The Matrix Trilogy [4K Ultra-HD] [1999] [Blu-ray]

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The Matrix Trilogy [4K Ultra-HD] [1999] [Blu-ray]

The Matrix Trilogy [4K Ultra-HD] [1999] [Blu-ray]

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LFE effects are also impressive, punctuating gunshots and explosions with heart-pounding grunt. Dialogue is clean and intelligible. Don Davis' pulsating score also surrounds the audience as it helps build the movie's sensations of tension, horror, and wonder. Everything sounds clean and dynamic and like it was recorded in 2018, not 1999. Honestly, if Warners can make an older mix sound this good, Disney should be embarrassedby their new releases. Nokia flip phones aren't as cool in the face of touchscreen smartphones (but we'd love to get our hands on a Nokia 7110). And who doesn't start moving their head to the beat of Rage Against the Machine's Wake Up? Just us then? Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. After the first film's spectacular 4K release, and the Reloaded's matching 4K bow, it would be safe for fans to assume that Warner got it right third time out too, and thankfully they did, with Revolutions following suit for this 4K Ultra HD Blu-ray release, affording the film the same look as the first two, reconditioning the previously rampant 'Matrix green' that dominated the trilogy's earlier home video releases, and affording each and every instalment a much more natural look teeming with stunning Dolby Vision-enhanced highlights. the "data" world are almost naturalistic, except for tiny giveaways like the greenish highlights on

REALITY: That world is a hoax, an elaborate deception spun by all-powerful machines of artificial intelligence that control us. Keanu Reeves and Laurence Fishburne lead the fight to free humankind in the see-and-see-again cyberthriller written and directed by The Wachowskis and the winner of four Academy Awards®* The official synopsis is as vague as you'd expect, teasing a return to the Matrix for Neo. What we know is gleaned from the trailer.Twenty years since The Matrix Revolutions, Neo is living a regular life under his original identity Thomas A Anderson and is taking blue pills to counteract the 'hallucinations' he has. at least some of the benefits from this modern classic's 4K overhaul. (Specifications are listed here.) The new 1080p disc isn't The first sequel isn’t held in the same regard as the original, however it still has some excellent scenes and is easily the more enjoyable of the two sequels. How to stream The Matrix Revolutions in the UK

Sure, it was an impossible, thankless task, but that's doesn't make it any less forgivable, unfortunately. Sure, Neo was never supposed to turn godlike so soon in the movies, leaving the siblings with nowhere to go in terms of their original, planned revelations. But the twisty-turny journey to the 'truth' as expounded by the nonsense-spouting Architect was a death knell to this series; a bell which couldn't be un-rung. If you notice on this new transfer, this subway station has a white color palette, but with the Dolby Vision, you'll be able to see the quiet shades of green in each tile, signifying the Matrix world. Similarly, in the final battle between Agent Smith and Neo, you'll notice the tall skyscrapers and various amounts of cars lines up on the street, which have an amber glow to them, but also have the slight greenish tint to every shine and reflection in the raindrops and windows. It's quite astonishing and not as blatant in the Blu-ray releases. Those same three individual releases are exactly what’s included together here in The Matrix Trilogy set, in three UHD cases with a slipcase to hold them. for the dynamics of the HDR format. The Matrix is created in two worlds: the "real" world in cool blueDetail is just incredible at times, very sharp and revealing - the corridor sequence is an excellent showcase for this. Complexions are varied but strong, well composed and natural-looking. I sincerely envy those who will watch this movie for the first time. Unfortunately, former impressions can not be returned, as well as not to experience those former delightful emotions from viewing. Completely forgot to say about the acting, but it's better to see everything yourself than hear a hundred times. The role of Morpheus for Lawrence Fishburne, as well as the role of Smith's agent for Hugo Weaving, have become notable in their careers, and their images have long been remembered by all kinomanov. The only real negative of the image is around how, on occasion, these searing highlights on the edges of faces occasionally take on an odd colouration – shades of teal and bright pink are noticeable in some of these (not all, just some) that feel out of place. And while it's not a negative as such, the overall style of the image is smooth. Very smooth. Not waxy or looking like DNR has been liberally applied, just incredibly clear – which combined with the digital source means the image itself has no texture to it all. Some may therefore simply miss that organic feel to their image, this being such an overtly digital one (but obviously perfectly in keeping with the themes of the film itself).

LFE effects are also impressive, punctuating gunshots and explosions withheart-poundinggrunt. Dialogue is clean and intelligible. Don Davis' pulsating score also surrounds the audience as it helps build the movie's sensations of tension, horror, and wonder. Everything sounds clean and dynamic and like it was recorded in 2018, not 1999. Honestly, if Warners can make an older mix sound this good, Disney should be embarrassedby their new releases. The detail is superb, whether it's the pores and skin textures in character closeups, or the grungy It’s a constant barrage of sound from the off, the film’s sound designer and mixer unapologetically using every speaker at their disposal to create a fully immersive and hugely aggressive sound field. The intensity of colours is stronger. They are deep and vivid in a way that produces a richer, more textured look. Accuracy is better, and colours are better resolved. For example, the green interlaced code of the matrix is brighter, but it's not overwhelming. It's a beautifully balanced image and in some respects, this is a more naturalistic image than we've seen of this film.original stems and effects from the archive and using the expanded capabilities of Atmos' object-based system to bring the Available on both the 4K Ultra HD Blu-ray and Blu-ray ( thank you, Warners!), The Matrixroars to life with an intense, reference quality Atmos mix that's sure to test the accuracy of any Dolby Atmos home theater system or sound bar. The movie has been a go-to demo disc since the days of DVD, but this is a whole other level.

This is primarily a 4K review, but let's start with the new Blu-ray first because, in and of itself, it's a dramatic upgrade from the 2009-era Blu-ray. Even though our writer awarded that release a 5-star video grade at the time, in hindsight, and in comparing all three discs for this review, I'd call the original Matrix Blu-ray a 3.0 or 3.5 transfer at best. It's a mess of digital tinkering, poor detail rendering, smeared color grading, and banding galore.Perceivable resolution takes another step forward, revealing fine details in the costuming, actor faces, and production design. The film grain structure is also more prevalent, alluding to the movie's Super 35mm origins. Yet, despite these improvements, I couldn't help but notice that overall sharpness isn't always consistent. As an example, look at Chapter 13, which begins with a Neo-Morpheus conversation. Neo's clothing and Morpheus' face are crisp and detailed while Neo's face seems a touch waxy. Perhaps it's a depth of field issue in the original photography or perhaps some digital smoothing has been applied, I can't quite tell. Available on both the 4K Ultra HD Blu-ray and Blu-ray ( thank you, Warners!), The Matrix roars to life with an intense, reference quality Atmos mix that's sure to test the accuracy of any Dolby Atmos home theater system or sound bar. The movie has been a go-to demo disc since the days of DVD, but this is a whole other level. In this explosive final chapter of the Matrix trilogy, Neo, Morpheus and Trinity battle to defend Zion, the last real-world city, against the onslaught of the machines that have enslaved the human race. And, now as Neo learns more about his heroic powers--including the ability to see the codes of things and the people, he faces the consequences of the choice made in The Matrix Reloaded. just two years earlier, with Warner Brothers as its main proponent. The first DVD-by-mail rental service,



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