Held at Wembley's Empire Pool, in north-west London, this was the last concert that the Beatles played before a paying audience in the United Kingdom. [52] Variation B. This variation has Times New Roman font. This label exhibits a new layout design most notably with side one having both “Taxman” and “Eleanor Rigby” on the first line. Yet it also displays the incorrect Dr. Robert spelling on side 2. The credits pattern of “Song (Composer)-Lead Singer” has also now switched to “Song-Lead Singer (Composer)”. This probably appeared in late 1966. Bray, Christopher (2014). 1965: The Year Modern Britain Was Born. London: Simon & Schuster. ISBN 978-1-84983-387-5.

American album certifications – The Beatles – Revolver". Recording Industry Association of America . Retrieved 15 September 2013. Wells, Matt (9 November 1999). "How Robbie headed Amadeus in the race to be music's man of the millennium". The Guardian . Retrieved 22 June 2020. Hertsgaard, Mark (1996). A Day in the Life: The Music and Artistry of the Beatles. London: Pan Books. ISBN 0-330-33891-9.Italian album certifications – The Beatles – Revolver" (in Italian). Federazione Industria Musicale Italiana . Retrieved 9 December 2019. Select "2019" in the "Anno" drop-down menu. Select "Revolver" in the "Filtra" field. Select "Album e Compilation" under "Sezione". Reviewing the album in late July, Cleave wrote, "I am tired of wondering how the Beatles keep it up, but how do they keep it up?" and she concluded, "Never have I been able to recommend an LP with more conviction." [377] Top Compact Disks (for week ending May 30, 1987)" (PDF). Billboard. 30 May 1987. p.54 . Retrieved 26 September 2020. Riley calls Revolver the Beatles' best album but also, in the edition issued by Capitol, their "most artistically compromised". [429]

Tyrangiel, Josh; Light, Alan (13 November 2006). "The All-Time 100 Albums". Time. Archived from the original on 9 November 2007 . Retrieved 24 June 2017.The Beatles' 'Revolver' Given Remixed, Expanded Reissue | Exclaim!". exclaim.ca . Retrieved 11 September 2022. Caulfield, Keith (7 November 2022). "Taylor Swift's 'Midnights' Spends Second Week at No. 1 on Billboard 200". Billboard . Retrieved 7 November 2022. This is easily the most amazing new thing we've ever come up with. Some people might say it sounds like a terrible mess of a sound ... But the song ought to be looked on as interesting – if people listen to it with open ears. It's like the Indian stuff. You mustn't listen to Eastern music with a Western ear. [264] I will get into the good stuff right from the jump, since I know a lot of you want to know how I (and we here at AP in general!) feel about this new stereo mix. To borrow a phrase from Adrian Belew of King Crimson, I like it! Castleman, Harry; Podrazik, Walter J. (1976). All Together Now: The First Complete Beatles Discography 1961–1975. New York, NY: Ballantine Books. ISBN 0-345-25680-8.

a b c d Plagenhoef, Scott (9 September 2009). "The Beatles: Revolver Album Review". Pitchfork. Archived from the original on 20 June 2017 . Retrieved 24 June 2017. The change in the dynamic between the Beatles and Martin began in 1964. [83] Speaking about his role in 1966, Martin said: "I've changed from being the gaffer to four Herberts from Liverpool to what I am now, clinging on to the last vestiges of recording power." [72] My only wish to make this fine box set even finer would have been for the Apple corps to have given us even more! Most hardcore Beatles fans like us would have loved another album or two of outtakes and rehearsals, of course. But, hey, the music itself herein is great, and, clearly, a lot of love and care went into its creation — and it all sounds pretty terrific too on vinyl. I’m happy about this new Super Deluxe Revolver 4LP/1EP box set, hands down — and I think you will be too! Instead, Klaus Voorman’s hand-drawn art and collage — which includes The Beatles’ real eyes of psychedelic “experience” piercing through to the knowing viewer — capture more of the irreverent, forward-looking mood of where The Beatles actually were in 1966, and where the then-burgeoning underground music scene was heading via West Coast and London psychedelia movements alike.

Credits

Levy, Shawn (2002). Ready, Steady, Go!: Swinging London and the Invention of Cool. London: Fourth Estate. ISBN 978-1-84115-226-4.

Prendergast, Mark (2003). The Ambient Century: From Mahler to Moby – The Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury. ISBN 1-58234-323-3. The Beatles – Revolver". hitparade.ch. Archived from the original on 4 August 2017 . Retrieved 28 June 2017. A bonus disc on the new expanded, remixed and remastered box set of 1966’s Revolver offers an even more transformative experience: a jaw-dropping sequence of Yellow Submarine work tapes traces the song’s evolution from a fragile, sad wisp sung by John Lennon to its later iteration as a Ringo Starr-directed psych-pop goof. That the band steered Yellow Submarine from morose folk trifle to boisterous stoner singalong seems improbable, but the tapes don’t lie: through a combination of focused acoustic woodshedding and whimsical studio risks, the band arrived at the more familiar, upbeat Yellow Submarine. Baltin, Steve (9 September 2012). "Brian Wilson Holds Out Hope for New Beach Boys Music". rollingstone.com . Retrieved 24 June 2017.

Led Zeppelin

Brown, Peter; Gaines, Steven (2002) [1983]. The Love You Make: An Insider's Story of the Beatles. New York, NY: New American Library. ISBN 978-0-451-20735-7.