, but neither one feels like they’re having much success. Pepper’s classmates criticise the singular focus of her art and her technique, whereas Pinky’s classmates applaud her technique, but argue that her work is devoid of meaning. Turning to each other for validation, the line between the devotion to their art and their devotion to each other becomes fuzzy. Co-dependent doesn’t even begin to describe their relationship. I never thought a surreal comic about gay puppygirls in love and in art school (and, after their tragic suicides, in hell) would ever make me cry, but here we are. Pinky, the performance artist of the relationship, literally gives her life to art and Pepper (the painter) follows soon after. There’s something so brilliant about a depiction of hell that leans into the worst of Catholic guilt so as to thoroughly subvert it: a hell where queer artists, through vivacious masochism and dedication to each other, thrive. Atoms says so much with so little, and has created something that could help anyone who gives their life to love and art flourish.” Running Gag: Mr. Guinea Pig playing the trumpet whenever the Great Big Fancy Word of the day is mentioned.

Shaking the Rump: Pinky, Tyler, and Mr. Guinea Pig shake their rears before they go into the Story Box. In "Try It, You'll Like It... Pretty Much", Tyler is subjected to butternut squash for dinner, which he thinks looks disgusting but he doesn't know what it tastes like, although decides not to try it anyway. Pinky tells a story about herself going to another planet to taste out-of-this-world food in a contest made by aliens, which all looks very off-putting. However, she gives all of the foods after hesitation a try and finds them all to be very good. Tyler learns that even disgusting-looking foods can be tasty. Pinky is a seven-year-old girl who lives in Great Big City with her parents, her four-year-old little brother, Tyler, and their pet, Mr. Guinea Pig. When a problem arises, Pinky dances her way to a cardboard box called her Story Box with Tyler and Mr. Guinea Pig and uses a piece of chalk and her imagination to tell a story. In the second season, Pinky uses the Story Pad, a notebook in which Pinky draws pictures for her newer made-up stories, whenever the Story Box is not available. After Pinky tells her story and solves the problem of the day, kids are invited to play an interactive game on the Cheese Sandwich toy, where they review details about the story. Enrico, Robin (July 2, 2018). "Pinky and Pepper Forever – A Deeply Human Story Rendered in a Fantastical Manner by Ivy Atoms". Broken Frontier.Red Oni, Blue Oni: Daffinee is the girly girl, rich, snobby, and arrogant Red Oni, while Pinky is the Genki Girl, optimistic, agreeable, and sweet Blue Oni. a key difference is that while pinky and pepper are shown as existing in hell, in danez smith's poem the vision is of a kind of paradise free of white supremacy. but what the narratives share is both holding the weight of the deaths of marginalised people while also imagining the possibility that things could be otherwise and on their own terms. In BBC1's Red Dwarf episode " Better Than Life", Rimmer refers to the Skutters as "Pinky and smegging Perky".

I had a lot of fun reading this! The art is super charming - I'm a big fan of the colored pencil look, and the various multimedia pieces with it added a lot to it. I found myself giving this a few rereads to look over details in the panels and found a lot of meaning even in just the imagery used.The distinct personalities of Pinky and Pepper are defined early on in this comic. Though they may personally define themselves by their relationship to each other, it is quite clear to the reader that they are distinctly different people. Though both have their insecurities, Pepper has more of a direct, stubborn side. She sings at karaoke while Pinky only watches, in their S&M play she is the dominant partner. But while Pinky may be more insecure, she’s also more dramatic, lashing out and anyone and everyone when she disagrees with them or feels vulnerable. This is a short read about two artists who love each other and are in a deeply unhealthy relationship. I do want to put some emphasis on that first thing, as it's the only other content warning I'd give this comic that it itself doesn't cover at the very beginning: Pinky and Pepper are really not good for each other. I know some people can't stomach reading about toxic relationships - and I don't like to use that term casually, but it applies here - so I'm just putting that forward.

Pinky and Perky are mentioned in The Bank Job, a 2008 British crime film, in reference to two supporting characters. Grand Finale: "Pinky's Silliest Story/Tyler's Big Idea". Arguably, "Pinky's Silliest Story" fits more as the show's finale than "Tyler's Big Idea". The episode story surrounds Pinky's family taking turns continuing a story by using random objects they find in a basket, and their story is actually an expanded version of the show's title sequence. At the beginning of the episode, we do also see televisions outside the house showing clips of previous episodes. A) There's a need for queer solidarity especially in danger or isolation for safety and survival, despite any differences or disagreements. These can be overcame and communities can mutually heal and grow together when they find a place to breathe.

Pinky Dinky Doo provides examples of:

Art Evolution: In the second and final season, the characters' skin tones are much lighter and despite the switch from Flash animation to CG animation, the show still has a lot of Flash-like qualities to it. SPX 2018 Ignatz Awards Nominees". Small Press Expo. 2018. Archived from the original on July 20, 2022.

Strictly Formula: Every episode follows the same structure. Pinky goes about her business, then Tyler shows up with a problem. The two dance and sing their way to the Story Box where Pinky uses chalk to tell the story related to Tyler's problem. Pinky will "Think Big" at some point to come up with the answer, and the story ends with Tyler having learned the moral. Visuals, 3D Effects: The second season is done with hints of very, very, VERY obvious cel-shaded CGI.

Pinky and Pepper Forever is a perfect example of the power comics can have to tell a deeply human story by rendering it in a fantastical manner. Atoms tells larger truths about the futility of seeking validation in notoriety by dragging two anthropomorphic dog dolls though hell. The way the book reveals in its art literacy is exactly what so finely sharpen the knife it drives into the heart of art school snobbery. Atom’s aesthetic is an exact match for the story, but it’s the conceptual choices made as a visual storyteller that hint at the even greater potential to tell all manner of stories in the future.”