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I was drawn to A Fatal Crossing first by the cover, then when I saw that it was a Golden Age-style mystery novel set at sea in the 1920s, I was even more interested!
The pace of the book was okay, it was neither super fast nor agonizingly slow, just perfect. I loved that we get different perspectives throughout the night, to get inside scopes to the different guests' mind and their anxiety through the night.
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It’s November 1924, when the ship Endeavour sets sail from Southampton for New York, with a total of 2000 passengers and crew.
What took the cake though was the ending. My initial review said that I gasped out loud – I did!!!!! – but upon reflection, I think it’s an utterly underserved plot twist meant to do nothing but that: induce gasps. I don’t want to compare it with GOTs “Red Wedding” because different things happen, but it was about as unexpected. I usually LOVE unexpected plot twists, I live for them in my murder mysteries, but this one was so out of the blue, so far-fetched, ungracious and ungrateful to everything that came prior that it felt wrong and unearned. It’s super hard to talk about it without spoiling anything but it’s basically meant to turn the whole novel on its head and make you see it in a different light. I just thought it was lazy writing to make an otherwise super dull plot and average novel more exciting. I mean, I’m 100% pro-choice, I just wish the author had chosen a different ending for this book. But at least, that made him have something in common with the other characters because they were just as flat. When I say flat, I mean Ewan-McGregor-in-Trainspotting-flat ( physically speaking!!). Birch is supposed to be more interesting because the reader learns early on that SOMETHING tragic happened in this past that he is still not over yet. All we know is that it’s a familial tragedy that makes him alienated from the rest of the crew, boohoo.Most of the characters are unlikable but that did not spoil the story at all if anything it only added more suspects to my list. From the despised to the pitied they are not only well-developed but realistic. Timothy Birch, an officer on The Endeavour, carries a great burden with him. His daughter Amelia has been missing for two years, and he feels responsible, as he was away at sea at the time. His wife Kate had pleaded with him not to go, worrying that should something happen, she wouldn’t have anyone to turn to, and then of course it did. Kate has since left him, and he’s completely distraught. They are to take part in a murder mystery game with a 1920s twist, and everyone has their own part to play. I requested this ARC from NetGalley last year, it was what prompted me to read the author's debut, A Fatal Crossing, which I DNF'd two thirds in. I thought it only fair to give The Murder Game a fair shot, but as 20% in, have decided to also DNF. The story is told from multiple povs, each with a very different and distinctive voice. I will admit that I struggled a little at the start to get the cast of characters straight and remember the relationships between them but I think that's mostly a me issue. I have a terrible memory for names and generally prefer a book to only have one or two povs. Once I got into the story I had absolutely no problems and found myself enjoying the different perspectives.
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